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Troy Dostert's Best Releases of 2019
by Troy Dostert
Is it jazz? Perhaps not in the narrowest sense, but each of the releases below arguably retains enough of a foothold in the tradition to justify that description. Maybe we've finally reached the point where the question no longer matters. In any case, what these artists have in common is a commitment to venturing outward in ...
Mats Aleklint/Per-Ake Holmlander/Paal Nilssen-Love: Fish & Steel
by Karl Ackermann
PNL Records was started in 2007 by Norwegian jazz drummer Paal Nilssen-Love to release his recordings as a solo artist, with his big band Large Unit, and in collaborations with other artists. Fish & Steel is the self-titled debut from the trio of trombonist Mats Åleklint, tuba player Per-Äke Holmlander, and Nilssen-Love. All three are part ...
Rodrigo Amado / Chris Corsano: No Place to Fall
by John Sharpe
Portuguese saxophonist Rodrigo Amado's early output has been notable for the freewheeling interplay between him and other talented horn players like trombonist Jeb Bishop, trumpeter Peter Evans and multi-instrumentalist Joe McPhee. It's the quartet he fronts with McPhee which contains the seed for this Lisbon studio date from summer 2014, in that it includes the drummer ...
Astral Spirits: Lifting the Spirit of Jazz
by Jakob Baekgaard
While pop often follows predictable musical patterns, one of the greatest qualities about jazz is its sense of adventurousness and the ability to take the listener on a journey where the destination is unknown. The Astral Spirits label, based in Austin, Texas, and run by musician Nate Cross, truly embraces this quality of jazz.
Jazz Musician of the Day: Joe McPhee
All About Jazz is celebrating Joe McPhee's birthday today! Since his emergence on the creative jazz and new music scene in the late ‘60s and early ‘70s, Joe McPhee has been a deeply emotional composer, improviser, and multi-instrumentalist, as well as a thoughtful conceptualist and theoretician. Born on November 3, 1939, in Miami, FL, McPhee first ...
Rodrigo Amado & Chris Corsano: No Place to Fall
by Mark Corroto
Did you know that besides his talents as a saxophonist and composer, Rodrigo Amado is also a professional photographer? His camera captures an instant in time and preserves it for eternity. Now compare his photographs' frozen moments against the seemingly perpetual motion that is this free jazz set with drummer Chris Corsano. This juxtaposition of static ...
Jon Irabagon: Invisible Horizon
by Troy Dostert
One would imagine that a musician as chameleon-like as saxophonist Jon Irabagon, capable of playing in any genre, in any context, at any time, must have a real challenge finding unexplored territory. Equally adept at mainstream blowing, as on Observer (Concord, 2009), energized free-bop with Barry Altschul's 3dom Factor, the no-holds-barred mania of his assorted outings ...
Steve Baczkowski: Old Smoke
by John Sharpe
Reedman Steve Baczkowski would surely be better known had he not remained in Buffalo, NY, where he grew up and studied, as he possesses a fearsome sound. In his guise as Music Director of Hallwalls Contemporary Arts Center in his hometown, he's undoubtedly familiar with the German saxophone titan Peter Brötzmann, who is clearly an inspiration. ...
Dave Rempis, Brandon Lopez, Ryan Packard: The Early Bird Gets
by Giuseppe Segala
Musicista molto attivo sulla scena fremente di Chicago, Dave Rempis si mise in luce poco più che ventenne accanto a Ken Vandermark, nel 1997, abbinando i propri sassofoni alle ance del leader nella formazione The Vandermark 5, attiva fino al 2010 con sedici lavori pubblicati soprattutto dall'etichetta Atavistic. Nel contempo, alimentò formazioni proprie o a nome ...
Harris Eisenstadt, Whit Dickey, Gard Nilssen and More
by Maurice Hogue
A very eclectic show this time out: drummers are front and center: Joao Lencastre, Whit Dickey, Gard Nilssen, Harris Eisenstadt, Kahil El'Zabar from the Ethnic Heritage Ensemble and Germany's Max Andrzejewski. The latter and his band Hütte are tackling the music of rocker/composer Robert Wyatt. If that isn't off the wall, how about a combination of ...
