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Young / Powell / Vespestad: Anthem
by John Kelman
Public perception can often be misleading. Those only familiar with Jacob Young's ECM recordings, including the sublime Evening Falls (2004), inevitably think of him as a painstakingly lyrical guitarist, informed by Jim Hall's economical forward- thinking and penchant for the sound of a warm, organic hollowbody or steely acoustic instrument. But that's only part of the ...
The Jimmy Giuffre 3: 7 Pieces
by Greg Simmons
Fame can be fickle, meaning that someone like Jimmy Giuffre can fade into relative obscurity, remembered and appreciated by fellow musicians and a few hardcore jazz fans, while never having reached into the broader public consciousness in any measurable way. As a multi-reed artist, Giuffre was certainly one of the most original and creative ...
Bill Frisell: The ECM Years
by John Kelman
Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...
Bill Frisell: Ramping It Up
by John Kelman
It's always been a not-so-hidden truth, especially in the jazz world, that fans only get a small window into what their favorite artists are about. Artists' commercial releases--usually no more than one per year--rarely document the entirety of the various projects with which they're involved in the course of those 12 months. And when you're someone ...
Bertram Turetzky: Contrabass Pioneer
by Robert Bush
Contrabassist Bertram Turetzky's career is nothing short of extraordinary. He almost single handedly redefined the role of the bass in 20th Century classical music, from one of back row support to that of featured and celebrated soloist. Even within the confines of classical music, Turetzky's range is huge: he is a master of early, pre- Bach ...
Jim Hall - Joey Baron: Conversations
by AAJ Italy Staff
Magnifici gli 80 anni di Jim Hall, indomito nel proporre musiche audaci, lontane dai clichè. In Conversations coinvolge l'amico e partner Joey Baron per un'esplorazione assai sofisticata della formula corde e percussioni. Chi frequenta la musica di Hall sa che il chitarrista predilige i toni sfuggenti, allusivi, rifiutando a priori l'enfasi e i toni declamatori. Anche ...
Assaf Kehati Quartet: Finding Its Own Voice
by Eyal Hareuveni
Israeli guitarist Assaf Kehati, Boston-based since 2007, is a regular in drummer Billy Hart's outfits. His melodic compositions are, he says, inspired by the details of daily life. He cites as influences composers who have blurred the distinctions between folk/pop and more sophisticated music--Hector Berlioz, George Gershwin, guitarist Pat Metheny, Sting and even country singer Kenny ...
Milt Jackson and Paul Desmond: Elder Statesmen on CTI
by Dan Bilawsky
Popular music is usually a young person's game. Older artists, in any genre, often get pushed to the periphery to make way for the next big thing that can sell in numbers. But the CTI label was age-blind when it came to its artist roster. While it's certainly true that the stable of musicians on the ...
The Guitar Stylists of CTI Records
by Dan Bilawsky
In many ways, the guitarists who recorded for the CTI label owe a great debt to the late Wes Montgomery. Guitarist Montgomery's last recordings, before his untimely death from a heart attack, were like a laboratory test for producer Creed Taylor. At the time, Taylor was still trying to work out a formula to balance the ...
Jim Hall: Concierto
by John Kelman
Amongst the many CTI classics of the 1970s, few stand the test of time as well as guitarist Jim Hall's Concierto, an ambitious album that, in its original form, married one side of modern mainstream with a second taken up by a 19-minute version of Joaquin Rodrigo's 1939 piece for classical guitar and orchestra, “Concierto de ...
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