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Bob Dorough: Duets
by C. Michael Bailey
Is vocalist/pianist/composer Bob Dorough the Mose Allison of Cherry Hill, Arkansas or is Mose Allison the Bob Dorough of Tippo, Mississippi? The two are famously linked by geographic origin: the country South, time period: '50s to the present, and vocation: singing, songwriting jazzmen. The two also share timeless voices, full of Southern dry dust and humus. ...
Ellingtonian Intimacy: Dukish Duos
by Dan Bilawsky
Duke Ellington elevated the art of big band writing to great heights, but his music was never relegated to the large ensemble corner of the room. While it's true that the large majority of his recordings showcase the ever-evolving, yet incredibly consistent “Orchestra" he fronted, he wasn't averse to presenting his music in small group settings; ...
Carline Ray: Vocal Sides
by C. Michael Bailey
Vocalist Carline Ray has a musical reach that extends to the beginning of jazz. Her father played in James Reese Europe's Society Orchestra in the early years of the 20th Century. Juilliard-trained (as her father was) Ray sang and played guitar and bass in a variety of formats in the International Sweethearts of Rhythm and Erskine ...
Pablo Ziegler's Nuevo Tango Passion: Amsterdam Meets New Tango and Tango Nostalgias
by Dan Bilawsky
Astor Piazzolla invited jazz into the world of tango, birthing a hybridized form of music that's outlived its creator; jazz, proving equally hospitable, opened its doors to Piazzolla and nuevo tango. High-end artists like saxophonist Gerry Mulligan, vibraphonist Gary Burton, and guitarist Al Di Meola all collaborated with the legendary composer/bandoneon player, helping to raise his ...
Michelle Pollace: New Beginning
by Edward Blanco
Pianist and composer Michelle Pollace from the San Francisco Bay Area has been a long-time exponent of the Latin jazz genre going back to her days as co-leader of the Zarate Pollace Project where, along with Bay Area songwriter and guitarist Abel Zarate, the group performed a blend of fusion, jazz, Brazilian and Afro-Cuban styles of ...
The Bechet Legacy: The Bechet Legacy - Birch Hall Concerts Live
by Nicholas F. Mondello
Every so often a jewel of a recording is unearthed, prompting the obligatory question: “Why not sooner?" This wonderfully energetic, swinging effort is a treasure of an example.“The Bechet Legacy," with woodwind artist Bob Wilber and trumpeter Glenn Zottola up front, delivers significant homage to Sidney Bechet and to the Golden Era of hot ...
Antonio Adolfo: Finas Misturas
by Hrayr Attarian
Pianist, composer and educator Antonio Adolfo's second instrumental release as a leader, on his own AAM label, is entitled Finas Misturas (in English, “fine mixtures"). The name refers to the fusion of jazz elements with the rhythms and sensibilities of Adolfo's native Brazil. The result is a pleasing batch of six covers and four originals.
Swingadelic: Toussaintville
by Dan Bilawsky
It's tempting to say that the great Allen Toussaint is a musical phoenix who rose out of the ashes of a Katrina-ravaged New Orleans, but that's not really true. Toussaint wasn't reborn when his city was in ruins; people just started to wake up and take notice of him again in the wake of that tragedy. ...
Chris Massey & The NJP: Whosoever
by Dan Bilawsky
Drummer Chris Massey's debut--Vibrainium (Self Produced, 2011)--was an Art Blakey-influenced quintet date that put a modern slant on the hard bop tradition; this follow-up follows the same guidelines, but puts a greater emphasis on the modern. Massey tips his cap to those who came before him by including an always-in-style standard ("Old Devil ...
Maria Jacobs: The Art of the Duo
by C. Michael Bailey
Simplicity in jazz performance is a sure bet when one has the chops to deliver. Jazz vocal in a duet format is one of the more exposed configurations, one where the singer liability is great. All mistakes, mis-steps and wrong notes are readily audible. Cleveland, Ohio native singer Maria Jacobs' fourth release features seven voice-guitar duets ...
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