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A Family Feeling: Temple University Jazz Faculty Record New Music By Bruce Barth
In June, six members of Temple University’s noted jazz faculty gathered in Bunker Hill Studio in Brooklyn to record eight tracks of new music composed by Bruce Barth. Terell Stafford, director of Jazz Studies at Temple, lead the charge and the result, Family Feeling, is a reflection on the warm camaraderie between Terell Stafford (trumpet); Dick ...
Ryan Meagher: Lost Days
by Don Phipps
On Lost Days, guitarist Ryan Meagher offers up ten expressive and entertaining compositions that run the gamut from blues to funk and from swing to rock. His compositions are hot and spontaneous--they break apart and fuse back together in kaleidoscopic fashion. The Portland, Oregon-based Meagher is backed by a talented group. Tenor saxophonist Bill ...
Ben Paterson: Live at Van Gelder's
by C. Michael Bailey
Following up his very well-received recordings That Old Feeling (Cellar Live Records, 2018) and For Once in My Life (Origin Records, 2015), Ben Paterson enters the sanctum santorium of jazz recording, Rudy Van Gelder's Studio in Hackensack, NJ. Having collided somewhere with saxophonist/entrepreneur Cory Weeds, the two initiate an idea perfect to the pair's hard bop ...
Cory Weeds Little Big Band: Explosion
by Jack Bowers
The size and makeup of a “little big band" depend above all on what the leader has in mind. In this case, leader Cory Weeds patterned his ensemble (four brass, four reeds, three rhythm) after similar groups led by tenor saxophonists Eddie “Lockjaw" Davis and Gene Ammons, and what he had in mind was a mid-sized ...
Jerry Weldon: Those Were the Days
by C. Michael Bailey
It's no longer certain what music cold be classified as “mainstream" jazz. One can argue that the genre (and all others, for that matter) have atomized to the point of each performance being considered a genre in itself (a desirable outcome to the music anarchists among us). That said, some type of classification remains useful in ...
Wild Card: Life Stories
by Jerome Wilson
When British youth started picking up on the music coming out of America in the Fifties and Sixties their tastes were widespread. While some kids loved the early rock & roll of Chuck Berry and Buddy Holly or the blues of Muddy Waters and Howlin' Wolf, others grabbed onto the jazz played by the likes of ...
The Hughes Smith Quintet: Motion
by Geannine Reid
The Hughes Smith Quintet is an amalgamation of saxophonist James Hughes and trumpeter Jimmy Smith, not only in namesake, but also in compositional approach. Their latest album Motion, the third in a catalog featuring original compositions, focuses on the straight-ahead sound of the seventies, popular in the Detroit scene, blended with hard-hitting energy, deep grooves, vibrant ...
2018 Ballard Jazz Festival in Seattle
The Ballard Jazz Festival returns with its 16th edition, May 16-19, in Seattle's historic Ballard neighborhood. Clarence Penn & Penn Station, a New York ensemble that includes pianist Geoffrey Keezer, saxophonist Chad Lefkowitz-Brown, and bassist Yasushi Nakamura, will headline the festival's Mainstage Concert. Swedish trumpeter Oskar Stenmark will open the concert, which in turn celebrates the ...
The Jason Klobnak Quartet/Quintet: Friends & Family
by C. Michael Bailey
Trumpeter/composer Jason Klobnak is one of those artists who creeps up on you. His debut recording, Mountain, Move (Self Produced, 2013), inauspiciously crossed my desk on its way beneath the laser, where it impressed me as just progressive enough to be interesting, but not so much to be a turn off. Klobnak takes the classic Miles ...
Eric Siereveld: Walk The Walk
by Jack Bowers
The “organic" in trumpeter Eric Siereveld's Organic Quintet doesn't mean the group has no artificial ingredients or synthetic preservatives; rather, it denotes the fact that the quintet's modus operandi rests in some measure on the well-defined tone colors produced by Steve Snyder's indispensable Hammon B3 organ. The word “indispensable" is used because it is Siereveld's purpose ...
