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Copenhagen Jazz Festival 2010
by Jakob Baekgaard
Copenhagen Jazz FestivalVarious VenuesCopenhagen, DenmarkJuly 2-11, 2010 With the current crisis of the major record labels and the folding of venues all over the world, it could be argued that jazz, as an art form, has entered the age of survival where it is simply a basic matter of keeping ...
Joelle Leandre: Last Seen Headed (Live at Sons D’Hiver); Trace & Duo (Heidelberg Loppem) 2007
by Wilbur MacKenzie
Joëlle Léandre/François Houle/Raymond StridLast Seen Headed (Live at Sons D'Hiver) Ayler2010 Joëlle Léandre/Maguelone Vidal/Raymond BoniTraceRed Toucan2009 Anthony Braxton/Joëlle LéandreDuo (Heidelberg Loppem) 2007 Leo2009
Fred Frith: Mapping the Further Reaches
by Nic Jones
Multi-instrumentalist/composer Fred Frith occupies a unique niche. As a charter member of Henry Cow, a band for which improvisation was always an integral part of musical expression, he was partly responsible for some of the most radical music ever to have emerged from beneath the rock umbrella.So much so, in fact, that ...
Skinny Vinny: The Answer to Everything
by Gordon Marshall
Andrew Eisenberg is the percussionist for the Boston, Mass. duo Skinny Vinny--and a conceptual mastermind. Equally adept with hammer, saw, trash can, pots and pans, or what have you, he can make you think, or muse, by knocking together a table, or banging a stick against a window. An early piece, a big white room with ...
Eddie The Rat: Food For The Moon Too Soon
by Glenn Astarita
Composer, multi-instrumentalist and bandleader Peter Martin describes the methodology of his band, Eddie The Rat, as “head music for your feet." Here, the Bay Area twelve-piece unit is captured live in 2001 at Artist's Television Access in San Francisco. And when citing Martin's use of various instruments, it is worth noting that some of them include ...
George Lewis: A Power Stronger Than Itself
by Lloyd N. Peterson Jr.
As an improviser, educator and an explorer of musical expression, George Lewis has become one of the significant contributors towards the respect and recognition Jazz is finally receiving as one of America's most notable and distinguished cultural achievements. He recently published what I consider to be one of the most critical books on Jazz and African ...
Andrea Neumann: Pappelallee 5
by John Eyles
On the surface, the recording of this half-hour long piece by Andrea Neumann on inside piano should have been easy. Had it been recorded in a recording studio, it would have been and the end result would be very different to what's presented here. Instead of a studio, Neumann opted to work on it in her ...
Peloton: Funeral, Circus and other music
by Anthony Shaw
This might be something of a confusing album to track down, going under the same name as a Norwegian jazz quintet, issued on a little-known Finnish label, and featuring a style that is hard to readily classify. However, the big top featured on the cover sets the tone for this broad collection of pieces, as does ...
Denman Maroney: Udentity
by Troy Collins
Denman Maroney, the sole practitioner of “hyperpiano," has a singular technique that is a natural extension of the pioneering efforts of such visionary composers as John Cage, Henry Cowell and George Crumb. Expanding on the well-established practice of augmenting the interior strings of the piano with found objects, Maroney bows, plucks and scrapes the strings with ...
Lola Danza: Free To Sing Free
by AAJ Staff
Free jazz has wound its way through many permutations since arriving in the early '60s. An important custodian of its new directions is vocalist and composer Lola Danza, of Brooklyn. Danza is a graduate of Berklee College of Music, Boston, and stayed in Boston for a few years after graduating, developing her ...
