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Musician

John Carter

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Album

The Boyé Multi-National Crusade For Harmony

Label: New World Records
Released: 2021
Track listing: CD 1—The Boyé Multi-National Crusade for Harmony I: Dear Friend; Zuli; Band Introduction; At Harmony; Air Rings; Dimples: The Fat Lady on Parade.
CD 2—The Julius Hemphill/Abdul Wadud Duo: Syntax; Tightenin’; Slang; Unknown Title; Rhapsody; Downstairs.
CD 3—The Janus Company: Opener; #4; #3; Collective Improvisation; Dogon A.D.
CD 4—Chamber Music: Parchment (1988); Mingus Gold (1988); Nostalgia in Times Square; Alice’s Wonderland; Better Get Hit in Your Soul; Daedalus String Quartet: Unknown Title No. 1 (1981); Unknown Title No. 2 (1981).
CD 5—Roi Boyé Solo and Text: Trills; Unfiltered Dreams; Wade in the Water; Change My Clothes.
CD 6—The Boyé Multi-National Crusade for Harmony II: K.C. Line; Testament #5; Song Suite: At Harmony; Sixty/Sixty; Astrid; Mailika; Pull It; Rites; Pigskin; For Billie (for Billie Holiday); One/Waltz/Time.
CD 7—Live at Joyous Lake: Mirrors; Dung; Band Introduction; Would Boogie.

Album

Live at the Bing Theater; Los Angeles, 1985

Label: Dark Tree Records
Released: 2021
Track listing: Platform for Freedom; Faith; Agony in the Garden; Prayer #1; Deborah Tasmin; Improvised Bass Solo 5/25/85; Dance of Blessing, Happiness & Peace.

Article: Extended Analysis

The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Stefano Merighi


Che trionfo per Julius Hemphill! A dispetto delle poche pagine--o righe--che le recenti storie del jazz dedicano al maestro di Fort Worth, Hemphill emerge da questo cofanetto di inediti come sassofonista-improvvisatore-compositore tra i più profondi della musica afroamericana nei decenni compresi tra gli anni '70 e '90. E questa preziosa edizione non solo ...

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Article: Album Review

Julius Hemphill: The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Mark Corroto


There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...

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Article: Album Review

Roberto Miranda's Home Music Ensemble: Live at the Bing Theater; Los Angeles, 1985

Read "Live at the Bing Theater; Los Angeles, 1985" reviewed by Karl Ackermann


Roberto Miranda has appeared on almost one-hundred albums but has been lightly recorded as a leader, and inexplicably struggled to generate interest among labels. Dark Tree Records has released some great Horace Tapscott performances from the '70s and '80s. The label resurrected a Miranda-led session on Live at the Bing Theater; Los Angeles, 1985. Recorded at ...

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Article: Book Review

Ornette Coleman: The Territory And The Adventure

Read "Ornette Coleman: The Territory And The Adventure" reviewed by S.G Provizer


Ornette Coleman: The Territory And The Adventure Maria Golia 368 Pages ISBN: #9781789142235 University of Chicago Press 2020 Ornette Coleman holds a singular place in jazz history. The seeds of change in jazz had been sewn by Cecil Taylor, Sun Ra, John Coltrane and their cohorts, but Coleman's ...

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Article: Album Review

Horace Tapscott with the Pan Afrikan People’s Arkestra: Ancestral Echoes – The Covina Sessions, 1976

Read "Ancestral Echoes – The Covina Sessions, 1976" reviewed by Karl Ackermann


When pianist/composer/conductor Horace Tapscott founded the Pan Afrikan People's Arkestra (PAPA) in 1961, it was by design a support collective for all arts, bringing pride to the black community, specifically that of South-Central Los Angeles. PAPA signified social activism, teaching empowerment, and advocating Tapscott's belief that channeling African ancestral roots was a key to succeeding. Tapscott, ...

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Article: Radio

Jazz from the Black Saint Label (1975 - 1989)

Read "Jazz from the Black Saint Label (1975 - 1989)" reviewed by Russell Perry


Ironically, the record label that most consistently offered an outlet for the American jazz avant-garde in the 1980s was the Italian Black Saint / Soul Note imprint. On All About Jazz, Jeff Stockton wrote, ..."from 1984 to 1989 Black Saint won the Down Beat critics poll for “Best Label" and “Best Producer" and established itself as ...

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Article: Radio

Whither Freedom? Avant-Garde Jazz in the '80s (1978 - 1990)

Read "Whither Freedom? Avant-Garde Jazz in the '80s (1978 - 1990)" reviewed by Russell Perry


In the 1980s, the avant-garde, although still home to many fine free jazz players, increasingly adopted an ecumenical approach to historical styles. Freedom came to include freedom to be “in the tradition." The broadly-influenced music of alto saxophonists Arthur Blythe and Henry Threadgill, clarinetist John Carter and pianist Don Pullen illustrate this trend--in this hour of ...


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