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10

Article: Interview

Conrad Herwig: There's Nothing Else

Read "Conrad Herwig:  There's Nothing Else" reviewed by Bob Kenselaar


Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...

5

Article: Book Review

Barney Hoskyns: Trampled Under Foot - The Power and Excess of Led Zeppelin

Read "Barney Hoskyns: Trampled Under Foot - The Power and Excess of Led Zeppelin" reviewed by Nenad Georgievski


Trampled Under Foot: The Power and Excess of Led Zeppelin Barney Hoskyns 640 pages ISBN: 9780571259359 Faber and Faber 2012 It takes little for a band of such stature as Led Zeppelin to start a raging wildfire or to cause tsunami-like shockwaves every time ...

1

Article: Album Review

Joey Stuckey: Mixture

Read "Mixture" reviewed by Edward Blanco


Offering a dynamic repertoire of rich melodic tunes from the light portion of the jazz spectrum, Mixture is a gem of smooth-styled jazz that sparkles all over. The first full-length jazz album from award-winning guitarist Joey Stuckey, an educator, radio and TV personality, among other things, the album presents a versatile set of primarily warm tunes ...

3

Article: Album Review

Kevin Eubanks: The Messenger

Read "The Messenger" reviewed by Dan Bilawsky


It's a shame that so few people only know guitarist Kevin Eubanks as the always-smiling, lick-delivering bandleader and guitar sidekick on The Tonight Show with Jay Leno. He was sharing the stage with drummer Art Blakey and recording with drummer Billy Hart long before he ever did the daily grind in television studios, but time has ...

7

Article: Live Review

Penang Island Jazz Festival 2012

Read "Penang Island Jazz Festival 2012" reviewed by Ian Patterson


9th Penang Island Jazz FestivalBayview HotelPenang, MalaysiaNovember 29--December 2, 2012 From pickup at the airport at 10.30pm to personal send-off five days later at 4.00am, Paul Augustin, the Director of the Penang Island Jazz Festival, is what you could call the perfect host. It's this personal touch--instilled in the festival staff's ...

News: Interview

Interview: James "Jimmy G" Gutzman Of High Brow And The Shades

Q: When and how did High Brow and the Shades form? A: High Brow started the way a lot of bands start — a couple of guys from one band and a couple from another. That was in 1998. The newly-formed band was fortunate in that we had four strong vocalists. We could all sing lead ...

11

Article: Talkin' Blues

Jimmy Herring: Talkin' Blues, Bluegrass and More

Read "Jimmy Herring: Talkin' Blues, Bluegrass and More" reviewed by Alan Bryson


The spark of bringing together unusual combinations, like a classically trained bluegrass fiddler, a Cameroonian bassist, and a high energy guitarist, could have resulted in a musical culture clash, but for Jimmy Herring the bet paid off. While he might be modest and deferential on a personal level, his latest album is bold and expansive. It ...

7

Article: First Impressions

Jimmy Herring: Subject to Change Without Notice

Read "Jimmy Herring: Subject to Change Without Notice" reviewed by AAJ Staff


With his first record since his stunning 2008 debut as a leader, Lifeboat (Abstract Logix), guitarist Jimmy Herring capitalizes on that album's strengths and ups the ante even further on Subject to Change Without Notice (Abstract Logix, 2012), featuring a core group of players with all the chemistry he needs, and some high-powered guest artists to ...

3

Article: Album Review

Tohpati Bertiga: Riot

Read "Riot" reviewed by Dave Wayne


Get used to thinking of Southeast Asia as the new hotbed of fascinating and original guitar players. Indigenous guitar- and mandolin-like stringed instruments and improvisation have played a pivotal role in the native music of the region for centuries. Adaptation and mastery of western styles was inevitable, and a cursory search of YouTube will reveal hundreds ...

5

Article: Reassessing

Welcome

Read "Welcome" reviewed by Jeff Winbush


Once upon a time there was a guitar god who had grown bored with all his fame, riches and glory. He longed for something more than another multi-platinum selling record. He desired not simply acclaim, but respect. He knew to get it he would have to walk away from the distinctive style that made him popular ...


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