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Craig Handy: The Busiest Man In Jazz
by Robert Dugan
Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser—expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...
Marc Mommaas: Landmarc
by Dan McClenaghan
In an era of single tune downloads and shortened attention spans, works like Marc Mommaas' Landmarc could be on their way out, facing marketplace extinction. The Dutch-born, New York-based saxophonist has created a nine-song set with a continuity of concept and mood at a time when it's all too common for artists to mix lineups, moods ...
Lew Tabackin
by Ken Dryden
Lew Tabackin needs no introduction to serious jazz fans. The tenor saxophonist and flutist worked with Maynard Ferguson, Thad Jones-Mel Lewis Orchestra, Joe Henderson, Duke Pearson, Donald Byrd, Elvin Jones and The Tonight Show Band; was a star soloist with the Danish Radio Orchestra in the late '60s; and joined alto saxophonist Phil Woods for a ...
David S. Ware: Saturnian (Solo Saxophones Volume One)
by Nic Jones
This entirely solo music was captured for posterity at an AUM Fidelity label showcase in October, 2009; Ware's first live performance after a kidney transplant. Marking a dynamic return, it maps out yet another strand of Ware's artistry just as Threads (Thirsty Ear, 2003) did. Ware may be best known for his quartet work, it's clear ...
Take Five With Ian Carey
by AAJ Staff
Meet Ian Carey: Ian Carey was born in upstate New York, where he was introduced to jazz by a performance by the great Slam Stewart at his elementary school. After studying classical trumpet at the University of Nevada, Ian headed to New York City, where he studied with legends like Andrew Cyrille and Reggie Workman. He ...
Joe Locke: Versatile Vibes Master
by R.J. DeLuke
Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...
Ron McClure: Lookout Farms and New Moons
by Donald Elfman
Bassist Ron McClure has a practical philosophy about what he does. “Making music begins with doing your job," he says. “It's nice if you can be a hot soloist, but do your job first and do it well." These are words that the bassist has lived by for over 40 years in the jazz music business. ...
Hadley Caliman: Straight Ahead
by Dan McClenaghan
Seattle-based tenor saxophonist, Hadley Caliman took a thirty year hiatus from recording before he released Gratitude (Origin Records, 2008). It was an exceptional mainstream set that displayed Caliman's John Coltrane, Dexter Gordon, and Joe Henderson influences, in hints and brief whispers, and reintroduced the saxophonist's own distinctive, full-of-life voicings.With Straight Ahead, he steps out ...
Joe Zawinul: Money In The Pocket
by Chris May
Recorded in late 1965, while keyboard player Joe Zawinul was still a member of saxophonist Cannonball Adderley's band, Money In The Pocket is a remarkable album--remarkable in that gives absolutely no hint of the shape shifts that would transform Zawinul's work a few years later. The first of three albums he recorded for Atlantic, it's a ...
Hadley Caliman: Straight Ahead
by John Barron
Seattle-based saxophonist Hadley Caliman returns to the recording studio with his working band for Straight Ahead, the follow-up to his superb Gratitude (Origin, 2008). Aided by trumpeter/producer Thomas Marriott, pianist Eric Verlinde, bassist Phil Sparks and drummer Matt Jorgensen, the 78-year old Caliman charges head-on through a set of standards, jazz classics and original gems.
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