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6

Article: Album Review

Rodrigo Amado / Chris Corsano: No Place to Fall

Read "No Place to Fall" reviewed by John Sharpe


Portuguese saxophonist Rodrigo Amado's early output has been notable for the freewheeling interplay between him and other talented horn players like trombonist Jeb Bishop, trumpeter Peter Evans and multi-instrumentalist Joe McPhee. It's the quartet he fronts with McPhee which contains the seed for this Lisbon studio date from summer 2014, in that it includes the drummer ...

10

Article: Record Label Profile

Astral Spirits: Lifting the Spirit of Jazz

Read "Astral Spirits: Lifting the Spirit of Jazz" reviewed by Jakob Baekgaard


While pop often follows predictable musical patterns, one of the greatest qualities about jazz is its sense of adventurousness and the ability to take the listener on a journey where the destination is unknown. The Astral Spirits label, based in Austin, Texas, and run by musician Nate Cross, truly embraces this quality of jazz.

News: Birthday

Jazz Musician of the Day: Joe McPhee

Jazz Musician of the Day: Joe McPhee

All About Jazz is celebrating Joe McPhee's birthday today! Since his emergence on the creative jazz and new music scene in the late ‘60s and early ‘70s, Joe McPhee has been a deeply emotional composer, improviser, and multi-instrumentalist, as well as a thoughtful conceptualist and theoretician. Born on November 3, 1939, in Miami, FL, McPhee first ...

11

Article: Album Review

Rodrigo Amado & Chris Corsano: No Place to Fall

Read "No Place to Fall" reviewed by Mark Corroto


Did you know that besides his talents as a saxophonist and composer, Rodrigo Amado is also a professional photographer? His camera captures an instant in time and preserves it for eternity. Now compare his photographs' frozen moments against the seemingly perpetual motion that is this free jazz set with drummer Chris Corsano. This juxtaposition of static ...

9

Article: Album Review

Jon Irabagon: Invisible Horizon

Read "Invisible Horizon" reviewed by Troy Dostert


One would imagine that a musician as chameleon-like as saxophonist Jon Irabagon, capable of playing in any genre, in any context, at any time, must have a real challenge finding unexplored territory. Equally adept at mainstream blowing, as on Observer (Concord, 2009), energized free-bop with Barry Altschul's 3dom Factor, the no-holds-barred mania of his assorted outings ...

2

Article: Album Review

Steve Baczkowski: Old Smoke

Read "Old Smoke" reviewed by John Sharpe


Reedman Steve Baczkowski would surely be better known had he not remained in Buffalo, NY, where he grew up and studied, as he possesses a fearsome sound. In his guise as Music Director of Hallwalls Contemporary Arts Center in his hometown, he's undoubtedly familiar with the German saxophone titan Peter Brötzmann, who is clearly an inspiration. ...

1

Article: Album Review

Dave Rempis, Brandon Lopez, Ryan Packard: The Early Bird Gets

Read "The Early Bird Gets" reviewed by Giuseppe Segala


Musicista molto attivo sulla scena fremente di Chicago, Dave Rempis si mise in luce poco più che ventenne accanto a Ken Vandermark, nel 1997, abbinando i propri sassofoni alle ance del leader nella formazione The Vandermark 5, attiva fino al 2010 con sedici lavori pubblicati soprattutto dall'etichetta Atavistic. Nel contempo, alimentò formazioni proprie o a nome ...

1

Article: Radio & Podcasts

Harris Eisenstadt, Whit Dickey, Gard Nilssen and More

Read "Harris Eisenstadt, Whit Dickey, Gard Nilssen and More" reviewed by Maurice Hogue


A very eclectic show this time out: drummers are front and center: Joao Lencastre, Whit Dickey, Gard Nilssen, Harris Eisenstadt, Kahil El'Zabar from the Ethnic Heritage Ensemble and Germany's Max Andrzejewski. The latter and his band Hütte are tackling the music of rocker/composer Robert Wyatt. If that isn't off the wall, how about a combination of ...

10

Article: Album Review

The Attic: Summer Bummer

Read "Summer Bummer" reviewed by Troy Dostert


No, the title of the latest release from The Attic, a free-improvisational trio comprised of Rodrigo Amado, Gonçalo Almeida and Onno Govaert, has nothing to do with the track by Lana Del Rey. It is instead taken from the name of the Summer Bummer Festival, at which this superb group performed in Antwerp, Belgium in 2018. ...

14

Article: Album Review

The Attic: Summer Bummer

Read "Summer Bummer" reviewed by John Sharpe


Although the cover painting might be interpreted as a comment on the two-dimensional nature of beach holidays, the title actually derives from the name of the festival in Antwerp where this invigorating free jazz by The Attic was recorded. It's the second outing by the band, which takes its name from its eponymous debut (NoBusiness, 2017). ...


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