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227

Article: Album Review

Carl Ludwig Hubsch: Carl Ludwig Hubsch

Read "Carl Ludwig Hubsch" reviewed by Jerry D'Souza


Tuba player Carl Ludwig Hübsch explains in the CD booklet, that “Primordial Soup refers to the state of our universe: at the point in time that was just a miniscule fraction of a second after the Big Bang. That happens to be the starting point for his view on music and its construction, from establishing components ...

179

Article: Album Review

Saco Yasuma: Another Rain

Read "Another Rain" reviewed by Jerry D'Souza


Saco Yasuma discovered jazz in New York when she moved there from Tokyo in 1989. While she loved the freedom that the music offered, she also immersed herself in Afro-pop, salsa and Brazilian music. It was a defining moment when she discovered that free jazz was the ultimate form of improvisation. Yasuma shows strong evidence of ...

173

Article: Album Review

Myra Melford &Tanya Kalmanovitch: Heart Mountain

Read "Heart Mountain" reviewed by Jerry D'Souza


Fate drew violist/violinist Tanya Kalmanovitch and pianist/harmonium player Myra Melford together at the Canadian 2003 Guelph Jazz Festival. Kalmanovitch could not play with her quartet, and therefore teamed up with Melford. Both women are improvisers who can shape their musical journeys into a compelling portrait from a common thread. Proof positive can be found on Heart ...

157

Article: Album Review

Boots Randolph: A Whole New Ballgame

Read "A Whole New Ballgame" reviewed by Jerry D'Souza


Saxophonist Boots Randolph has been an integral part of several recordings that remain cornerstones in his career. Any fan of Elvis Presley will remember the edge he brought to the songs on Elvis Is Back! (RCA, 1960), with “Reconsider Baby being a stand-out. However, Randolph went past that to notch up more great moments with Roy ...

318

Article: Album Review

Lydian Sound Orchestra: Back to Da Capo

Read "Back to Da Capo" reviewed by Jerry D'Souza


Riccardo Brazzale formed the Lydian Sound Orchestra in 1989. His initial inspiration was Miles Davis, but he changed the musical equation by bringing in his own touch, which he calls a “contemporary aesthetical approach. The Orchestra's first recording, Melodious Thunk (Totem Records, 1993), was a blend of original compositions with selections from Thelonious Monk and Duke ...

292

Article: Extended Analysis

Chicago Underground Trio: Chronicle

Read "Chicago Underground Trio: Chronicle" reviewed by Jerry D'Souza


Trumpeter Rob Mazurek and drummer Chad Taylor have a long history as experimental musicians. They play in several different bands and pull in like-minded musicians to expand into a trio or into the larger context of an “orchestra. For this venture they have Jason Ajemian on bass. Chicago Underground Trio Chronicle ...

268

Article: Album Review

Mikkel Ploug Group: Mikkel Ploug Group

Read "Mikkel Ploug Group" reviewed by Jerry D'Souza


Mikkel Ploug has been slowly, but surely, building a reputation for himself, and deservedly so. His live performances speak for themselves. This recording opens the door to his skills as a composer even while showcasing his considerable talent as a guitarist. Ploug's writing has depth. His ear for melody is astute and he brings in different ...

176

Article: Album Review

Joseph Jarman: As If It Were The Seasons

Read "As If It Were The Seasons" reviewed by Jerry D'Souza


Woodwind multi-instrumentalist Joseph Jarman was one of the first musicians who became part of the Association for the Advancement of Creative Musicians (AACM). One of the goals of the Association was to create music of a high artistic level. Jarman had been doing that and he fit right in. He was in Muhal Richard Abrams' Experimental ...

211

Article: Album Review

Graham Collier: Hoarded Dreams

Read "Hoarded Dreams" reviewed by Jerry D'Souza


Great music stands the test of time. Composer/arranger/bandleader Graham Collier proves that once again with the release of Hoarded Dreams. The work was commissioned by the Arts Council of Great Britain for the ninth Bracknell Jazz Festival in July 1983. Collier has sandwiched five extended parts between the introduction and the coda. They become the take-off ...

142

Article: Album Review

Stew Cutler: Trio/Live

Read "Trio/Live" reviewed by Jerry D'Souza


Guitarist Stew Cutler is a man of ideas. He shapes them in various forms and brings in a wide range of styles. With his compositions fanning a broad base, he can indulge in the many sides his music takes from jazz and blues to avant-garde. The last shows his most adventurous side. Cutler shows his considerable ...


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