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Vince Giordano: Toe-Tapping and Timeless
by Andrew J. Sammut
Welcome to the inaugural column “Jazz That Scratches, Swings and Pops We've all heard King Oliver, Jelly Roll Morton and Bix Beiderbecke on the Smithsonian Jazz Collection. We know the names because they're “important," but do we ever listen because they're just plain good? What about Papa Celestin, Red ...
Cyrus Chestnut Trio: Journeys
by Larry Taylor
During a career spanning 20 years, Cyrus Chestnut has risen to be one of the most esteemed and productive of jazz pianists. Journeys makes 16 recordings under his name. He regularly performs with his trio and is the go-to guy on numerous recording dates and gigs. Having apprenticed with the incomparable vocalist Betty ...
Doug Wamble: A New Direction
by Matthew Warnock
It's never easy for an established artist to make a change in their musical output mid-career, especially if up until that point they have made a name for themselves in the realm of traditional jazz. While some of these artists make a switch because for monetary reasons or to reach a wider audience, others are drawn ...
Carlos Villoslada: Tabanqueando en la Plaza Nina
by Ian Patterson
The Spanish tinge referred to by pianist Jelly Roll Morton has never been far from jazz, though serious attempts to fuse flamenco and jazz only began with saxophonist Pedro Iturralde and guitarist Paco de Lucia's collaboration Flamenco-Jazz (SABA, 1968). Tenor saxophonist Carlos Villoslada continues this tradition by bringing together jazz melodies and harmonies with flamenco rhythms ...
Riverwalk Jazz Interviews Nat Hentoff
Author and columnist Nat Hentoff is one of America's most revered commentators on jazz. This week on Riverwalk Jazz, host David Holt caught up with the 85-year-old at his home in Greenwich Village to talk about the people and personalities covered in his new book, At the Jazz Band Ball: Sixty Years on the Jazz Scene. ...
Hatology's Big Band Big Bang
by Mark Corroto
Creative large ensembles are precious commodities. In the modern era, maintaining both features (innovation and size) is a marvel. There are large repertory ensembles playing those “oldies" that are, maybe, goodies, and smaller, more economically efficient bands that have always been the flag bearers for originality. But to witness a large ensemble, big band or arkestra ...
Jazz Musician of the Day: Jelly Roll Morton
All About Jazz is celebrating Jelly Roll Morton's birthday today! Jelly Roll MortonThe city of New Orleans has the distinction of being the ‘birthplace of jazz’ so its appropriate that in New Orleans in or around 1885 to 1890 would be born the self-proclaimed “inventor of jazz”... more Website ...
Jazz Oracle: Portal to Antiquity
by Nathan Holaway
“Life would be no better than candlelight tinsel and daylight rubbish if our spirits were not touched by what has been."--George Eliot The world will never be able to hear exactly how Beethoven or Bach played their instruments, but it can hear how artists such as clarinetist Wilbur Sweatman and clarinetist and ...
Swinging on the South Side: The Heartbeat of Chicago Jazz
This week on Riverwalk Jazz (distributed nationwide on Public Radio International and Sirius/XM), vocalist Topsy Chapman, singer Vernel Bagneris, trumpeter Duke Heitger and pianist {Dick Hyman}} join The Jim Cullum Jazz Band—club-hopping on the South Side of Chicago from the 'black and tans' of the '20s to the grand ballrooms of the '30s. Tony Jackson arrived ...
