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4

Article: Interview

Lonnie Plaxico: Being Your Own Bird

Read "Lonnie Plaxico: Being Your Own Bird" reviewed by George Colligan


Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Electric and acoustic bassist Lonnie Plaxico has been on the jazz scene in New York since 1980. He is on hundreds of recordings with everyone from Art Blakey, Cassandra Wilson, Jack Dejohnette, to Ravi Coltrane. He has 13 CDs as a leader, ...

6

Article: Interview

Greg Tardy: Wherever He Wants Me

Read "Greg Tardy: Wherever He Wants Me" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] This past August, I did a concert with The Greg Tardy Quintet at Small's Jazz Club in New York City. The performance was significant in that it was the first time (except for one other gig earlier in the month) that ...

8

Article: Interview

George Cables: The Pianist’s Dedication to the Group

Read "George Cables: The Pianist’s Dedication to the Group" reviewed by Victor L. Schermer


Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...

2

Article: Take Five With...

Take Five With Cheryl Pyle

Read "Take Five With Cheryl Pyle" reviewed by AAJ Staff


Meet Cheryl Pyle:The versatile flutist Cheryl Pyle received her BA in Music from the University of California at Berkeley in 1976, having received her Associates Degree from Mesa College in 1974. Her teachers included Merrill Jordan, Janet Maestre, Francis Watson, and Jayn Rosenfeld. She took Master classes with Jean-Pierre Rampal, Julius Baker, and James ...

8

Article: Interview

Ruth Price: LA's Jazz Jewel Keeping the Jazz Bakery Alive

Read "Ruth Price: LA's Jazz Jewel Keeping the Jazz Bakery Alive" reviewed by Chuck Koton


The LA jazz scene has endured immeasurably painful blows over the years, from the post-World War II death of the once vibrant action on Central Ave (unequivocably among jazz history's most significant locales) to the more recent shuttering of memorable clubs like Shelly's Manne Hole, Donte's and, most recently, Charlie Os. Intrepid jazz entrepreneur Rocco Somazzi ...

3

Article: Interview

Kevin Hays: Creative Flow

Read "Kevin Hays: Creative Flow" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]If you aren't familiar with pianist Kevin Hays, you should be. He's recorded and toured with many of the greatest jazz musicians of all time. And those who call him can't seem to get enough of him. His recent projects as a ...

8

Article: Extended Analysis

Woody Shaw: The Complete Muse Sessions

Read "Woody Shaw: The Complete Muse Sessions" reviewed by John Kelman


The past couple years have been banner ones for reviving the legacy of Woody Shaw, a trumpeter and composer who--emerging in the early '60s on albums by extant jazz stars like Eric Dolphy, Andrew Hill, McCoy Tyner and Horace Silver, and contributing to on-the-rise names including Larry Young and Chick Corea--has all-too-often been overlooked. Still, with ...

4

Article: Album Review

Griffith Hiltz Trio: This Is What You Get...

Read "This Is What You Get..." reviewed by Dan McClenaghan


Canada's Griffith Hiltz Trio opens its second album, This Is What You Get..., with “Strawman," which sounds like a cross between a theme song for a Secret Agent Man movie and crunchy guitar-style, 1960s-era surf rock, featuring saxophonist Johnny Griffith's crisp melody lines and drummer Sly Juhas' shuffling rhythm. Then guitarist Nathan Hiltz twangs toward an ...

9

Article: Album Review

Joe Henderson: Mode for Joe

Read "Mode for Joe" reviewed by Greg Simmons


Recorded and released in 1966, Mode for Joe was Joe Henderson's last session as a leader for Blue Note Records until 1985's State of the Tenor.True to form for the period, the recording features a cast of legendary players in peak form. In this case Henderson shares front line duties with a fiery Lee ...

3

Article: Interview

John Santos: Keeper of the Culture

Read "John Santos: Keeper of the Culture" reviewed by Steve Bryant


In a career spanning almost 40 years, percussionist John Santos has gained world-wide renown and acclaim as one of the great composers and bandleaders in the Afro-Cuban jazz idiom. The four-time Grammy nominee is one of the foremost proponents of Afro-Latin music in the world today, known for his innovative use of its traditional musical forms ...


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