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Results for "Joe Henderson"
Joan Jeanrenaud: The Beat of the Moment
by Anil Prasad
Playing it safe is a concept in which cellist Joan Jeanrenaud has total disinterest. Her deep, varied career reflects a restless creative spirit that most recently manifested itself on Pop-Pop (Deconet, 2010), her duo album with producer and percussionist PC Muñoz. The disc seamlessly blends cello, classical, electronica, and hip-hop influences. But, perhaps, the most important ...
BANN: As You Like
by Bruce Lindsay
BANN came together in 2007, combining the experienced rhythm section of bassist Jay Anderson and drummer Adam Nussbaum with the younger duo of guitarist Oz Noy and tenor player Seamus Blake. While the band has been busy playing live on the European scene it's taken almost four years for its debut album, recorded in May 2009, ...
Wayne Wallace: To Hear From There
by Wilbert Sostre
Wayne Wallace continues to explore the infectious Afro-Cuban rhythms on To Here From There, the follow-up to his 2010 Grammy-nominated album, Bien Bien! (Patois Record, 2009).Wallace is a trombonist with vast experience that includes collaborations with artists such as Count Basie, Joe Henderson, Lionel Hampton, Sonny Rollins and Tito Puente. Wallace Latin Jazz Quintet ...
Ron Carter: All Blues
by John Kelman
In the 1960s and 1970s, few bassists were as ubiquitous as Ron Carter, from the experimental post/free bop of trumpeter Miles Davis's 1960s quintet to straight-ahead swing with guitarist Kenny Burrell and the greater extremes of saxophonist Archie Shepp. With the emergence of CTI Records, Carter became something of a house bassist for the label; on ...
CTI Masterworks: The Second Batch
by John Kelman
After a mighty kickoff near the end of 2010, CTI Masterworks is pushing ahead full-steam with another set of six remastered reissues, beautifully packaged in soft digipak editions. Its first batch of reissues included a tremendous, four-disc retrospective box set, CTI Records--The Cool Revolution, and an expanded, double-disc version of 1971's California Concert: The Hollywood Palladium, ...
Going Solo: One is NOT the Loneliest Number
by Mark Corroto
With the advent of new and affordable recording technologies capable of delivering exceptionally high quality sound, the market for idiosyncratic solo recordings is flourishing--in an era when so many are lamenting the death of jazz. Released mostly on small labels or as self-produced projects, the recordings are reminiscent of the cassette culture from the DIY 1980s ...
Gideon Van Gelder: Perpetual
by Mark F. Turner
By implementing diverse styles without being confined to any particular one, pianist Gideon Van Gelder provides stimulation for the mind and ear with Perpetual. Categorizations are meaningless yet intriguing, displaying swatches of Van Gelder's open concepts, Third Stream, and lessons probably garnered from New York's New School for Jazz and Contemporary Music, which Van Gelder attended ...
Mark Weinstein: Jazz Brasil
by Dan Bilawsky
Jazz Brasil continues flautist Mark Weinstein's odyssey through the world of Latin jazz. The former trombonist-turned-philosophy-professor-turned-flute-phenom has delivered a steady stream of Latin jazz releases that highlight material from well-known Latin American composers, deal with original material, and deliver Latin-ized takes on jazz classics. His previous release, Timbasa (Jazzheads Records, 2010), tackled Cuba with percussion-heavy gusto, ...
Daniel Humair in the Lions' Dens
by Jeff Dayton-Johnson
Drummer Paul Motian is well-known for his “melodic" percussion, in which he skits and dodges arrhythmically, letting the guitars and saxophones mark the pulse of the composition. But for all the praise breathlessly--and deservedly--heaped upon Motian for this approach, the number of drummers who follow his example somewhere on this side of the free-jazz frontier, is ...
Bill Charlap and Renee Rosnes: Double Portrait
by Dan Bilawsky
Many people believe that married couples have a telepathic connection. This recording puts that theory to the test, with two of the most important pianists in jazz today--who also happen to be husband and wife--sitting down for a duo piano recital. Charlap's own work with drummer Kenny Washington and bassist Peter Washington has ...
