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Jamie Baum
NYC flutist, composer, Sunnyside Records artist, producer and educator, Jamie Baum, has toured the US and over 35 countries performing at major festivals, clubs and concert halls including the Monterey, Madrid, Oeiras, Bermuda, Edinburgh, North Sea, Winter Jazzfest and London Jazz Festivals, Tampere Jazz Happening, Guimaraes Jazz Festival, Jazztopad, Bimhuis, Unterfahrt, Jazz Gallery, Jazz Standard, 55 Bar, Dizzy’s, Blue Note, etc.. She’s performed with artists as renown and diverse as Randy Brecker, Roy Hargrove, Donald Brown, Tom Harrell, Paul Motion, Mick Goodrick and Kenny Barron to Dave Douglas, Fred Hersch, Leni Stern, Louis Cole, Jane Bunnett, David Binney, Ralph Alessi, Ben Monder, Anthony Braxton, Karaikudi Mani, V. M. Bhatt, Navin Chettri and Wadada Leo Smith.
Eternal Moments
By Yoko Yates
Label: Banka Records
Released: 2025
Track listing: Outer Space - Myriad Stars!; The Flower Before Its Last Day; Winding River; Winter Calls; Collage of Life; Aster; Spirits of the Night; Song of the Wild; Forgotten Paradise; Steps of Spring.
Yoko Yates: Eternal Moments
by Jack Bowers
On her second album, Japanese-born, New York City-based pianist and composer Yoko Yates, ever the genial story-teller, presents ten of her elegant original compositions. Based on feelings and emotions she has experienced while living and working in and around the New York area, they encompass a wide range of phenomena--from outer space and a serpentine river ...
Jamie Baum: These Are Her Times
by Dean Nardi
Jamie Baum is a world-class composer as well as flutist, who smoothly balances woodwinds with horns, guitar, bass, piano and drums so that they are equals. Her compositions can remind you of a Gil Evans arrangement with several decades of development added to create a thoroughly modern milieu. She mixes high-energy with ballads and Western foundations ...
Dayna Stephens, Allen Lowe, and the Millennial Territory Orchestra
by Jerome Wilson
This episode features music from Dayna Stephens, Allen Lowe, and Bob Dorough. It also includes the Millennial Territory Orchestra paying tribute to Sly Stone. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Ethan Iverson “Technically Acceptable" from ...
Jamie Baum, Jon Irabagon, and Cassie Kinoshi
by Jerome Wilson
This show features recent releases by Jamie Baum, Jon Irabagon, and Cassie Kinoshi as well as older music by Geri Allen, George Cables, and Barry Altschul. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 George Cables “Up ...
Jamie Baum: A Flutist Sets Poetry In Motion
by Lawrence Peryer
Today, the Spotlight shines On flutist Jamie Baum. When COVID hit, Jamie found inspiration and solace in poetry. What started as daily readings of women poets became something much bigger: an album, What Times Are These (Sunnyside), blending jazz and spoken word. As leader of her long-running Septet+, Jamie has crafted wide-ranging ...
Jamie Baum: Redefining Jazz with Poetry and Global Sounds
by Steven Roby
When Jamie Baum steps onto the stage, flute in hand, she transforms into a storyteller, weaving melodies and rhythms that feel like a conversation with the world. Her latest album, What Times Are These, is more than music; it's an exploration of poetry, culture, and the human condition. As a guest on the Backstage Bay Area ...
I Dischi del 2024 secondo Ludovico Granvassu
by Ludovico Granvassu
Spesso molti articoli sulle “migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" “è tutto soggettivo;" “domani avrei scelto titoli diversi;" “ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando ...
Ludovico Granvassu's Garden of Jazzy Delights 2024
by Ludovico Granvassu
Have you noticed how many “best of the year" listicles start with an apologetic preamble ("these are not necessarily 'the best albums of the year' but 'my favorites';" “it's all subjective;" “tomorrow I might have chosen different titles;" “I could only select ten albums" etc.)? Those disclaimers channel the writer's discomfort of having to summarize a ...
