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510

Article: Album Review

David Sanborn: Only Everything

Read "Only Everything" reviewed by Joel Roberts


Only Everything is alto saxophonist David Sanborn's second straight release paying homage to one of his greatest and earliest influences, Ray Charles. While some jazz purists may dismiss Sanborn as a slick TV personality and practitioner of smooth or pop jazz, he's always had firm roots in bluesy, R&B-based jazz, dating to his early days playing ...

200

Article: Album Review

Tessa Souter: Obsession

Read "Obsession" reviewed by Joel Roberts


New York-based, British-born Tessa Souter is a jazz singer with interests far outside the jazz world. On Obsession, Souter mostly shuns well-trodden standards and classic jazz fare in favor of a varied set of rock, pop and Brazilian tunes. With her rich contralto and crystal-clear diction, Souter delivers lyrics with a theatrical, but ...

212

Article: Multiple Reviews

Marc Copland: Solo and Duo

Read "Marc Copland: Solo and Duo" reviewed by Joel Roberts


Marc Copland Alone Pirouet 2009 Gary Peacock/Marc Copland Insight Pirouet 2009 There's a reason, perhaps, that Marc Copland doesn't get the acclaim he deserves as one of the masters of ...

384

Article: Album Review

Jeremy Pelt: Men of Honor

Read "Men of Honor" reviewed by Joel Roberts


The title of firebrand trumpeter Jeremy Pelt's Men of Honor refers to the members of his quintet who, like their leader here, are among the foremost 30-something neo-bop players in jazz today. The album is a follow-up to Pelt's acclaimed November (MAXJAZZ, 2008), which marked this all-acoustic quintet's debut, and came on the heels of a ...

354

Article: Album Review

Arturo O'Farrill: Risa Negra

Read "Risa Negra" reviewed by Joel Roberts


Pianist, composer and bandleader Arturo O'Farrill is Latin jazz royalty. The son of the legendary Chico O'Farrill, whose collaborations with Charlie Parker and Dizzy Gillespie helped create the genre (and whose best-known composition, “Manteca," is reason enough for his status as a jazz icon), Arturo has long been a major innovator in his own right, with ...

360

Article: Album Review

Wayne Escoffery: Uptown

Read "Uptown" reviewed by Joel Roberts


On Uptown, his fifth album as a leader, the impressive 34-year-old tenor saxophonist {Wayne Escoffery employs an old-fashioned soul jazz lineup of sax, Hammond B-3 organ, electric guitar and drums. But don't expect to hear the sort of bluesy “uptown" jams associated with classic soul jazz tenors like Gene Ammons, Eddie “Lockjaw" Davis or Stanley Turrentine. ...

217

Article: Album Review

Heath Brothers: Endurance

Read "Endurance" reviewed by Joel Roberts


Endurance is a fitting word to describe Jimmy and Albert “Tootie" Heath, the veteran mainstreamers whose new release is their first since the death of their brother Percy four years ago. Jimmy Heath, who just celebrated his 83rd birthday, remains a titan on the tenor saxophone (and occasionally the soprano), playing with the relaxed ...

323

Article: Album Review

Cyro Baptista's Banquet of the Spirits: Infinito

Read "Infinito" reviewed by Joel Roberts


Multi-talented percussionist Cyro Baptista may have the most dazzlingly eclectic resumé in contemporary music. He's performed and recorded with mainstream jazzers like Herbie Hancock and Wynton Marsalis; downtown experimentalists like John Zorn and Laurie Anderson; pop icons like Sting and Paul Simon and major Brazilian stars like Milton Nascimento and Ivan Lins. And he may be ...

326

Article: Album Review

Johnny Varro: Two Legends of Jazz

Read "Two Legends of Jazz" reviewed by Joel Roberts


Though they're separated by nearly 30 years in age, veteran pianist Johnny Varro and clarinetist Ken Peplowski are a perfectly matched pair. Varro, born in Brooklyn in 1930, has been a leading proponent of small-group swing since the '50s, appearing over his long career with the likes of Pee Wee Russell, Buck Clayton and Eddie Condon. ...

219

Article: Album Review

Laurence Hobgood: When the Heart Dances

Read "When the Heart Dances" reviewed by Joel Roberts


Laurence Hobgood is one of those artists whose undeniable talents beg the question, “Why isn't he better known?" In Hobgood's case, part of the reason may be that he's spent most of the past decade and a half in a supportive role, as pianist and musical director for singer Kurt Elling--a pretty good gig, but one ...


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