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ARTICLE: BOOK REVIEW

Ornette Coleman: The Territory And The Adventure

Read "Ornette Coleman: The Territory And The Adventure" reviewed by Steve Provizer

Ornette Coleman: The Territory And The Adventure Maria Golia 368 Pages ISBN: #9781789142235 University of Chicago Press 2020 Ornette Coleman holds a singular place in jazz history. The seeds of change in jazz had been sewn by Cecil Taylor, Sun Ra, John Coltrane and their cohorts, but Coleman's ...

ARTICLE: ALBUM REVIEW

Horace Tapscott with the Pan Afrikan People’s Arkestra: Ancestral Echoes – The Covina Sessions, 1976

Read "Ancestral Echoes – The Covina Sessions, 1976" reviewed by Karl Ackermann

When pianist/composer/conductor Horace Tapscott founded the Pan Afrikan People's Arkestra (PAPA) in 1961, it was by design a support collective for all arts, bringing pride to the black community, specifically that of South-Central Los Angeles. PAPA signified social activism, teaching empowerment, and advocating Tapscott's belief that channeling African ancestral roots was a key to succeeding. Tapscott, ...

ARTICLE: RADIO

Jazz from the Black Saint Label (1975 - 1989)

Read "Jazz from the Black Saint Label (1975 - 1989)" reviewed by Russell Perry

Ironically, the record label that most consistently offered an outlet for the American jazz avant-garde in the 1980s was the Italian Black Saint / Soul Note imprint. On All About Jazz, Jeff Stockton wrote, ..."from 1984 to 1989 Black Saint won the Down Beat critics poll for “Best Label" and “Best Producer" and established itself as ...

ARTICLE: RADIO

Whither Freedom? Avant-Garde Jazz in the '80s (1978 - 1990)

Read "Whither Freedom? Avant-Garde Jazz in the '80s (1978 - 1990)" reviewed by Russell Perry

In the 1980s, the avant-garde, although still home to many fine free jazz players, increasingly adopted an ecumenical approach to historical styles. Freedom came to include freedom to be “in the tradition." The broadly-influenced music of alto saxophonists Arthur Blythe and Henry Threadgill, clarinetist John Carter and pianist Don Pullen illustrate this trend--in this hour of ...

ARTICLE: ALBUM REVIEW

Horace Tapscott: The Dark Tree

Read "The Dark Tree" reviewed by Chris May

The year of writing this review, 2019, is the thirtieth anniversary of the recording of The Dark Tree. It is also the twentieth anniversary of the passing of Horace Tapscott, a forgotten master of politically engaged African American spiritual jazz. The album, which is among Tapscott's finest, is crying out for a 2019 anniversary reissue. STOP ...

ARTICLE: ALBUM REVIEW

Bobby Bradford-Hafez Modirzadeh Quartet: Live At The Blue Whale

Read "Live At The Blue Whale" reviewed by Alberto Bazzurro

Bobby Bradford, classe 1934, un passato accanto ad autentici giganti, da Ornette Coleman (in particolare l'epocale Science Fiction, anno di grazia 1971) a John Carter (ripetutamente), tanto per fare solo due nomi, si unisce al più giovane sassofonista Hafez Modirzadeh per dirigere questo pregevole quartetto, nella cui musica (nello specifico ripresa dal vivo nel locale del ...

ARTICLE: ALBUM REVIEW

Ab Baars: And She Speaks - A Collection Of Ballads

Read "And She Speaks - A Collection Of Ballads" reviewed by Mark Corroto

Mike Doughty of the rock band Soul Coughing wrote the lyric “is Chicago, Is Not Chicago..." to the song of the same name, followed by “a man cuts in half, just like he snaps a pencil..." The same could be said of And She Speaks -A Collection Of Ballads by saxophonist / clarinetist Ab Baars. This ...

Meet Mark Weber

Read "Meet Mark Weber" reviewed by Tessa Souter and Andrea Wolper

Almost every aspect of Mark Weber's life ends up intersecting with jazz; he just might be the original Renaissance jazz fan. A former wedding photographer, he found himself photographing nearly every jazz musician to pass through Los Angeles and Albuquerque in the past several decades and, without planning to, ended up writing for CODA, deejaying a ...

ARTICLE: ALBUM REVIEW

Vinny Golia Sextet: Trajectory

Read "Trajectory" reviewed by Mark Corroto

Walking in the canyons of a big city like New York or in the old-growth forests of California Redwoods, it is almost impossible to acquire perspective. One cannot stand back far enough to take in the enormity of the scene. It is best to embrace the hugeness and enjoy the experience. The same can be said ...


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