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Musician

Jo Jones

Born:

Papa Jo Jones was the drum anchor in the famous All American Rhythm Section by way of his work with Count Basie's band. Jones redefined the concept of a drummer. He lightened up on the four-beats-to-the-bar standard of bass drum playing, was possibly the first to use the ride cymbal as the main timekeeping accessory, and did all with a graceful and light touch. In the history of jazz, Jo Jones was one of the most outstanding drummers, full of sensitivity and style, in addition to an absolutely perfect drumming technique, he really knew, as very few other jazz musicians do, the history of his music. Jonathan Jones, was born 7 Oct

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Article: Interview

Bill Stewart: Ain't No Funk In Iowa

Read "Bill Stewart: Ain't No Funk In Iowa" reviewed by Mike Brannon


This article was first published at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. Of course, Scofield and Stewart did a number of tours and studio dates together while word got around about Stewart's unique ...

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Article: Building a Jazz Library

Guitar Gods & Goddesses: An Alternative Top Ten Albums

Read "Guitar Gods & Goddesses: An Alternative Top Ten Albums" reviewed by Chris May


Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...

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Article: Film Review

Billie

Read "Billie" reviewed by Ian Patterson


Billie New Black Films 96 minutes 2020 A victim of her own self-destructive excesses is a common trope when assessing Billie Holiday. Yet James Erskine's handsome documentary Billie makes a convincing case for Holiday—arguably the greatest of all jazz singers—as more a victim of poverty, racism, manipulation and brutal misogyny. ...

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Article: Under the Radar

The Rebel Festival

Read "The Rebel Festival" reviewed by Karl Ackermann


On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...

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Article: Building a Jazz Library

Prestige Records: An Alternative Top 20 Albums

Read "Prestige Records: An Alternative Top 20 Albums" reviewed by Chris May


Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

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Article: SoCal Jazz

Dave Weckl: The Cymbal of Excellence

Read "Dave Weckl: The Cymbal of Excellence" reviewed by Jim Worsley


Attention to details and impeccable standards coupled with a desirous curiosity and a wealth of talent have served Dave Weckl well. The savvy and astute musician has meticulously traversed the jazz and fusion world over the past few decades. Weckl is on a very short list when the topic of drumming icons is broached. Perhaps best ...

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Article: Multiple Reviews

Dot Time Legends Series: Is Every Night New Year's Eve Around Here?

Read "Dot Time Legends Series: Is Every Night New Year's Eve Around Here?" reviewed by Richard J Salvucci


Soon after The Embers opened in New York City in late 1951, Joe Bushkin and His Quartet spent 16 memorable weeks there. With Milt Hinton and Jo Jones, Bushkin was joined by Buck Clayton on trumpet. Astoundingly, Art Tatum had a solo piano gig there at the same time. Bushkin and Tatum listened to each other ...

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Article: Interview

Nat Hentoff: The Never-Ending Ball

Read "Nat Hentoff: The Never-Ending Ball" reviewed by Ian Patterson


This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...

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News: Recording

Dot Time Records New Release: Joe Bushkin Quartet "Live At The Embers 1952" - Available September 15, 2016

Dot Time Records New Release: Joe Bushkin Quartet "Live At The Embers 1952" - Available September 15, 2016

DOT TIME RECORDS ANNOUNCES NEW RELEASE IN LEGENDS SERIES JOE BUSHKIN QUARTET Live at the Embers 1952 Featuring BUCK CLAYTON, MILT HINTON AND JO JONES Dot Time Records announces the third release of its “Legends" Series, Live at the Embers 1952- The Joe Bushkin Quartet featuring Buck Clayton, Milt Hinton ...


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