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Jazz & Film: An Alternative Top 20 Soundtrack Albums
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
John Scofield: One For Swallow
by Ian Patterson
From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...
Jacob Young: On ECM, founding a label and finding the "drama" in the music
by Friedrich Kunzmann
There's a lot to be said about musical excellence in versatility when it comes to guitarist Jacob Young. The Norwegian fret-acrobat came to international prominence in the early 2000s, when ECM's Manfred Eicher detected his remarkable chops and subsequently recorded and released Young's debut Evening Falls (2004) for the prestigious German label. Two more sessions followed ...
Take Five with Markus Rutz
by AAJ Staff
Meet Markus Rutz Markus Rutz plays trumpet with bluesy, soulful style and a tone that has been called gorgeous. He composes music from his home base in Chicago, Illinois where he also performs modern jazz. As described by Downbeat's J.D. Considine, with his big, dark tone and a fluid ease to his phrasing," trumpet player, composer ...
John Stein: Watershed
by Edward Blanco
Jazz guitarist John Stein has produced many recordings throughout his career. Watershed is his fifteenth album and a special one at that, marking his retirement from academics and the beginning of a new chapter in his life. A former professor at Berklee College of Music (his alma mater), Stein is now fully engaged in producing the ...
Drummers as Bandleaders: An Alternative Top Ten Albums
by Chris May
Drummers have been key members of every band which has changed the course of jazz history, from Max Roach with Charlie Parker to Elvin Jones with John Coltrane and onwards. Yet drummers have been the leaders of a surprisingly small proportion of landmark bands themselves. Chick Webb in the 1920s was the first of the few. ...
About Denin Slage-Koch
Results for pages tagged "Jim Hall"...
Denin Slage-Koch
Born:
Having been praised as possessing “pristine playing, meticulous composing” and “a very personal voice deserving of attention,” award-winning guitarist, composer, and educator Denin Slage-Koch has done a lot. He’s played and recorded with artists like Ryan Keberle, Shane Endsley, Carmen Bradford, Clay Jenkins, Brad Goode, Wycliffe Gordon, and the Colorado Symphony, written music for artists like Melissa Aldana and Carmen Bradford, recorded three albums of original music and served as sideman for many more, published a book, and is a full-time member of the jazz faculty at the University of Tennessee Knoxville - and he’s not even 30 years old yet. Put simply, he is one of the most exciting and unique rising musicians on the scene today.
The Jazz Avant-Garde in the 1960s (1960 - 1966)
by Russell Perry
Nurtured in the seminal recordings of Ornette Coleman and Cecil Taylor in the mid to late 1950s, the jazz avantgarde came into its own in the 1960s with their continuing creations, those of John Coltrane already featured in this program and those of next generation players, Joe Harriott and Albert Ayler. Defining statements of the free ...
It Takes Two to Jazz: Part I
by Ludovico Granvassu
This week we focus on the art of the duo. A challenging format as one does neither have the complete freedom of a solo nor the support of a larger band. Yet, in the hands of the right artists, it can produce magical music. Happy listening! Ben Allison Mondo Jazz Theme ...
Dave Stryker: Guitars, Organs & Eight-Tracks
by Mark Sullivan
Guitarist Dave Stryker grew up in Omaha, Nebraska and moved to New York City in 1980. His big break came when he joined organist Jack McDuff's group for two years, from 1984-85. It was through McDuff that Stryker met tenor saxophonist Stanley Turrentine, who would occasionally sit in. After leaving McDuff, Turrentine asked Stryker to join ...


