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Jerry Weldon: Those Were the Days
by C. Michael Bailey
It's no longer certain what music cold be classified as mainstream" jazz. One can argue that the genre (and all others, for that matter) have atomized to the point of each performance being considered a genre in itself (a desirable outcome to the music anarchists among us). That said, some type of classification remains useful in ...
Wild Card: Life Stories
by Jerome Wilson
When British youth started picking up on the music coming out of America in the Fifties and Sixties their tastes were widespread. While some kids loved the early rock & roll of Chuck Berry and Buddy Holly or the blues of Muddy Waters and Howlin' Wolf, others grabbed onto the jazz played by the likes of ...
The Hughes Smith Quintet: Motion
by Geannine Reid
The Hughes Smith Quintet is an amalgamation of saxophonist James Hughes and trumpeter Jimmy Smith, not only in namesake, but also in compositional approach. Their latest album Motion, the third in a catalog featuring original compositions, focuses on the straight-ahead sound of the seventies, popular in the Detroit scene, blended with hard-hitting energy, deep grooves, vibrant ...
2018 Ballard Jazz Festival in Seattle
The Ballard Jazz Festival returns with its 16th edition, May 16-19, in Seattle's historic Ballard neighborhood. Clarence Penn & Penn Station, a New York ensemble that includes pianist Geoffrey Keezer, saxophonist Chad Lefkowitz-Brown, and bassist Yasushi Nakamura, will headline the festival's Mainstage Concert. Swedish trumpeter Oskar Stenmark will open the concert, which in turn celebrates the ...
The Jason Klobnak Quartet/Quintet: Friends & Family
by C. Michael Bailey
Trumpeter/composer Jason Klobnak is one of those artists who creeps up on you. His debut recording, Mountain, Move (Self Produced, 2013), inauspiciously crossed my desk on its way beneath the laser, where it impressed me as just progressive enough to be interesting, but not so much to be a turn off. Klobnak takes the classic Miles ...
Eric Siereveld: Walk The Walk
by Jack Bowers
The organic" in trumpeter Eric Siereveld's Organic Quintet doesn't mean the group has no artificial ingredients or synthetic preservatives; rather, it denotes the fact that the quintet's modus operandi rests in some measure on the well-defined tone colors produced by Steve Snyder's indispensable Hammon B3 organ. The word indispensable" is used because it is Siereveld's purpose ...
2018 Hope College Jazz Organ Summit
by C. Andrew Hovan
2018 Hope College Jazz Organ Summit featuring Tony Monaco, Gerard Gibbs, and Dr. Lonnie Smith Hope College Holland, Michigan March 9-11, 2018 Back in the fall of 2016, a small liberal arts college on the banks of Lake Michigan decided to serve as the epicenter of activity aimed at gaining more ...
Full House
by C. Michael Bailey
Wes Montgomery's recording of his June 25, 1962 live performance at the Tsubo Jazz Club in Berkeley, California intersects significantly with two recent Resonance releases. One intersection involves the Wynton Kelly trio, comprised of pianist Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. It was with this same trio that Montgomery would record his essential Wynton ...
2017: The Year in Jazz
by Ken Franckling
A year of achievements, challenges to gender inequality, scandal and losses The year 2017 was quite something for the jazz world. Incidents or discussions of misogyny and sexual misconduct bubbled up even before the #MeToo phenomenon developed. Beyond that, woman musicians made significant contributions to the genre. International Jazz Day brought its biggest stage ...
Jazz Musician of the Day: Jimmy Smith
All About Jazz is celebrating Jimmy Smith's birthday today! Born James Oscar Smith in Norristown, Pennsylvania, USA. Smith was influenced by both gospel and blues. He first achieved prominence in the 1950s where his recordings became popular on jukeboxes before there were commonly used terms to describe his unique musical flavor. In the sixties and seventies ...





