Results for "Jeremy Steig"
Jeremy Steig
Born:
In his entire career as an improvisational flutist Steig has challenged the boundaries of conventional categories in music. In his first album Flute Fever (Columbia Records 1963) Steig established himself as one of the most important voices in contemporary music, setting new standards in the performance and appreciation of the flute as improvisational instrument. Steig's openness to all kinds of music is the key that attracts audience to his music. In his newest CD, Steig teams up as a duo with the prominent guitarist and composer, Vic Juris. Their collaboration covers everything from jazz, blues, rock, free music and even some classical pieces that have been reworked to include improvisation. Improvised, Steig and Juris' first CD together, is a dynamic sonic adventure
Denny Zeitlin & George Marsh: Telepathy: Duo Electro-Acoustic Improvisations
by Dan McClenaghan
Pianist Denny Zeitlin's recording career began with his contribution to flutist Jeremy Steig's 1963 album Flute Fever (Columbia Records). Then Zeitlin struck out on his own, creating over five-plus decades worth of record releases on Columbia Records, Decca/ECM, Windham Hill, MaxJazz (and more) before shifting into overdrive when he connected with Sunnyside Records in 2009, on ...
Denny Zeitlin: Live at Mezzrow
by Dan McClenaghan
Pianist Denny Zeitlin appeared on his first recording in 1963, flautist Jeremy Steigs' Flute Fever (Columbia Records). He was in his third year at Johns Hopkins Medical School at the time, on a path to dual careers in psychiatry and eventually the teaching of that profession—vocations he continues with to this day. Add a ...
Time for Listeners’ Favorites
by Marc Cohn
It's a show with a number 5 in it (show 425 to be precise). So, it's time for listeners' favorites from shows 411-420. See if yours made the list. Toes tappin' mask on! Enjoy! Playlist Gary Burton “Boston Marathon" from Good Vibes (Atlantic) 00:00 Jack McDuff “Hunk O' Funk" from To Seek a ...
February 50th Anniversary Blue Notes & More
by Marc Cohn
This week on Gift & Messages we mark 50th anniversary of Blue Note releases from February 1970 by flautist Jeremy Steig (Wayfaring Stranger with Eddie Gomez on bass), McCoy Tyner (Extensions with Wayne Shorter, Gary Bartz and Alice Coltrane), and Duke Pearson (I Don't Care Who Knows It), as well as BN-18 from Edmond Hall with ...
50th Anniversary Blue Notes for December, Including The Rare Jazz Wave on Tour
by Marc Cohn
50th anniversary Blue Notes from December 1969 this week from Jack McDuff (Moon Rappin') and Reuben Wilson (the seriously greasy Blue Mode) and part of a Donald Byrd session (Kofi) only released 25 years after the fact! Then, there's this one: Jazz Wave Ltd. on Tour, Volume 1. It's a double LP (it's in my lap ...
Bill Evans @ 90 and Day 3 "Bitches Brew"
by Marc Cohn
We start with 21st century music from guitarist Dave Stryker (coming to Southern Louisiana in October; heads up, y'all:), Geri Allen, David Weiss, Zhenya Strigalev and the Hi-Fly Orchestra. It's pianist Bill Evans birthday. Were he alive today, he would be celebrating his 90th. We have him at the Vanguard with his last trio, in a ...
Denny Zeitlin: Remembering Miles
by Dan McClenaghan
Pianist Denny Zeitlin, pushing hard ahead in an extraordinary recording career that began in 1963 with a sideman job on Jeremy Steig's Flute Fever (Columbia Records), has settled artistically, fifty years on, into a pair welcoming homes: Sunnyside Records, for whom he has recorded ten superb albums, beginning with 2009's In Concert Featuring Buster Williams and ...
Denny Zeitlin: Balancing Act
by Ken Dryden
Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for ...
Sax Strike: The Sound of Jazz without Saxophones
by Jennifer DeMeritt
Possibly, more than any other instrument, the saxophone defines the sound of jazz. Most jazz combos have at least one saxophonist on the front—and when you see that saxophone, you know it's going to be doing a LOT of soloing, even if the bandleader or composer plays another instrument. But what happens to the shape and ...
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