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Article: Year in Review

2019: The Year in Jazz

Read "2019: The Year in Jazz" reviewed by Ken Franckling


The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...

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Article: Album Review

Ellery Eskelin/Christian Weber/Michael Griener: The Pearls

Read "The Pearls" reviewed by Mark Corroto


It's Interesting that Ellery Eskelin chose time as the subject of his liner notes essay for this release, because his music has always had a feeling of timelessness about it. His discourse ranges from concrete sundials to wrist watches and atomic clocks to the abstraction of music's swing and stop-time improvisations. Without diving too deep into ...

News: Birthday

Jazz Musician of the Day: Jelly Roll Morton

Jazz Musician of the Day: Jelly Roll Morton

All About Jazz is celebrating Jelly Roll Morton's birthday today! The city of New Orleans has the distinction of being the ‘birthplace of jazz’ so its appropriate that in New Orleans in or around 1885 to 1890 would be born the self-proclaimed “inventor of jazz”. Ferdinand Joseph Lemott (Lamothe) and his story is one of mystery, ...

44

Article: Radio & Podcasts

Listeners' Recent Faves

Read "Listeners' Recent Faves" reviewed by Marc Cohn


Listeners' favorites this week from shows 381 to 390! Lots of 'pop' covers tickled your fancy this time around, along with a trip to New Orleans and the usual dose of grits & gravy. Enjoy the show. And, no, we haven't abandoned Blue Note 50th anniversary salutes (yet:); they will be featured next week. Thanks for ...

5

Article: Album Review

Lafayette Gilchrist: Dark Matter

Read "Dark Matter" reviewed by Jerome Wilson


It would seem almost impossible by this point for a jazz pianist to avoid common modern influences like Bud Powell, Bill Evans, McCoy Tyner or even Cecil Taylor, but somehow Lafayette Gilchrist falls outside all of those parameters. On this solo concert recorded at the University of Baltimore in 2016, he shows a keyboard style built ...

11

Article: Multiple Reviews

Our Favorite Things: Jazz Greetings from Military Service Bands

Read "Our Favorite Things: Jazz Greetings from Military Service Bands" reviewed by Chris M. Slawecki


Part 1 | Part 2 | Part 3 US Army Blues: Swinging in the Holidays (2017) Swinging in the Holidays does so much more than swing. “Five-Sided Dreidel" sings in the traditional “Dreidel" melody until saxophones unravel it like unwrapping Christmas package ribbon and then hand what's left to the ...

Article: Live Review

Umbria Jazz 2019 - Prima parte

Read "Umbria Jazz 2019 - Prima parte" reviewed by Libero Farnè


Umbria Jazz 2019 Perugia, varie sedi 12-21.7.2019 “Numeri da record assoluto quelli di UJ19: oltre 40.000 paganti con un incasso che ha superato 1 milione e 600mila euro." Con queste parole di evidente soddisfazione si apre il comunicato diramato nella conferenza stampa conclusiva del festival umbro. Indubbiamente a Perugia il ...

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Article: Radio & Podcasts

Newk, Clarinet Madness & More

Read "Newk, Clarinet Madness & More" reviewed by Marc Cohn


June 2019 was one of those months with 5 Saturdays, so we got to play around with the music more. As usual, a mix of newer music from the likes of Theo Hill, Kate Reid and Anat Cohen--the latter two duos with Fred Hersch on piano. Then we have two, yes two, “compare and contrast": one ...

News: Recording

The Complete Morton Project

The Complete Morton Project

New Orleans pianist Jelly Roll Morton is widely considered to be jazz's first arranger. Though jazz was considered exclusively an improvised form early on, Morton proved that jazz could retain its joyous, freewheeling feel even when scored on music paper. He also was jazz's first published composer. His Jelly Roll Blues was published in 1915. As ...

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Article: Under the Radar

The Black Swan: A History of Race Records

Read "The Black Swan: A History of Race Records" reviewed by Karl Ackermann


Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...


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