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151

Article: Album Review

Archie Shepp: The New York Contemporary Five

Read "The New York Contemporary Five" reviewed by Jerry D'Souza


In 1963, cornetist Don Cherry , tenor saxophonist Archie Shepp , drummer J.C. Moses, alto saxophonist John Tchicai and bassist Don Moore performed at the Jazzhus Montmartre in Copenhagen . At the time, Cherry was just coming off from playing with Ornette Coleman, while Shepp was transitioning from Bill Dixon. Tchicai had met Cherry and Shepp ...

597

Article: Book Excerpts

Sunny Murray: On Taking the Leap from One Reality to Another

Read "Sunny Murray: On Taking the Leap from One Reality to Another" reviewed by Robert Levin


[Editor's Note: From a work-in-progress, Going Outside: A Memoir of Free Jazz and the Sixties][Author's Note: Sunny Murray is widely regarded as the preeminent drummer of the free jazz movement. The “Jeanne" mentioned below was Jeanne Phillips. Although there were, to be sure, significant differences--she was black, she worked a forty ...

369

Article: Album Review

Archie Shepp: The New York Contemporary Five

Read "The New York Contemporary Five" reviewed by John Barron


Although saxophonist Archie Shepp is listed as the leader of this release, The New York Contemporary Five was really a collective; a short-lived, free jazz super-group from the early 1960s. The band, with a front line of Shepp, cornetist Don Cherry and alto saxophonist John Tchicai, was recorded live at the famed Jazzhus Montmartre in Copenhagen, ...

343

Article: Album Review

Max Roach & Archie Shepp: The Long March

Read "The Long March" reviewed by Glenn Astarita


Bebop was considered a radical departure for jazz music during its formation in the 1940s and 1950s, pioneered by drummer Max Roach, Charlie Parker and Dizzy Gillespie among others. Coupled with tenor saxophonist Archie Shepp's 1960s avant-garde jazz proclivities, the artists respectively helped procure a prismatic and non-traditional perspective on the jazz idiom. However, their discographies ...


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