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Results for "Jimmy Rowles"
Jay Anderson: Driving the Bus
by Ian Patterson
The term “sideman" really doesn't do justice to bassist Jay Anderson, as his beautifully melodic, lyrical lines and in-the-pocket-grooves lift and shape any music that he is a part of. And while the term “journeyman" holds some truth--Anderson has played with a huge number of people--one glance at his extensive discography reveals that most of the ...
Duduka Da Fonseca: New York City, March 19, 2011
by Dan Bilawsky
Duduka Da Fonseca QuartetJazz StandardNew York, NYMarch 19, 2011 (First Set) Everybody in Manhattan seemed to be celebrating something on the evening of Thursday, March 17. Those with Irish eyes were smiling as green beer flowed freely in corner bars throughout New York City, but a different kind of celebration ...
Jazz vs Racism
by Greg Thomas
Jazz saved me from becoming a racist. Back in the early to mid-1980s, while attending Hamilton College in central New York, I learned details about the transatlantic slave trade that sickened and angered me. I read about the history of the abolitionist movement in the 1800s, and the civil rights movements of last ...
Posi-Tone Records: Creating a New Iconic Catalogue
by John Patten
When Posi-Tone Records founder Marc Free was growing up, he looked forward to each new record purchase, cherishing the cover artwork, devouring the liner notes and most of all, feasting on the music. He came to love the music and albums issued by iconic labels such as Blue Note and Impulse!, knowing that even if he ...
Keith Jarrett / Charlie Haden: Jasmine
by Joe Alterman
Keith Jarrett, like Sonny Rollins, is quite hard to pin down. Like the iconic saxophonist, for many years now, the equally legendary pianist has been leaning towards the songs of his youth, and even earlier. Compared with their song choices of, say, twenty years ago, it would seem that these players have become more conservative over ...
New Voices: Sarah Manning, John Escreet, Kneebody
by J Hunter
Jazz is like the human body. It needs fresh air, constant activity and a steady stream of nutrients to stay hale and hearty. Conversely, if all the genre does is sit in a comfy chair and try to live on what came before, it becomes sedentary, incurious and--ultimately--self destructive. Fortunately, the young keep jazz active and ...
Dreyfus Records: Crossing Continents with Music
by Jakob Baekgaard
Music, at its best, has the ability to reach across boundaries of nationality, gender and age. If there's a message in music, it's about communication, and about getting to the essence of everything: the beating pulse of a human heart. In an increasingly commercial market, where it has become more important to make music that opens ...
Michael Cuscuna on Ahmad Jamal: The Complete Ahmad Jamal Trio Argo Sessions
The mid fifties was a fertile time for jazz; fresh, original ensembles were taking shape all over the country. The Modern Jazz Quartet, the Dave Brubeck Quartet, The Jazz Messengers and the Ahmad Jamal Trio immediately come to mind. Among musicians, each group had its imitators and its creative disciples who took its innovations one step ...
Sarah Manning: Dandelion Clock
by Bruce Lindsay
The cover of Dandelion Clock, Sarah Manning's third album as leader, shows the saxophonist in soft focus, lying on a bed of fallen autumn leaves and lightly cradling her alto. It's standard smooth jazz cover art--but appearances can be deceptive, for Manning is one of the hardest-blowing and intense of musicians while her talents as a ...
Sarah Manning: Dandelion Clock
by Dan Bilawsky
Abstraction and accessibility isn't an easy match, but alto saxophonist Sarah Manning weds the two with fine results on Dandelion Clock. Manning's desire to create “a working, stable group that through rehearsals and philosophy lives and breathes on stage as a musical unit," is largely achieved with this quartet, featuring bassist Linda Oh, pianist Art Hirahara ...
