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Take Five With Mario Duenas
by AAJ Staff
About Mario Dueñas: Mario Dueñas was born in Guayaquil, Ecuador. He was introduced to the piano at the age of 5, developing a special interest in harmony, and soon began a self-teaching process through record transcribing and bibliographic studies. Years later, Mario established a variety of ensembles to further explore both the languages of composition ...
David Gilmore: Energies of Change
by Dave Wayne
David Gilmore's career started off with a bang. He worked with Steve Coleman through the 1990s, appearing on at least nine recordings either led, or instigated, by the renowned saxophonist, composer, bandleader, and recent MacArthur Award recipient. Since emerging from Coleman's M-BASE fold, Gilmore has worked with a stunning variety of artists both inside and outside ...
John Abercrombie on ECM - Part 1: Through the '80s
by Budd Kopman
Now that the The First Quartet set of recordings by guitarist/composer John Abercrombie from 1979-1981 has been released, it is as good a time as any to explore Abercrombie's career on ECM as a leader/co-leader, plus some his work as a sideman. There is a famous epithet from Bill Evans: “Jazz is not a ...
Jazz Musician of the Day: Jim Hall
All About Jazz is celebrating Jim Hall's birthday today! Jim Hall, born in Buffalo, and educated at the Cleveland Institute of Music, moved to Los Angeles where he began to attract national, and then international, attention in the late 1950s. By 1960 Jim had arrived in New York to work with Sonny Rollins and Art Farmer, ...
César Cardoso: Bottom Shelf
by Roger Farbey
"Além" starts unceremoniously, almost mid-tune, tenor sax and guitar evoking a sultry Stan Getz mood. The labyrinthine structure of the title track adds to its appeal and benefits from strong playing with a feisty guitar solo. César Cardoso's soprano on “Ónica" evinces a delicate interplay between the sax and the guitar. It might be a bit ...
Roberto Cecchetto e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Roberto Cecchetto: È quello di lasciarsi semplicemente ascoltare. Non amo definire la mia musica da un punto di vista stilistico ma se dovessi farlo la metterei sicuramente in una galassia jazz. AAJ: La qualità che desidero nei musicisti che suonano con me. ...
Gabriel Vicéns: Puerto Rican Jazz Guitar
by Mark Sullivan
Puerto Rican jazz guitarist/composer Gabriel Vicéns graduated from the Music Conservatory of Puerto Rico as the first jazz guitarist, and has gone on to teach guitar at the Music Department at the Interamerican University of Puerto Rico. He recorded his first solo album Point in Time at age 23; his second album Days has been released ...
Rotem Sivan Trio: A New Dance
by Dave Wayne
You can only imagine the hurricane-like storm of hyperbole that accompanies every new release by every single fresh young jazz artist on today's scene. We are promised, every time, that the artist in question (...always immensely-talented) is a “musical genius" and “true innovator" who is going to “transform the jazz world as we know it." The ...
Steve Herberman, Hristo Vitchev, Rick Stone and Harvey Valdes
by Dom Minasi
Welcome back to Guitarists Rendezvous, our third installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. This installment includes a diverse group ...
Gabriel Vicéns: Days
by Chris Mosey
A varied mix of influences has gone into the songs on this, Gabriel Vicéns' second album. There are the the loves of the guitarist's young life, the vampires and werewolves of the horror films he enjoys and the everyday trials and tribulations of the working people of his native Puerto Rico. He says: ...
