Home » Jazz Articles » Album Review » Sean Ardoin and Zydekool: Pullin

98

Sean Ardoin and Zydekool: Pullin

Jim Josselyn By Jim Josselyn

View read count
To my knowledge, zydeco is a style of music that combines elements of many styles of music such as rhythm and blues, funk, rock, jazz and blues and features the accordion. According to Sean Ardoin on "Zydekool Rollin", it comes from the southwestern part of Louisiana. In Ardoin’s hands it certainly is a boisterous, upbeat, "happy" music, as the music contained here demonstrates. The first three numbers (and as I soon found out, all the numbers) here are entirely interchangeable, with the grooves and changes undistinguishable. "Mama", starts out with a simple, soulful, bluesy accordion ( if you can believe that) and vocal, then doubles up into the same tempo and groove as the first three numbers, albeit in a minor key. With lyrics like "Mama was a woman, Mama was a woman you see...." and "Mama used to tell me to get up early with the chickens, don’t take no wooden nickels..." we realize this music is about the groove. Ardoin also tackles serious issues in "Not A Booty Call" and "Freaky Deaky" with the same lyrical aplomb, repeating over and over "because I love you" in the former and simply, "Freaky Deaky" in the latter. To say that this music is even review-able on All About Jazz is debatable, so as subjectively as I can put it, if zydeco is your cup of tea, you might enjoy this. I didn’t.

Jim Josselyn FOLLOW Jim Josselyn and get notified whenever Jim has a new article published.
Jim Josselyn is a guitarist and the Director at School Of Music and Drama.

Track Listing

Pullin

Personnel

Sean Ardoin, accordion, vocals, drums, Henry "Trip" Wamsley, Chuck Bush, bass, Vanessa Ardoin, Chuck Bush, Raymond Williams, Sean Ardoin, background vocals

Album information

Title: Pullin | Year Released: 2001 | Record Label: Tomorrow Recordings


About Sean Ardoin

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Points of Light
Christian McBride and Ursa Major
Oracle
Co Streiff - Russ Johnson Quartet
Akvæn
Vamze Wybrańczyk
Mediterranean Echoes
Alekos Vretos

Popular

Salt Catchers
Andy Sheppard
Soho Elegy
Rachael Calladine Quintet
Keeping It In Context
Daniel Carter / Sabir Mateen / William Parker / Lou Grassi

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.