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468

Article: Book Review

Historic Photos of New Orleans Jazz

Read "Historic Photos of New Orleans Jazz" reviewed by Wade Luquet


Historic Photos of New Orleans Jazz Thomas L. Morgan Hardback: 216 pages ISBN:1596524057 Turner Publishing 2009 Covering over 100 years, Historic Photos of New Orleans Jazz utilizes the extensive jazz photography collection of the Louisiana State Museum Jazz Collection to produce a beautiful book ...

1,079

Article: Interview

Christian Scott: Breaking Boundaries, Crossing Lines

Read "Christian Scott: Breaking Boundaries, Crossing Lines" reviewed by Frederick Bernas


Christian Scott is lounging on a black leather couch, easy and relaxed before taking to the stage at a Moscow jazz club. The cold, gloomy Russian capital hosted the New Orleans trumpeter's quintet for a trio of gigs in February 2009--including a show at the US ambassador's cushy residence, in front of an elite audience of ...

1,679

Article: Interview

Nik Turner: Bringing the Music to the People

Read "Nik Turner: Bringing the Music to the People" reviewed by Jack Gold-Molina


Nik Turner is perhaps best known as the founding saxophonist and flautist for pioneering “space rock" band Hawkwind. As well as contributing to the profound influence that this band has had on rock and punk with its focus on community and grassroots movements--including its many benefit shows and long-standing support of England's free festivals, Turner may ...

634

Article: Big Band Report

The Albuquerque Jazz Orchestra Meets Fred Sturm

Read "The Albuquerque Jazz Orchestra Meets Fred Sturm" reviewed by Jack Bowers


The Albuquerque Jazz Orchestra was onstage January 23, 2010 at the University of New Mexico's Woodward Hall for a concert featuring the compositions and arrangements of Fred Sturm, director of Jazz Studies at Lawrence University in Appleton, Wisconsin. The concert was a part of the New Mexico All-State Band Competition, which was being held at the ...

315

Article: Album Review

ROPE: Fabrizio Puglisi / Stefano Senni / Zeno De Rossi: Saints And Sinners

Read "Saints And Sinners" reviewed by Mark Corroto


All jazz trios are charged with the command to “make it new," and very few accomplish that directive. Some impersonate the giants of jazz, while others play a parody--massacring styles in the name of modernizing the sound. Neither is the case for the trio known as ROPE. Pianist Fabrizio Puglisi, bassist Stefano Senni, and drummer Zeno ...

255

Article: Album Review

Memphis Nighthawks: Jazz Lips

Read "Jazz Lips" reviewed by Jerry D'Souza


The Memphis Nighthawks took their name from another band that had a brief recording career in 1932. Neither of the bands were from Memphis, nor is the music on this CD. That is of little consequence in the whole scheme of things. The group was co-founded by multi-reed player Ron DeWar and trumpeter Steve ...

228

Article: Album Review

Bob Greene: St. Peter Street Strutters

Read "St. Peter Street Strutters" reviewed by Nic Jones


The more time passes the more important it becomes that traditional New Orleans jazz, like the music on St. Peter Street Strutters, is restored to the public domain. This might not be so much because of the music's history, however, as much as it's due to the fact that the playing of such vintage jazz in ...

Album

Hot Piano

Label: Ramboy Recordings
Released: 2009

1,396

Article: Interview

Tim Garland: Beyond the Frontier

Read "Tim Garland: Beyond the Frontier" reviewed by Ian Patterson


Composer, arranger and multi-reed virtuoso Tim Garland is a treasure the nation of the UK has yet to fully recognize. Having recorded a dozen albums in his own name, and arranged for and played in the groups of Chick Corea and Bill Bruford, Garland's pedigree as one of the leading jazz saxophonist/composers of his generation is ...

245

Article: Album Review

Bob Greene: St. Peter Street Strutters

Read "St. Peter Street Strutters" reviewed by Jerry D'Souza


Back in December 1964, pianist Bob Greene, cornetist Ernie Carson, tubaist Shorty Johnson and banjoist Steve Larner went into the studio to record this set of New Orleans tunes. The music was played by groups larger than a quartet, but size did not matter; the four filled the music with a sense of tradition that has ...


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