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20

Article: My Blue Note Obsession

Larry Young: Unity – 1965 – The Missing Link

Read "Larry Young: Unity – 1965 – The Missing Link" reviewed by Marc Davis


In high school and college in the 1970s, I was a huge fan of progressive rock, especially Yes and Emerson Lake & Palmer. As a pianist myself, I was floored by Rick Wakeman and Keith Emerson. How did they do that? Fast, creative, loud, part-rock, part-jazz, part-classical. Wow. My obsession with Moog synthesizers led ...

4

Article: Live Review

The Larry McKenna and John Swana Organ Quartet at Chris’ Jazz Café

Read "The Larry McKenna and John Swana Organ Quartet at Chris’ Jazz Café" reviewed by Victor L. Schermer


The Larry McKenna and John Swana Organ Quartet Chris' Jazz Café Philadelphia, PA

8

Article: Drum Addiction

Less Is More? Really?

Read "Less Is More? Really?" reviewed by Mat Marucci


There have been popular views by certain so-called experts that seem to have been accepted as dogma, the term “less is more" being one of them. However, as in any subject from sports to politics to science to religion, every pundit has an equal who has a contrary opinion. I, for one, am bothered by some ...

9

Article: Live Review

Tri-C JazzFest Cleveland 2015

Read "Tri-C JazzFest Cleveland 2015" reviewed by C. Andrew Hovan


2015 Tri-C JazzFest Cleveland Playhouse Square Cleveland, Ohio July 9-11, 2015 For the second time in its 36-year history, Tri-C JazzFest lit up downtown Cleveland with a three-day midsummer jazz festival that mixed paid shows from national headliners with free outdoor performances featuring musicians from Northeast Ohio. Home to all these ...

12

Article: My Blue Note Obsession

Stanley Turrentine and The 3 Sounds: Blue Hour – 1960

Read "Stanley Turrentine and The 3 Sounds: Blue Hour – 1960" reviewed by Marc Davis


Every good record collection has music for many moods. Feeling frantic? Try Dizzy Gillespie or the Ramones. Feel like dancing? Definitely the big bands. Feeling wistful? Maybe Ben Webster or Frank Sinatra. But if you're feeling blue, you need Stanley Turrentine, and Blue Hour is exactly the right prescription. Stanley Turrentine is ...

10

Article: Album Review

Hugo Carvalhais: Grand Valis

Read "Grand Valis" reviewed by Jakob Baekgaard


What happens when modern composition meets jazz in a science fiction universe? The answer is Grand Valis by Portuguese bassist and composer Hugo Carvalhais. Carvalhais tackles the great universal questions of meaning in a musical language. Titles like “Exegesis," “Logos" and “Decoding Maya" point towards the philosophical nature of the music. Carvalhais plays ...

4

News: Obituary

Bruce Lundvall, Longtime Blue Note President, Dies At 79

Bruce Lundvall, Longtime Blue Note President, Dies At 79

It's with great sadness that we announce the passing of beloved music man & longtime President of Blue Note Records, Bruce Lundvall. He was 79 years old. The cause was complications from a prolonged battle with Parkinson’s disease. Born in Englewood, New Jersey in 1935, Bruce was a lifelong jazz lover whose passion for the music ...

613

Article: Album Review

Dave Stryker: Messin’ with Mister T

Read "Messin’ with Mister T" reviewed by Walter Atkins


Veteran jazz guitarist Dave Stryker's history includes playing and recording with the inimitable Stanley Turrentine from 1986 to 1995.His Messin' With Mister T (Strikezone Records), showcasing Turrentine classics, is a timely testimonial to the accomplished tenor's long career and extensive legacy. The legacy begins in the 50's for Turrentine while performing with adept musicians like Lowell ...

1

News: Music Industry

Stanley Turrentine: At the Shack

Stanley Turrentine: At the Shack

On April 25, 1960, organist Jimmy Smith recorded for Blue Note with tenor saxophonist Stanley Turrentine and drummer Donald “Duck" Bailey at Rudy Van Gelder's studio in Englewood Cliffs, N.J. Smith handled the bass line with his feet on the organ's pedalboard while the 26-yeat-old Turrentine took the sax solos. The album was Smith's Back to ...

1,538

Article: Building a Jazz Library

Jimmy Smith: Master of the Hammond B-3

Read "Jimmy Smith: Master of the Hammond B-3" reviewed by Mark Sabbatini


Jimmy Smith ignited a jazz revolution on an instrument associated at the time with ballparks, despite never playing one until the age of 28. His legendary multi-part technique on the Hammond B-3 organ, playing bass with the foot pedals and Charlie Parker-like single-line passages with his right hand, shook up the traditional trio as ...


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