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133

Article: Album Review

Mark Weinstein: Jazz Brasil

Read "Jazz Brasil" reviewed by Dan Bilawsky


Jazz Brasil continues flautist Mark Weinstein's odyssey through the world of Latin jazz. The former trombonist-turned-philosophy-professor-turned-flute-phenom has delivered a steady stream of Latin jazz releases that highlight material from well-known Latin American composers, deal with original material, and deliver Latin-ized takes on jazz classics. His previous release, Timbasa (Jazzheads Records, 2010), tackled Cuba with percussion-heavy gusto, ...

315

Article: Multiple Reviews

Daniel Humair in the Lions' Dens

Read "Daniel Humair in the Lions' Dens" reviewed by Jeff Dayton-Johnson


Drummer Paul Motian is well-known for his “melodic" percussion, in which he skits and dodges arrhythmically, letting the guitars and saxophones mark the pulse of the composition. But for all the praise breathlessly--and deservedly--heaped upon Motian for this approach, the number of drummers who follow his example somewhere on this side of the free-jazz frontier, is ...

149

Article: Album Review

Bill Charlap and Renee Rosnes: Double Portrait

Read "Double Portrait" reviewed by Dan Bilawsky


Many people believe that married couples have a telepathic connection. This recording puts that theory to the test, with two of the most important pianists in jazz today--who also happen to be husband and wife--sitting down for a duo piano recital. Charlap's own work with drummer Kenny Washington and bassist Peter Washington has ...

623

Article: Extended Analysis

Various Artists: CTI Records - The Cool Revolution

Read "Various Artists: CTI Records - The Cool Revolution" reviewed by John Kelman


Various ArtistsCTI Records--The Cool RevolutionCTI Masterworks2010 The late 1960s was, in many ways, a time of reckoning for jazz. While the music had continued to evolve over the previous half century, it was coincident with the emergence of rock music as a serious force that jazz began to ...

128

Article: Album Review

Jordan Young: Jordan Young Group

Read "Jordan Young Group" reviewed by Dan Bilawsky


It's too early to tell if drummer Jordan Young's music will stand the test of time, but it's already evident that this isn't just a run-of-the-mill organ-based album. Rather than an all-too common blues-saturated affair, Young has made some wise choices, with repertoire selection topping the list. In fact, tenor saxophonist Joe Sucato's lone contribution, “JF ...

131

Article: Album Review

Jordan Young Group: Jordan Young Group

Read "Jordan Young Group" reviewed by Chris Mosey


At best, the Jordan Young Group cooks like one of those hard bop organ-led outfits of the 1960s. At worst it PiNGs. The “PiNGs" are short clips from a long improvisation, credited on the sleeve as a composition by its initiator, organist Brian Charette, who calls it “a song with no consequences." Young says, “I felt ...

213

Article: Album Review

Jordan Young: Jordan Young Group

Read "Jordan Young Group" reviewed by Karl Ackermann


The Brooklyn-based Jordan Young Group has an unusual lineup featuring drummer Young, guitarist Yotam Silberstein, saxophonist Joe Sucato and organist Brian Charette. Self-described as an organ group, Jimmy Smith and Jack McDuff are cited among its influences. Organ has been part of jazz since the Fats Waller days, but has never had an ongoing prominent role ...

257

Article: Album Review

Geoff Vidal: She Likes That

Read "She Likes That" reviewed by Leonard Epstein


Combine Sonny Rollins, Chris Potter and Joe Henderson, and mix it with some exciting originality you'll arrive somewhere near Geoff Vidal. Vidal, who regularly can be heard in New York West Village jazz haunts such as Fat Cat, debuts his first album as leader, She Likes That. This seven-composition set consists of all original music, penned ...

118

Article: Album Review

Jordan Young Group: The Jordan Young Group

Read "The Jordan Young Group" reviewed by David Rickert


Organ albums have always been the comfort food of jazz. Buying one of the classics from the fifties and sixties, the line-up is almost certain (guitar and/or sax, drums, never a bass), and a bunch of songs that would satisfy some primal need for deep, funky grooves. However, this predictability ensured that a lot of them ...

613

Article: Interview

Sandro Albert: A Bard’s Journey

Read "Sandro Albert: A Bard’s Journey" reviewed by Raul d'Gama Rose


His voice is soft and as lyrical as the music he composes and plays. Hearing the young and immensely talented guitarist, Sandro Albert speak can calm even the most frayed nerves. Nervousness was never an issue, but it is always exciting to speak with an accomplished musician. Albert is certainly one. He was born in Brazil ...


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