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154

Article: Album Review

The Nate Najar Trio: Jazz Impressions

Read "Jazz Impressions" reviewed by Jim Josselyn


On “Jazz Impressions" the Nate Najar Trio takes us back to a dark, tiny, smoky, nightclub circa 1956. The question is, do we want to go there? From the opening lines of the Count Basie blues “Taps Miller" we can hear where the group is going, and haven't we all been there before? Najar's solo consists ...

218

Article: Album Review

Bennett Paster and Gregory Ryan: Grupo Yanqui

Read "Grupo Yanqui" reviewed by Jim Josselyn


Somehow these young New York guys seem to never let you down. On Grupo Yanqui (are they the anti-Grupo Mets?) leaders Bennett Paster and Gregory Ryan showcase their hip, cerebral, groovy originals and two standards in a series of fine and energetic performances. Ryan's “Miller Time" is a hard Latin Funk groove with an interesting and ...

316

Article: Album Review

Ray Barretto and New World Spirit: Trancedance

Read "Trancedance" reviewed by Jim Josselyn


Ray Barretto and New World Spirit are one of the finest ensembles in Latin jazz and on the elegantly swinging “Trancedance" they prove why throughout. The date opens with a simply wonderful arrangement of a simply wonderful Monty Alexander tune, “Renewal". Pianist John Di Martino's solo is a delight, as is the playing of special guest ...

177

Article: Album Review

Henri Salvador: Room With A View (Chambre Avec Vue)

Read "Room With A View (Chambre Avec Vue)" reviewed by Jim Josselyn


On his new Blue Note release, Room With A View, Henry Salvador croons softly of “Jazz, Silver Moonlight." On the opener and the title track, Salvador overdubs his voice to less than wonderful results. The disc has a decided retro feeling to it, as the rhythm sections Latin and Bossa Nova accompaniments seem a little stuck ...

Album

Brazilian Sunflower

Label: Sunflower
Released: 2001
Track listing: Prelude; Brazilian Sunflower; Islamorada; Tres Pontas; The Scream of the Butterfly; Hartshorne Valley Walk.

173

Article: Album Review

Keith Ganz and Sean Smith: A Wish For A Wish To Come True

Read "A Wish For A Wish To Come True" reviewed by Jim Josselyn


This recording, with its soft acoustic guitar and bass, reminds me, in mood and tempo, of the recording that Charlie Haden and Pat Metheny made a few years back. The disc opens with guitarist Keith Ganz’s title track, a soft, pretty ballad with a memorable melody and pretty changes. Bill Evans’ “Time Remembered" is similar in ...

198

Article: Album Review

The David Liebman Group: The Unknown Jobim

Read "The Unknown Jobim" reviewed by Jim Josselyn


You simply can’t go wrong here--the David Liebman Group is one of the most accomplished and versatile combos in jazz, and the music of Antonio Carlos Jobim speaks for itself. The twist here is that these wonderful and rather obscure gems from the Jobim book are mostly played with a straight-ahead swing jazz feel, instead of ...

98

Article: Album Review

Sean Ardoin and Zydekool: Pullin

Read "Pullin" reviewed by Jim Josselyn


To my knowledge, zydeco is a style of music that combines elements of many styles of music such as rhythm and blues, funk, rock, jazz and blues and features the accordion. According to Sean Ardoin on “Zydekool Rollin", it comes from the southwestern part of Louisiana. In Ardoin’s hands it certainly is a boisterous, upbeat, “happy" ...

131

Article: Album Review

The Latin Jazz Quartet: Bye-Ya!

Read "Bye-Ya!" reviewed by Jim Josselyn


Need a jolt? Feel like dancing? Or just need assurance the state of Latin jazz is alive and well? This superb recording should accomplish all of those things in spades. A truly international collective, LJQ sports a Dutch trumpeter, Dutch bassist, Curacao (ian?) pianist, German congero and Cuban drummer. The date opens with “Balor Di Bida", ...

152

Article: Album Review

Alfredo Triff: 21 Broken Melodies At Once

Read "21 Broken Melodies At Once" reviewed by Jim Josselyn


As the title and daring cover artwork suggest, “21 Broken Melodies At Once" is different. This is not a collection of songs with melodies and improvised solos, but rather a sort of “symphony" or better, a collage, of ideas, sounds and assorted noises. A short orchestral violin solo gives way to radio sounds, distorted electric violins, ...


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