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Bishu Chattopadhyay: Kolkata Stories
by Jim Trageser
Given this album's title, the fact that the leader's previous album was titled Harlem Meets Hooghly (self-produced, 2020), and even the song titles on this release, it's not unrealistic to be looking for an Indo-jazz fusion release in the vein of John McLaughlin, Warren Senders or simakDialog. But despite the Indian album and song ...
Various Artists: Putumayo Presents Jazz Christmas
by Jim Trageser
The Putumayo World Music compilations have achieved an enviable brand status with their wide-ranging stylistic variety and the distinctively cheerful covers by artist Lisa Gonzalez. The latest entry, Putumayo Presents Jazz Christmas joins previous entrants Putumayo Presents New Orleans Christmas (2007) and Putumayo Presents A Jazz & Blues Christmas (2008) in offering collections of ...
Norah Jones: I Dream of Christmas
by Jim Trageser
With Tony Bennett's retirement, the mantle of legitimate straight-ahead pop crooners is now firmly in the hands of subsequent generations: Harry Connick, Jr., Diana Krall and Norah Jones. Not pure jazz singers, of which there are numerous stellar examples, these singers are more in the Bennett-Sinatra-Fitzgerald mold, bringing a jazz sensibility to pop music.
Emma-Jean Thackray: Yellow
by Jim Trageser
Many of the most prominent exponents of melding jazz with soul, funk and hip-hop have been trumpeters. Even in the late 1970s, Chuck Mangione was already taking soul-jazz and moving it further into an R&B orbit (and taking heat from jazz purists for supposedly “selling out"), and in so doing exposing lots of pop fans to ...
Various artists: Changüí - The Sound of Guantánamo
by Jim Trageser
In much of our supposedly modern world, there is a distinct demarcation between the creators of music, and those who listen. Musician and audience, the former expecting to earn a living by performing for the latter. More and more, Western society's division of labor is stripping away the idea of communal music,
Various artists: Alligator Records: 50 Years of Genuine Houserockin’ Music
by Jim Trageser
Maybe this half-century commemoration of the Chicago-based, blues-focused label should have been titled, “The Last of the Independents." Almost alone of the mid-major labels that formerly thrived in the 1980s and '90s by specializing in non-mainstream styles of music, Alligator has managed to navigate stunning changes in the music business--from the vinyl of LPs ...
Rubén Blades: Salswing!
by Jim Trageser
In the liner notes to this recording, veteran Latin pop singer Rubén Blades explains that Salswing! is meant as a demonstrative statement: About his own ability to grow beyond being a Panamanian singer, to show that musicians can speak to an audience beyond their own nationality, and to celebrate the stellar chops of the Roberto Delgado ...
Elvin's Waiting
by Michael J. Williams
This article was originally published in Turbula.net in 2004. Behind the Viking Lounge Is there a swimming pool and a garden where they hold summer fish fries Families living in the building know and love each other ...
Charles McPherson: The Art Of Teaching
by Jim Trageser
Charles McPherson will always be known for his alto sax playing. A favorite of Hollywood director Clint Eastwood, McPherson first gained a national reputation playing in Charles Mingus' combo in the late 1950s. By 1964 he was recording as a leader (although he'd continue to perform with Mingus for another half-decade), and later re-created Charlie Parker's ...
Derrick Shezbie: The Ghost of Buddy Bolden
by Jim Trageser
Derrick Shezbie's sophomore release as leader--a mere 26 years after his highly acclaimed debut, Spodie's Back (Warner Bros., 1994)--finds the New Orleans trumpeter in much the same territory as a quarter-century ago: traditional jazz played with an assured combination of virtuosity and energy. But this should be no surprise. He came of age musically ...
