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483

Article: Multiple Reviews

Ken Vandermark: A Discontinuous Line, Free Jazz Classics Vol. 3&4, Ideas, Montage

Read "Ken Vandermark: A Discontinuous Line, Free Jazz Classics Vol. 3&4, Ideas, Montage" reviewed by Jeff Stockton


Vandermark 5 A Discontinuous Line Atavistic 2006 Vandermark 5 Free Jazz Classics, Vol. 3&4 Atavistic 2006 Ken Vandermark Ideas Not Two 2006 FME

195

Article: Album Review

Sonic Liberation Front: Change Over Time

Read "Change Over Time" reviewed by Jeff Stockton


Twelve musicians play in the Sonic Liberation Front on Change Over Time, but only three appeared on the group's previous release, 2004's critically acclaimed Ashe a Go- Go, including musical directors Kevin Diehl and Chuckie Joseph. As you would expect from a band led by drummers, the music leads with an African/Cuban/Caribbean percussive attack that reminds ...

201

Article: Album Review

Hu Vibrational: Universal Mother

Read "Universal Mother" reviewed by Jeff Stockton


Drum circles in the park might get a bad rap, but for centuries the spiritual life of human beings has been synced to the sound of the drum. Any culture that puts meditation at the center of its practice has used a steady pulse as the vehicle for expanding consciousness and breaking through the temporal world. ...

337

Article: Multiple Reviews

Ravi Padmanabha: Tongue Rust and Lead Moth, Nivesana

Read "Ravi Padmanabha: Tongue Rust and Lead Moth, Nivesana" reviewed by Jeff Stockton


Ravi Padmanabha and Steve Baczkowski Tongue Rust and Lead Moth Utech 2006 Ravi Padmanabha and Daniel Carter Nivesana Epoch 2006 Drummer/percussionist Ravi Padmanabha and saxophonist Steve Baczkowski ...

303

Article: Multiple Reviews

Vinny Golia: Sfumato and Music for Like Instruments; The Clarinets

Read "Vinny Golia: Sfumato and Music for Like Instruments; The Clarinets" reviewed by Jeff Stockton


Vinny Golia Quartet Sfumato Clean Feed 2005 Vinny Golia Music for Like Instruments; The Clarinets Nine Winds 2005 The increase in the number of recently released solo ...

185

Article: Multiple Reviews

Colossal Saxophones: Unity and Balladware

Read "Colossal Saxophones: Unity and Balladware" reviewed by Jeff Stockton


Frank Wright Unity ESP 2006 David S. Ware Quartet Balladware Thirsty Ear 2006 Frank Wright only knew how to play the tenor saxophone one way: ecstatically. A ...

288

Article: Album Review

Rova: Totally Spinning

Read "Totally Spinning" reviewed by Jeff Stockton


Depending on your preference among saxophone quartets, Rova (comprised of Larry Ochs, Jon Raskin, Bruce Ackley and Steve Adams) and the World Saxophone Quartet would have to rank numbers 1 and 1A. Rova has always been perceived as the more avant-garde of the two, more prone to explorations of abstract sound, closer in spirit (and practice) ...

285

Article: Multiple Reviews

Harris Eisenstadt: We Are Not Obstinate Islands / The Zone

Read "Harris Eisenstadt: We Are Not Obstinate Islands / The Zone" reviewed by Jeff Stockton


The Diplomats We Are Not Obstinate Islands Clean Feed 2006 Paul Rutherford/Torsten Muller/Harris Eisenstadt The Zone Konnex 2006 We Are Not Obstinate Islands is a live recording ...

278

Article: Album Review

Rudresh Mahanthappa: Codebook

Read "Codebook" reviewed by Jeff Stockton


Ever since Charlie Parker redefined the instrument, speed has been the stock and trade of the alto saxophonist. Find some sidemen who can keep up with you and you've got something. On Codebook, Rudresh Mahanthappa's quartet is rounded out by bassist François Moutin, drummer Dan Weiss and pianist Vijay Iyer, a constant compadre. Is Iyer a ...

176

Article: Album Review

Sabir Mateen: Prophecies Come to Pass

Read "Prophecies Come to Pass" reviewed by Jeff Stockton


The Shapes, Textures and Sound Ensemble is a quintessential downtown New York jazz group in the tradition of Other Dimensions in Music and Test--as intense and impassioned as music honed on the street should be: tough, but coherent and highly skilled. Led by veteran reedman Sabir Mateen on alto, tenor, flute and clarinets, none of the ...


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