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Harry James, Quentin Baxter & Enrico Pieranunzi
by Joe Dimino
Italian pianist Enrico Pieranunzi kicks off the 766th Episode of Neon Jazz with music from is release New Visions (2019). We follow that up with music from Pieranunzi's early collaborator, trumpeter Chet Baker. As 2022 marches on, many artists are releasing albums and touring post-COVID restrictions. We profile new music from Quentin E. Baxter, John Lee, ...
A Few Of My Favorite 2022 Jazz Things (So Far) - Part 1
by Ludovico Granvassu
Since 2022 has been barreling down at breakneck speed... it's July already, which is actually the perfect moment to take stock of what the first half of the year had to offer to jazz fans. Please enjoy some of the tunes that have brought us most delight during the first six months of the year!
Roxy Coss, Deadeye, Gilad Hekselman, Johannes Wallmann & More New Releases
by Ludovico Granvassu
This week we focus on new and upcoming albums featuring emerging guitarists like Reinier Baas and Gilad Hekselman, electro-acoustic projects and more... Happy listening! PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Johannes Wallmann “Precarious Towers" Precarious Towers (Shifting Paragdim) 0:16 Host talks 5:34 Bill O'Connell “Enough Is ...
Johannes Wallmann: Precarious Towers
by Dan McClenaghan
Pianist Johannes Wallman set himself up with a hard act to follow when he released 2021's Elegy For an Undiscovered Species (Shifting Paradigm) an ambitious set of the leader's distinctive compositions played by an all-star quintet and string orchestra. It is a jazz with strings that leans to a spirited jazz side--cerebral and approachable at the ...
Elegy for an Undiscovered Species
Label: Shifting Paradigm Records
Released: 2021
Track listing: Elegy for an Undiscovered Species; Two Ears Old; In Three; Expeditor; Longing; The Greater Fool; Two Ears Old (reprise).
Size Matters: (Mostly New) Jazz for Big Bands and Orchestras, Part 1
by Ludovico Granvassu
More is not always necessarily better, especially in music. However, the proliferation of remarkable jazz big bands and orchestras of the last decade or so is providing plenty of material to prove that quality and quantity can go hand-in-hand. This week we focus on recent releases by some of the most compelling large ensembles around, the ...
Johannes Wallmann: Elegy for an Undiscovered Species
by Angelo Leonardi
Poco noto in Italia, Johannes Wallmann è un 47enne pianista e compositore nato in Germania ma cresciuto in Canada e formatosi musicalmente negli Stati Uniti (al Berklee College of Music di Boston e alla New York University). Vive a New York dal 1995 e ha pubblicato nove CD compreso il presente dove affianca un'orchestra d'archi a ...
Johannes Wallmann: Elegy For An Undiscovered Species
by Friedrich Kunzmann
Supported by the Artemis supergroup members drummer Allison Miller and trumpeter Ingrid Jensen as well as by long-time collaborator Dayna Stephens and bassist Nick Moran, Johannes Wallmann can count himself lucky to have a celebrity packed core band behind him to present six new cuts fresh off the pianist's pen. In addition to the celebrity lineup, ...
Johannes Wallmann: Elegy For An Undiscovered Species
by Dan McClenaghan
Pianist Johannes Wallmann's Elegy For An Undiscovered Species opens with the eleven minute title tune, a musical protest against the Anthropocene Extinction. That extinction is happening right now. Human activity—human predominance of the planet—is its cause. This opener does have an apocalyptic feel, with a dark piano trio intro and a dark strings backdrop seeping into ...
About Johannes Wallmann
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Johannes Wallmann
Born:
Johannes Wallmann’s fourth album as a leader features his NYC-based Brasstet, an innovative ensemble comprised of three brass (Ralph Alessi, trumpet; Josh Roseman, trombone; and Marcus Rojas, tuba) together with a rhythm section of bassist Sean Conly, drummer Fred Kennedy, and Wallmann on piano (Wallmann’s working piano trio for much of the past decade). The group’s instrumentation is nimble enough to allow for highly interactive ensemble play (such as the New Orleans-inspired collective improvisation of “The Sweet Minute”), yet rich enough in timbre to suggest a much larger brass choir (“Looms in the Mist”).
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