Home » Search Center » Results: Jim Santella

Results for "Jim Santella"

Advanced search options

172

Article: Album Review

Anton Schwartz: The Slow Lane

Read "The Slow Lane" reviewed by Jim Santella


With a rich, brawny tenor saxophone tone, Anton Schwartz leads this quartet through a program of slow ballads and medium-tempo fare. His warm saxophone sound captivates the heart and lets you forget the harsh realities. Music for a rainy day? Could be. However, everyone solos and breathes so much subliminal creative energy into the session that ...

283

Article: Album Review

Dave Brubeck: Vocal Encounters

Read "Vocal Encounters" reviewed by Jim Santella


Dave and Iola Brubeck wrote most of the songs on this vocal compilation, including excerpts from their show The Real Ambassadors. Culled from several early 1960s releases, each selection features a singer or singers. Two previously unreleased tracks are included: a take of “It’s A Raggy Waltz” with Carmen McRae and an arrangement of “Autumn In ...

204

Article: Album Review

Ron Carter: When Skies Are Grey...

Read "When Skies Are Grey..." reviewed by Jim Santella


While a Latin jazz element is his focus for this project, veteran Ron Carter’s recordings always hold the mainstream of jazz in high regard. A quiet session that swings, the bassist’s latest album swirls through the tradition with a light conga tinge. Bob Freedman’s intricate arrangements place the bassist in roles ranging from opening obbligato to ...

169

Article: Album Review

Sheila E. and the E-Train: Writes Of Passage

Read "Writes Of Passage" reviewed by Jim Santella


Funk, instrumental pop, and smooth jazz color Sheila E’s latest album with an easy-to-like coating. There’s not much to sink your teeth into, but her project does reflect cool waters and the things that make FM radio popular. A portion of “N Perfect Time,” Sheila E’s only lead vocal track on the album, is available from ...

151

Article: Album Review

Jack Costanzo: Back From Havana

Read "Back From Havana" reviewed by Jim Santella


After 25 years away from the spotlight, Jack Costanzo has returned. His album features an exciting band -around 10 pieces for the most part -performing intense Afro-Cuban arrangements. Chicago native Costanzo, whose ancestry is Sicilian, has lived in Southern California since his discharge from the U.S. Navy at the end of World War II. Two years ...

278

Article: Album Review

Ken Stubbs: Ballads

Read "Ballads" reviewed by Jim Santella


Alto saxophonist Ken Stubbs combines his light, dry alto saxophone timbre with minimal accompaniment on a session for romantics. Working with guitar trio on two tracks, piano on two and the piano trio elsewhere, Stubbs weaves slowly in and around familiar standards. They’re lovely songs that recall lyrics and stories. Appropriately, Stubbs adapts his vocal-like phrasing ...

184

Article: Album Review

Various Artists: Cincinnati Jazz Collection, Volume III: The Blues

Read "Cincinnati Jazz Collection, Volume III: The Blues" reviewed by Jim Santella


Like most other metropolitan areas around the world, Cincinnati has a fruitful jazz and blues scene. Where would we be without this kind of tradition? The songs tell stories. Long, detailed stories with just enough innuendo to make it interesting. And when that organist, pianist, guitarist, or saxophonist stretches out... it’s time for passion. This is ...

131

Article: Album Review

Deep Rumba: Deeper Rumba/A Calm In The Fire Of Dances

Read "Deeper Rumba/A Calm In The Fire Of Dances" reviewed by Jim Santella


Deep Rumba’s first album, This Night Becomes A Rumba, was recorded almost three years ago. The group has remained intact and they’ve continued to perform before appreciative audiences. Their mission also remains the same: to carry on the Afro-Cuban tradition while updating with contemporary concepts. As with their first album, Deep Rumba again features solo tracks ...

128

Article: Album Review

John Stetch: Heavens Of A Hundred Days

Read "Heavens Of A Hundred Days" reviewed by Jim Santella


Pianist John Stetch has assembled an eclectic, modern mainstream program for his 6th album as leader. The pianist’s improvising quartet weaves distinct impressions around various themes. From the ancient Japanese harmony of Stetch’s “Urakawa” to his Erik Satie tinged “Rondeau,” the pianist/composer swings with an intellectual acumen. Standards receive a smooth texture with a vibrant dynamic ...

216

Article: Album Review

Wallace Roney: No Room For Argument

Read "No Room For Argument" reviewed by Jim Santella


An homage to Miles, Wallace Roney’s Stretch Records debut incorporates souvenirs that encompass the varied career of the incomparable Miles Davis. From echoes of his benchmark sextet to repetitious rock beats and sampled voices, Roney documents a valuable piece of history. Furthermore, the sampled voices include those of Martin Luther King, Jr., Malcolm X and Deepak ...


Engage

Contest Giveaways
One sec... We'll be back with another contest giveaway soon.
Listen Now
Compiling annual playlists since 2022.

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.