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Results for "Joe Henderson"
David Whitman: Ode To Joe
by Jack Bowers
While West Coast drummer David Whitman's Ode to Joe [Henderson] is a rather brief one at less than thirty-three minutes, it is otherwise admirable for what is enclosed within its concise parameters. Whitman leads a well-schooled septet whose makeup is freshened by rotating tenor saxophonists Bob Sheppard and Rob Lockart and guitarists Bruce Forman and Chris ...
Willie Morris: Conversation Starter
by David A. Orthmann
The story is old, predictable and often exasperating. A virtually unknown jazz musician distinguishes himself or herself as part of the supporting cast on a handful of recordings. And then begins the wait to see if any label will offer the young, deserving player a shot in the driver's seat. Early this year, ...
Greg Byers: Take A Bow
by Ian Patterson
Greg Byers does not like hearing that something is not possible. Or perhaps he does, for the cellist seems to thrive on challenges that others deem impossible or unrealistic. Taking a jazz major in cello? It just isn't done, he was told. Well, ticked that box. Learning Charlie Parker's solos on upright bass? ...
Richard Baratta: Off The Charts
by Neil Duggan
After more than three decades as a Hollywood film producer, drummer Richard Baratta seemed ideally placed to bring together the worlds of film and jazz, releasing two albums focusing on songs from the movies. The first of these, Music In Film: The Reel Deal (Savant Records, 2020) gained a Grammy nomination for pianist Bill O'Connell's arrangement ...
David Whitman: Ode To Joe
by Richard J Salvucci
Dipping into this fine recording is, to mix metaphors a bit, like opening a time capsule. That capsule is called One For All (A&M, 1990), perhaps the final studio recording of Art Blakey with The Jazz Messengers. It was not a perfect outing, but it was a memorable one. The lines got into the head and ...
Cindy Blackman Santana: Rhythmic And Musical Force
by R.J. DeLuke
It's the 1980s in New York City. It's the place to be for musicians looking to make a name for themselves with hopes of finding steady gigs and recording dates. Drummer Cindy Blackman (long before her marriage to Carlos Santana) is there, fresh out of Berklee College of Music. She's there to meet people, ...
Tierney Sutton: An Instrumentalist’s Singer
by Mathew Bahl
"Jazz demands something of you," says Tierney Sutton. The Los Angeles based singer is discussing the challenge of selling complicated, improvised music in a culture addicted to simple, pre-packaged formulas. “Being barraged in the media teaches people not to engage, not to seek great art, not to listen with their own ears, not to ...
Bill Evans Trio: At The Village Vanguard 1961 Revisited
by Mark Corroto
Imagine yourself in Greenwich Village June 25, 1961. You are in attendance at a small pie shaped club called the Village Vanguard run by Max Gordon. This is before it was to be crowned as a jazz holy ground. Sonny Rollins had recorded his famous A Night At The “Village Vanguard" (Blue Note, 1957). John Coltrane ...
Jalen Baker: Be Still
by Neil Duggan
When studying to become a jazz drummer, students are often exposed to other percussion instruments in the course of their studies and sometimes that results in finding a specialty. That was the case for Jalen Baker, who started experimenting on the vibraphone and has now gone on to be one of the most compelling players around. ...
Jalen Baker: Be Still
by Pierre Giroux
Tenor saxophonist and record executive Cory Weeds presents another album in the series of releases by up-and-coming black artists, to give them a voice which might not otherwise be heard. In this case, the artist is vibraphonist Jalen Baker; he and his frequent collaborators, pianist Paul Cornish, bassist Gabriel Godoy and drummer Gavin Moolchan, run through ...
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