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6

Article: Profile

The Music Of Norman Connors

Read "The Music Of Norman Connors" reviewed by Jason Elias


In the '70s and '80s, the Philadelphia-born drummer Norman Connors was one of the most prolific and talented artists/producers in all of music. By the mid '70s, his jazz training and application led to a career that embraced a confident musicality and intelligence regardless of the genre. Although he's best known at finding great new talent ...

14

Article: Profile

Ain’t Nothing Stopping Us Now: The Tower Of Power Story

Read "Ain’t Nothing Stopping Us Now: The Tower Of Power Story" reviewed by Jason Elias


For over 50 years Tower of Power has been the favorite of those who love R&B/soul, funk and sophisticated jazz. While the band is often known for its revolving door of lead singers, the band's founders, Emilio Castillo (saxophone) and Stephen “Doc" Kupka (baritone sax) have remained their constant. The Bay Area band's first album East ...

17

Article: Profile

Roy Ayers: A Retrospective

Read "Roy Ayers: A Retrospective" reviewed by Jason Elias


Vibraphonist, singer and producer Roy Ayers is a master of many musical styles and genres, from acid-jazz, jazz-funk to romantic ballads and dance tracks. While many of his contemporaries seemed to fail when they tried different sounds, Ayers always made sure a certain of musicality and identity was apparent in all of his work.

35

Article: Profile

The Crusaders: A Retrospective

Read "The Crusaders: A Retrospective" reviewed by Jason Elias


With the esteemed jazz/funk/fusion band the Crusaders as a guide, one could trace the rise and fall of commercial jazz in all in many of its permutations. The core group that is the most recognized was founded in Texas and comprised Joe Sample (piano), Wilton Felder (tenor sax and bass), Stix Hooper (drums) and Wayne Henderson ...

293

Article: Album Review

Ramsey Lewis: Love Songs

Read "Love Songs" reviewed by Jason Elias


Sometimes it's a good idea to do a Love Songs compilation. This is one of those times. Ramsey Lewis was signed to Columbia from 1973 to 1991. Of course, during those times, jazz went through many changes, and Lewis was certainly ready for them all. Easily moving from acoustic to electric piano to whatever synths were ...


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