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Rez Abbasi: Django-shift
by Friedrich Kunzmann
Talking about shifting. American guitarist Rez Abbasi seems capable of shifting shape and changing form from one project to the next like a creature from a J.R.R. Tolkien adventurealmost beyond recognition. If it weren't for the guitarist's inspired fret fingerings and rushed scale runs giving him his utterly unique spark. Between much praised quintet ...
Samuel Hällkvist: Epik Didaktik Pastoral
by Chris May
Swedish guitarist Samuel Hällkvist's rifftastic electric trio plays an exhilarating mixture of jazz, prog rock and minimalist music. Riffs aside, the key ingredients are cross rhythms, rhythmic displacement and lavish servings of MIDI-enabled keyboards and tuned percussion. The result is heavy on the tension and light on the release. A close comparator is Swiss keyboard player ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Jazz Musician of the Day: Joe Zawinul
All About Jazz is celebrating Joe Zawinul's birthday today! It may be a word overused but there isn't truly a more appropriate way to describe keyboardist/composer Joe Zawinul. Austrian born, Joe Zawinul emigrated to the US in 1959 where he played with Maynard Ferguson and the great Dinah Washington before joining alto saxophonist great Cannonball Adderley ...
Denys Baptiste: Pathfinder For The New London Jazz
by Chris May
Bandleader, composer and educator Denys Baptiste is among the generation of musicians, many of them of Caribbean or African heritage, who pointed the way for the younger players who have emerged on the London jazz scene since around 2015. Baptiste's contemporaries include saxophonists Jason Yarde, Soweto Kinch, Steve Williamson and Courtney Pine, and trumpeter Byron Wallen, ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Yuri Honing: Sounds And Vision
by Ian Patterson
Strange that such a gruesome tale, drowning in blood, could have inspired so much great art. So it goes with Bluebeard, the seventeenth century French folktale, which continues to inspire artists to this day. Dutch saxophonist/composer Yuri Honing's Bluebeard (2020)-- his fourth album on Challenge Records with his acoustic quartet--is not just a highly personal take ...
Ted Moore Trio: The Natural Order of Things
by Jack Bowers
A piano trio led by a drummer? While that may not always be The Natural Order of Things, it is here. The drummer is the veteran Ted Moore, his teammates the talented pianist Phil Markowitz and rock-solid bassist Kai Eckhardt. Moore composed and arranged (almost) all of the music, which enlivens themes from Brazil and Spain, ...
A Jazz Immuno-Booster: Part 7
by Ludovico Granvassu
The immuno-booster series continues, and confirms its wide-ranging nature. In this seventh installment the selections range from Stevie Wonder to Mahalia Jackson, passing through Myra Melford, Lyle Mays, Bill Frisell, Charlie Haden, John Coltrane, The Weather Report and Lea Bertucci, who surprisingly seems to take off where Jacobus Gallus left a few hundred years earlier. Mina ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...





