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Article: Interview

Microscopic Septet: Chance Meeting with the Future

Read "Microscopic Septet: Chance Meeting with the Future" reviewed by Gordon Marshall

by Gordon Marshall

The Microscopic Septet is all about swing, but swing in a sense extrapolated from the stale, dated pages of the past. Its take on the music of the '30s and '40s is too scholarly to fall off the map as retro, and too deeply felt to be dismissed as a dusty trove of museum pieces. The ...

Article: My Playlist

Joel Forrester

Read "Joel Forrester" reviewed by AAJ Italy Staff

by AAJ Italy Staff

01. Alban Berg - Wozzeck (Ingo Metzmacher and The Hamburg State Philharmonic) (Emi Classics - 1999) 02. Maurice Ravel - Piano Concerto in G (Arturo Benedetti Michelangeli) (Emi Classics - 2000) 03. Meade Lux Lewis & Jimmy Yancey - Boogie Woogie (Membran Music Ltd - Box di 10 CD) 04. Alfred Deller - Music of Henry ...

174

Article: Album Review

Joel Forrester and People Like Us: Ever Wonder Why

Read "Ever Wonder Why" reviewed by Joel Roberts

by Joel Roberts

Joel Forrester has had a fascinating career. He studied piano with Thelonious Monk, scored early Andy Warhol films, wrote the theme for the popular NPR show Fresh Air, accompanied silent films at the Louvre, and spent years as a principal member of the fondly remembered Microscopic Septet. He's also been the driving force between ...

Album

Ever Wonder Why

By Joel Forrester

Label: Ride Symbol
Released: 2004
Track listing: Ever Wonder Why; Bebop Cowpoke; Mother's Day; The Bubble; Bunny Boy; Serenade; As If You Were; Blue Mary Lou; Frank Strozier; No Question; Prayer for the Living

111

Article: Album Review

Joel Forrester and the Illustrious Others: Pre-Microscopic Music Circa 1980

Read "Pre-Microscopic Music Circa 1980" reviewed by Jack Bowers

by Jack Bowers

Unlike its enigmatic description (what does “pre–microscopic music” mean?), the material performed by pianist Joel Forrester and the Illustrious Others is on the whole quick–witted, forthright and accessible. The “others” appear in various configurations from trio to septet with Forrester’s piano unaccompanied on “Mary” and “Dr. Real.” Forrester, Dellay and Dworkin make an auspicious start with ...


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