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226

Article: Album Review

Rob Brown Trio: Live at Firehouse 12

Read "Live at Firehouse 12" reviewed by Jeff Stockton


Alto saxophonist Rob Brown has the lean physique and worried forehead of a typical free jazz improviser, but through his associations with the leading forces of the downtown scene (including Matthew Shipp and, most fruitfully, William Parker) he has positioned himself as an in-demand sideman as well as a creative and ear-catching leader. He has been ...

287

Article: Multiple Reviews

ECM at 40: Remembering Weather Report/Lost on the Way/The Moment's Energy/Dresden

Read "ECM at 40: Remembering Weather Report/Lost on the Way/The Moment's Energy/Dresden" reviewed by Jeff Stockton


Miroslav Vitous Group w/ Michel Portal Remembering Weather Report ECM 2009 Louis Sclavis Lost on the Way ECM 2009 Evan Parker Electro-Acoustic Ensemble The Moment's Energy ECM

241

Article: Album Review

John Surman: Brewster's Rooster

Read "Brewster's Rooster" reviewed by Jeff Stockton


Over 150 years experience! That's how the band saxophonist John Surman assembled for Brewster's Rooster could be advertised. Surman first played with drummer Jack DeJohnette in the late '70s and DeJohnette and guitarist John Abercrombie first worked together earlier that decade. Rounded out by bassist Drew Gress, Surman revisits straight-ahead jazz after essaying an eclectic range ...

297

Article: Album Review

Digital Primitives: Hum Crackle & Pop

Read "Hum Crackle & Pop" reviewed by Jeff Stockton


Cooper-Moore remains a fringe figure in contemporary jazz, even in the circles traveled by players of improvised music, by definition the fringe itself. Adding insult to the injury done to his potential for fame is the fact that he seems incapable of making an uninteresting record. Hum Crackle & Pop is the second release by Digital ...

168

Article: Album Review

Joshua Redman: Compass

Read "Compass" reviewed by Jeff Stockton


No jazz musician with Joshua Redman's pedigree, chops and talent wants to be tagged as “cautious" or “cerebral," but that was Redman's reputation, perhaps right up until Back East was released in 2007. That CD, a return to straight-ahead acoustic playing after a brief digression, found the saxophonist fronting a few different rhythm sections (and standing ...

256

Article: Multiple Reviews

Baritone Sax: Chalie Kohlhase & Lauren Sevian

Read "Baritone Sax: Chalie Kohlhase & Lauren Sevian" reviewed by Jeff Stockton


Charlie Kohlhase's Explorer's Club Adventures Boxholder 2009 Lauren Sevian Quartet Blueprint Inner Circle Music 2009 Baritone saxophonist Charlie Kohlhase's Explorer's Club got its start as ...

396

Article: Multiple Reviews

Jack DeJohnette: Music We Are & America

Read "Jack DeJohnette: Music We Are & America" reviewed by Jeff Stockton


Jack DeJohnette/John Patitucci/Danilo Perez Music We Are Kindred Rhythm 2009 Jack DeJohnette/Wadada Leo Smith America Tzadik 2009 It's been a while since Jack DeJohnette made ...

352

Article: Album Review

Joe Lovano: Folk Art

Read "Folk Art" reviewed by Jeff Stockton


Some jazz artists enter a period in their careers where they've said all they have to say yet carry on, eking out a living, resting on laurels and simply playing out the string. Not saxophonist Joe Lovano. Folk Art is his 22nd recording for Blue Note alone, a run that has been marked by artistic consistency ...

704

Article: Extended Analysis

Turn Out the Lights: The Final Village Vanguard Recordings, June 1980

Read "Turn Out the Lights: The Final Village Vanguard Recordings, June 1980" reviewed by Jeff Stockton


Bill Evans Trio Turn Out the Stars: The Final Village Vanguard Recordings June 1980 Nonesuch Records 2009 The recent wave of celebrity deaths is a reminder that there's no greater loss the arts can suffer than losing someone in their creative prime. Pianist Bill Evans was 50 when ...

203

Article: Album Review

NOMO: Invisible Cities

Read "Invisible Cities" reviewed by Jeff Stockton


Having started out in clubs around the University of Michigan as an octet (sometimes larger), enchanted by the Afrobeat of Fela (seasoned with a bit of avant jazz), on Ghost Rock (Ubiquity, 2008), NOMO emerged as much more inspired by the clanging junkyard percussion of Congolese Konono No. 1 and German eccentrics such as Can and ...


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