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11

Article: Live Review

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

by John Sharpe

23rd Annual Vision Festival Roulette New York, NY May 23-28, 2018 Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...

3

Article: Live Review

Edgefest 2017: Give the Drummers Some, Part 2-2

Read "Edgefest 2017: Give the Drummers Some, Part 2-2" reviewed by Troy Dostert

by Troy Dostert

Part 1 | Part 2 Edgefest Ann Arbor, MI October 20-21, 2017 On the last two days of the festival, the Edgefest audience was treated to even more of the eclectic, explorative music that was present in abundance on Wednesday and Thursday. Edgefest-goers who were able ...

6

Article: Album Review

Arthur Williams: Forgiveness Suite

Read "Forgiveness Suite" reviewed by John Sharpe

by John Sharpe

Forgiveness Suite belatedly constitutes trumpeter Arthur Williams' first leadership date. A mysterious and troubled soul who flew below the radar, even within free jazz circles, Williams surfaced on a handful of albums in the 1970s and 80s before dropping from view not long after. His most notable appearances are documented on saxophonist Frank Lowe's Lowe And ...

Article: Album Review

William Hooker: Light - The Early Years 1975-1989

Read "Light - The Early Years 1975-1989" reviewed by Giuseppe Segala

by Giuseppe Segala

L'etichetta lituana NoBusiness Records, orientata verso il free storico e la musica più recente che ne è derivata, si distingue anche per le raffinate riedizioni in tiratura limitata. Light, sottotitolato The Early Years, 1975- 1989, presenta in quattro CD l'attività del batterista e compositore William Hooker, catturata in quegli anni in locali, studi radiofonici, loft e ...

1

Article: Album Review

Jemeel Moondoc/Hilliard Greene: Cosmic Nickelodeon

Read "Cosmic Nickelodeon" reviewed by Mark Corroto

by Mark Corroto

Saxophonist Jemeel Moondoc and bassist Hilliard Greene have quite a bit to talk about in their encounter Cosmic Nickelodeon. Their shared forays into free jazz, Moondoc first with Cecil Taylor, then as a leader collaborating with William Parker and Roy Campbell, and Greene with Charles Gayle give context to this session. Moreover, the pair come together ...

7

Article: Album Review

William Hooker: Light The Early Years 1975-1989

Read "Light The Early Years 1975-1989" reviewed by Mark Corroto

by Mark Corroto

The good news is that record executives are no longer the gatekeepers of taste and style in music today. Inexpensive recording equipment and the advent of digital music allow the artist, and the audience to cast a wide net these days. This wasn't the case forty years ago, especially for the improvised jazz scene. Studio time ...

9

Article: Album Review

William Hooker: Light

Read "Light" reviewed by John Sharpe

by John Sharpe

Light constitutes another welcome instalment from the back pages of NYC free jazz by the Lithuanian No Business imprint, following on from Jemeel Moondoc's Muntu Recordings (2009), Commitment's Complete Recordings 1980/1983 (2010) and William Parker's Centering: Unreleased Early Recordings 1976-1987 (2012) box set, among others. The label has released some of drummer William Hooker's most accomplished ...

9

News: Recording

New NoBusiness Records Archive Series Release: William Hooker "Light. The Early Years 1975-1989"

New NoBusiness Records Archive Series Release: William Hooker "Light. The Early Years 1975-1989"

Featuring David S. Ware, David Murray, Roy Campbell Jr., Mark Hennen, Jemeel Moondoc and others. NoBusiness Records is pleased to announce a new archive release from it’s series of important musicians and group recordings from the 70s and 80s, which either were never released before or released on small private labels but long out of print ...

5

Article: Album Review

John Dikeman/William Parker/Hamid Drake: Live at La Resistenza

Read "Live at La Resistenza" reviewed by Mark Corroto

by Mark Corroto

The subtitle to Charles Mingus' composition “Gunslinging Bird" is “If Charlie Parker was a gunslinger, there'd be a whole lot of dead copycats," refers to the great alto saxophonist's ability to dominate a bandstand and quiet any and all comers. Parker, who died in 1955, might not have known about automatic weapons, nor the free jazz ...

13

Article: Album Review

Joe McPhee / Jamie Saft / Joe Morris / Charles Downs: Ticonderoga

Read "Ticonderoga" reviewed by Troy Collins

by Troy Collins

Ticonderoga was inspired by a conversation between Joe Morris and Jamie Saft regarding their mutual admiration for John Coltrane's Live at the Village Vanguard Again (Impulse!, 1966). Paying homage to the historic date, the pair invited free jazz veterans Joe McPhee and Charles Downs to convene for an informal recording session at Saft's studio in the ...


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