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Lafayette Gilchrist: Dark Matter
by Jerome Wilson
It would seem almost impossible by this point for a jazz pianist to avoid common modern influences like Bud Powell, Bill Evans, McCoy Tyner or even Cecil Taylor, but somehow Lafayette Gilchrist falls outside all of those parameters. On this solo concert recorded at the University of Baltimore in 2016, he shows a keyboard style built ...
Our Favorite Things: Jazz Greetings from Military Service Bands
by Chris M. Slawecki
Part 1 | Part 2 | Part 3 US Army Blues: Swinging in the Holidays (2017) Swinging in the Holidays does so much more than swing. “Five-Sided Dreidel" sings in the traditional “Dreidel" melody until saxophones unravel it like unwrapping Christmas package ribbon and then hand what's left to the ...
Umbria Jazz 2019 - Prima parte
by Libero Farnè
Umbria Jazz 2019 Perugia, varie sedi 12-21.7.2019 “Numeri da record assoluto quelli di UJ19: oltre 40.000 paganti con un incasso che ha superato 1 milione e 600mila euro." Con queste parole di evidente soddisfazione si apre il comunicato diramato nella conferenza stampa conclusiva del festival umbro. Indubbiamente a Perugia il ...
Newk, Clarinet Madness & More
by Marc Cohn
June 2019 was one of those months with 5 Saturdays, so we got to play around with the music more. As usual, a mix of newer music from the likes of Theo Hill, Kate Reid and Anat Cohen--the latter two duos with Fred Hersch on piano. Then we have two, yes two, “compare and contrast": one ...
The Complete Morton Project
New Orleans pianist Jelly Roll Morton is widely considered to be jazz's first arranger. Though jazz was considered exclusively an improvised form early on, Morton proved that jazz could retain its joyous, freewheeling feel even when scored on music paper. He also was jazz's first published composer. His Jelly Roll Blues was published in 1915. As ...
The Black Swan: A History of Race Records
by Karl Ackermann
Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
French Gypsy Jazz
by Nick Catalano
At various times since its origin, jazz has had an interesting claimant. The French have long maintained that the various musics leading up to the development of jazz in the early years of the 20th century contain Gallic seedlings....Their claim is justifiable. Without parsing the complex origins of the music one can simply make reference to ...
Electronic Explorations in Afro-Cuban and UK Jazz
by Chris May
Sarah Tandy, Yussef Dayes, Kevin Haynes, Adel Gomez, Feliciano Arango, Seiji Milton Court Concert Hall Electronic Explorations in Afro-Cuban and UK Jazz London May 12, 2019 Jazz and Cuban music intersections go back to the 1910s and pianist Jelly Roll Morton's embrace of what he called “the Spanish tinge." Things ...
Savannah Music Festival 2019
by Martin Longley
Savannah Music Festival Savannah, GA March 28-April 2, 2019 The opening day of this 30th edition of the Savannah Music Festival featured a pronounced bombardment of diverse artists, tearing apart the motor controls of the driven sonic obsessive. If a pair of ears lends equal attention to Louisiana zydeco, Saharan ...
