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Mark Turner Quartet: Lathe of Heaven
by Karl Ackermann
Saxophonist Mark Turner favors quality over quantity. Lathe of Heaven--his first outing as a leader since 2001--is his first on the ECM label. Turner has hardly been absent from the music scene as the intervening years have seen him as a sideman for guitarist Kurt Rosenwinkel and saxophonist David Binney among many others. He's gathered strong ...
Paul Naser's Best Releases of 2013
by Paul Naser
2013 was a fantastic year for new records. It was tough to narrow down which ones to include in this list, but I gave it my best shot. Having too many favorites isn't such a bad problem to have, I guess. Here are just a few of my favorites, listed in no particular order.
Gilad Hekselman: This Just In
by Mark F. Turner
If Gilad Hekselman's previous releases caused a few ripples then his fourth album, This Just In should make a splash. The Israeli-born, New York-based guitarist has garnered attention as a rising fret-board wizard from the wellspring of notable peers such as Lage Lund and Miles Okazaki; fresh voices with plenty of technique but of equal importance ...
Big Jazz on SmallsLIVE
by Bob Kenselaar
Since its launch in 2010, the SmallsLIVE record label has been offering a substantial sampling of the outstanding jazz talent consistently featured at Smalls Jazz Club in New York City's Greenwich Village. Musicians who appear on the label range from the great veterans Harold Mabern and Jimmy Cobb to contemporary players at the top of their ...
Wild Swan
Label: Self Produced
Released: 2012
Track listing: Nights Are made For Dreaming; Windfall; Wild Swan; Blue, Red and Grey; The Peacocks (A Timeless
Place); Eternal Ebb And Flow; Leopard Print Shoes; I Could Tell You; The Sea, My Sea; Several Times In
The Past Week; My Wish; Suzanne.
Anat Cohen at Kennedy Center Jazz Club
by Franz A. Matzner
Anat Cohen has received no shortage of accolades of late and her rise is a testament to her stunning capacities on clarinet and saxophone. She is no stranger to Washington, DC audiences either, packing clubs and concert halls from Bohemian Caverns to the Sixth and I Synagogue. Most recently, Cohen filled the Kennedy Center's Jazz Club, ...
Anat Cohen: Claroscuro
by Ernest Barteldes
Reed multi-instrumentalist Anat Cohen seems equally comfortable performing Brazilian jazz with Duduka Da Fonseca's quintet, contemporary jazz with her two brothers in the Three Cohens, or Afro-Cuban and more straight-ahead material with the countless ensembles with which she has worked over the years. Claroscuro reflects Cohen's unique ability to tackle multiple genres with the same dexterity. ...
DC Jazz Festival 2012: In Memoriam Chuck Brown
by Franz A. Matzner
DC Jazz Festival, Washington, DC June 1-10, 2012With the summer heat descending on the nation's capital, the city transforms, its southern personality asserting itself. Ties loosen, linen suits make their first appearance, people mosey instead of dash, and the beats of jazz reverberate from venue after venue as the city welcomes the annual DC ...
Joanna Wallfisch: Wild Swan
by Bruce Lindsay
After immersing herself in the New York jazz scene, English singer/songwriter Joanna Wallfisch decided to return to the city in December 2011 to record her debut album, Wild Swan. A great decision—Wallfisch's soaring and expressive voice combines with superb playing from Big Apple musicians to create a fascinating and original set of songs. The ...
Jake Saslow: Crosby Street
by Mark F. Turner
One of 2011's many notable debuts is saxophonist Jake Saslow's Crosby Street, an ode to the street in New York's iconic SoHo, where the musician's formative years recalled the neighborhood's sights, music, and people. An analogy is formed between the music and the community, one that speaks of a distinct personality carried in Saslow's full-bodied horn ...
