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Music Education Monday: B-3 for beginners
The sound of the Hammond B-3 organ is an integral part of many American musical genres, from blues and funk to gospel and soul. It's been part of jazz, too, almost since its invention in 1935, but really came into prominence starting in the 1950s thanks to Jimmy Smith. Smith, a Philadelphia native who started as ...
To 20 More Years! Help us build a bigger and better All About Jazz
by Michael Ricci
In celebration of All About Jazz's 20th anniversary, we're asking for greater participation from our readers. Taking a page out of Wikipedia's book, we're looking for our friends and our long-time readers to pitch in and help: from submitting an article, to helping with other sections of the website including Jazz Near You. Kinda ...
Stolen Hearts: Dirty Southern Soul
by C. Michael Bailey
Multi-instrumentalists Pam Taylor and Robert Johnson, Jr. tacitly make up the durable blues-R&B-soul duo Stolen Hearts. Piedmont born and bred, the two fell in love and decided to make music together. This fortuitous coupling of talent has led to a serious survey of American music aptly called Dirty Southern Soul. The two trade duties singing, both ...
Jimmy Smith: Groovin’ at Smalls Paradise – 1957
by Marc Davis
I love the jazz organ. I love Jimmy Smith. But I don't love Groovin' at Smalls Paradise. When Smith burst onto the scene in 1956, he was a genuine phenomenon. Not only was he wildly popular, but also wildly prolific. In just three years, from 1956 to 1958, Smith put out a mind-boggling 23 ...
Ben Paterson: For Once in My Life
by Jack Bowers
For Once in My Life is Ben Paterson's fourth album as a leader but first as an organist. In his native Philadelphia--home to such giants of the Hammond as Jimmy Smith, Shirley Scott, Charles Earland and Joey DeFrancesco--Paterson was known as a pianist. He began doubling on organ while living in Chicago, and by the time ...
Stop playing jazzy. Start playing jazz!
by Paul Abrahams
I concluded my last article in this series with a piece of advice handed to me by one of my old jazz piano teachers: “Don't try to play jazzy." I'd now like to explore this statement and demonstrate how it affects my own teaching. In the 70's I played keyboards in what was known ...
Larry Young: Unity – 1965 – The Missing Link
by Marc Davis
In high school and college in the 1970s, I was a huge fan of progressive rock, especially Yes and Emerson Lake & Palmer. As a pianist myself, I was floored by Rick Wakeman and Keith Emerson. How did they do that? Fast, creative, loud, part-rock, part-jazz, part-classical. Wow. My obsession with Moog synthesizers led ...
The Larry McKenna and John Swana Organ Quartet at Chris’ Jazz Café
by Victor L. Schermer
The Larry McKenna and John Swana Organ Quartet Chris' Jazz Café Philadelphia, PA
Less Is More? Really?
by Mat Marucci
There have been popular views by certain so-called experts that seem to have been accepted as dogma, the term “less is more" being one of them. However, as in any subject from sports to politics to science to religion, every pundit has an equal who has a contrary opinion. I, for one, am bothered by some ...
Tri-C JazzFest Cleveland 2015
by C. Andrew Hovan
2015 Tri-C JazzFest Cleveland Playhouse Square Cleveland, Ohio July 9-11, 2015 For the second time in its 36-year history, Tri-C JazzFest lit up downtown Cleveland with a three-day midsummer jazz festival that mixed paid shows from national headliners with free outdoor performances featuring musicians from Northeast Ohio. Home to all these ...
