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140

Article: Album Review

Joan Stiles: Three Musicians

Read "Three Musicians" reviewed by Dan Bilawsky


On the surface, Three Musicians is a smart collection of performances from a witty threesome, but closer observation reveals deep Cubist intent. In referencing one of Pablo Picasso's masterpieces, pianist Joan Stiles touches on a style of art that rarely finds an overt entrance into jazz, creating a layered, collage ideology within the very fabric of ...

317

Article: Album Review

Carol Morgan: Blue Glass Music

Read "Blue Glass Music" reviewed by C. Michael Bailey


Trumpeter Carol Morgan's Blue Bamboo debut, Opening (2010) was received uniformly, with accolades from all quarters. The Texas-native cum Manhattan-ite exploded out of Julliard following the tutelage of trumpeter Ingrid Jensen, and seemed to be everywhere at once. Morgan has been a constant in the DIVA Jazz Orchestra (with Sharel Cassity), and fronting her quintet, Carol ...

121

News: Festival

Django Reinhardt Festival Returns to Birdland June 28 - July 3

It may start to get HOT in June but not as HOT as it will be at Birdland June 28—July 3 when the Django Reinhardt Festival, due to popular demand, returns for a summer week. The annual November event will perhaps become a bi-annual one. There is a thirst for Django's style of music , as ...

563

Article: Extended Analysis

Omer Avital: Free Forever

Read "Omer Avital: Free Forever" reviewed by Charles Walker


Omer AvitalFree ForeverSmalls Records2011 Bassist Omer Avital is not a household name. Despite a surge of media coverage about the rise of Israeli expats on the New York jazz scene, despite playing a central role in a variety of ensembles at the now-beloved Smalls jazz club, and ...

215

Article: Album Review

Peter Eldridge: Mad Heaven

Read "Mad Heaven" reviewed by Dan Bilawsky


"Easy listening" is a term that's often associated with bland, tepid material which serves as background fodder in supermarkets and shopping malls, but the term isn't negative by nature. Easy listening has a positive side, and Peter Eldridge's Mad Heaven is the proof. Eldridge packages charming pieces in an easy-to-swallow format that belies the sophistication behind ...

Album

Project A

Label: Anzic Records
Released: 2010
Track listing: 1. The House That Jack Built; 2. Love the One You're With; 3. Don't Play That Song; 4. Spirit in the Dark; 5. It Ain't Fair; 6. Maybe I'm a Fool; 7. What a Friend We Have in Jesus; 8. Rock Steady; 9. Packing Up; 10. Ready to Go.

143

Article: Album Review

Tyler Blanton: Botanic

Read "Botanic" reviewed by Bruce Lindsay


Vibraphonist and composer Tyler Blanton's debut, Botanic, introduces the young musician as a lyrical and compelling player and composer. Blanton refers to himself as grounded in bebop and straight-ahead, but open to other approaches, a description that matches this eclectic collection of tunes. When Blanton solos his qualities as a player are clear, ...

295

Article: Live Review

Scott Feiner & Pandeiro Jazz at Zinc Bar, Nov. 4 2010

Read "Scott Feiner & Pandeiro Jazz at Zinc Bar, Nov. 4 2010" reviewed by Ernest Barteldes


Scott Feiner and Pandeiro JazzZinc BarNew York, NYNovember 3, 2010 For the CD release event for his third CD Accents (Zoho, 2010), pandeiro jazz innovator Scott Feiner took the stage with the same musicians that played on the recording sessions: Freddie Bryant (acoustic and 12-string guitar), Joel Frahm(tenor and soprano saxophone) ...

252

Article: Album Review

Scott Feiner: Accents

Read "Accents" reviewed by Dan Bilawsky


While drummer-leaders don't usually get enough credit, pandeiro-leaders usually don't exist. The pandeiro--a small, handheld instrument that marries that best traits of a deeper-sounding, jingle-less frame drum and a tambourine--is a staple of Brazilian percussion. When Scott Feiner first encountered the instrument, during his first trip to Brazil in 1999, he immediately took to it. In ...

198

Article: Album Review

Beat Kaestli: Invitation

Read "Invitation" reviewed by C. Michael Bailey


First, there is the name: Beat Kaestli. How hip is that? A native of Switzerland, Kaestli moved to New York, where he was suitably educated in the craft of jazz at the Manhattan School of Music, and ultimately, the Aaron Copland School of Music. Kaestli has a voice of uncommon sweetness and delicacy ...


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