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Article: Bailey's Bundles

Seven Women (Plus Three) 2018 – Part VII

Read "Seven Women (Plus Three) 2018 – Part VII" reviewed by C. Michael Bailey


Well, that didn't take long. What started as “Five Women" quickly grew into the present “Seven Women" and will continue to the end of this year as “Seven Women (Plus Three) as a continuing reflection of the state of female vocalists and instrumentalists. We are blessed with an abundance of musical riches. Adi Meyerson ...

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Song of the Day

Sybille's Day

Album:
By
Label: Capri Records
Released: 2018
Duration: 4:36

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Article: Album Review

Introducing Phil Stewart: Melodious Drum

Read "Melodious Drum" reviewed by Jack Bowers


Cellar Live Records continues its run of admirable mainstream albums with Melodious Drum, Canadian-born and New York City-based Phil Stewart's debut as leader of his own groups, which range from trio to sextet. It's an interesting title, as Stewart's drums may be congenial but aren't melodious in the manner of, say, Jeff Hamilton, Ed Thigpen, Shelly ...

7

Article: In Pictures

The Christian McBride Trio at the Tin Pan

Read "The Christian McBride Trio at the Tin Pan" reviewed by Mark Robbins


Christian McBride strode onto the stage of the Tin Pan in Richmond, VA. to announce that his regular pianist, Christian Sands, and drummer, Jerome Jennings, (refereed to as his younger brothers) could not be with him for their performance. He phoned a couple of his friends, (referring to them as his big brothers), to see if ...

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Article: Album Review

Cory Weeds: Let's Groove: The Music of Earth Wind & Fire

Read "Let's Groove: The Music of Earth Wind & Fire" reviewed by Jack Bowers


When last heard from, Canadian Cory Weeds was wielding a mean neo-swing tenor saxophone with the superb Jeff Hamilton trio on the albums Dreamsville and This Happy Madness. On Let's Groove: The Music of Earth, Wind & Fire, Weeds moves from tenor to alto (with no loss of merit) alongside tenor and fellow Canadian Steve Kaldestad, ...

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Article: In Pictures

Saturday at the Monterey Jazz Festival

Read "Saturday at the Monterey Jazz Festival" reviewed by Dave Kaufman


Friday | Saturday | SundaySaturday at the Monterey Jazz Festival featured excellent performances by some of the lesser known artists, fine concerts by headliners and a great after-hour jam sessions. It was another splendid day with much great music. My day at the fest started out mid-afternoon with a fine performance by accomplished trumpeter ...

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Article: Bailey's Bundles

Five on Cellar Live

Read "Five on Cellar Live" reviewed by C. Michael Bailey


Corey Weeds' Cellar Live label is dedicated to the most organic of jazz: small ensemble acoustic performance. In 2000, Weeds had opened his Cellar Jazz Club, originally located at 3611 W Broadway, Vancouver, BC. A year later followed the inauguration of the Cellar Live imprint. In spite of the club's closing in 2014, the label remains ...

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Article: Album Review

Akiko Tsuruga: So Cute, So Bad

Read "So Cute, So Bad" reviewed by Dan Bilawsky


On more than one occasion I've sat back while listening to jazz organ giants of yore and thought to myself, “they don't make 'em like this anymore." And while it's true that one-of-a-kind greats like Jimmy Smith, Shirley Scott, Big John Patton, Brother Jack McDuff, Charles Earland, and Jimmy McGriff are gone for good, and nobody ...

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Article: Live Review

2017 Tri-C JazzFest Cleveland

Read "2017 Tri-C JazzFest Cleveland" reviewed by C. Andrew Hovan


2017 Tri-C JazzFest Cleveland Playhouse Square Cleveland, Ohio June 22-22, 2017 Although the Newport and Reno festivals have had a longer track record, there are many intriguing connections between the Detroit and Tri-C jazz festivals, both of which are celebrating their 38th birthdays this season. Fostering a strong educational component, both ...

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Article: Album Review

Mason Razavi: Quartet Plus, Volume 2

Read "Quartet Plus, Volume 2" reviewed by Jack Bowers


The “plus" in San Francisco Bay area-based guitarist Mason Razavi's CD Quartet Plus, Volume 2 is a front line consisting of trumpet, trombone and three reeds, which on the second half of the album more than doubles the size of Razavi's quartet. There are many ways that could be done. For example, the nonet tracks might ...


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