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Jim Rattigan: When
by Chris May
Composer-arrangers as diverse as Gil Evans and Charles Mingus have employed the French horn, but it remains something of a niche instrument in jazz. Why? The same question applies to the almost complete absence of trombones in West African jazz and Afrobeat, and their ubiquity in Brazilian samba. The first convincing explanation in the Comments box ...
Josephine Davies: How Can We Wake?
by Friedrich Kunzmann
Straight out of Europe's hippest jazz-scene, London-based saxophonist Josephine Davie's third effort with her trio, Satori, offers a collage of melodic meditations that simultaneously defy and conform to their rhythmic and harmonic frames. As All About Jazz's Chris May very fittingly puts it in an extensive conversation with the saxophonist, unlike many of her ...
Josephine Davies: Way Out East: New Directions In Jazz
by Chris May
Compared to many other bands which have emerged on London's revitalized jazz scene since the mid 2010s, saxophonist and composer Josephine Davies' trio Satori has attracted relatively little noise. This may be because, unlike most of its contemporaries, Satori is not infused with dancefloor-friendly grooves. Davies instead looks to Eastern culture, particularly to Buddhist texts and ...
Josephine Davies: How Can We Wake?
by Chris May
Compared to many of the other premier-league bands on the new London jazz scene, tenor saxophonist and composer Josephine Davies' Satori has attracted relatively little noise. There has been high praise from specialist critics, but little of the social media ballyhoo that has surrounded, for instance, bands led by fellow tenors Nubya Garcia and Binker Golding ...
AuB: AuB
by Chris May
Twin-tenor frontlines are almost as old as jazz itself. Sonny Rollins and John Coltrane's meeting on the title track of Rollins' Tenor Madness (Prestige, 1956) may be the starting point for some listeners, but AAJers do not need reminding that the tradition was popular in live performances as far back the 1920s. Later, with the arrival ...
MY IRIS: MY IRIS Live!
by Ian Patterson
Unable to undertake its scheduled April tour due to COVID 19, MY IRIS, the quartet led by saxophonist Trish Clowes, releases this live recording culled from gigs in Belfast and Galway in October 2019. Captured on Zoom recorder, Clewes has done an admirable job in producing a presentable sound on this digital-download, Bandcamp release. More importantly, ...
Results for pages tagged "James Maddren"...
Galway Jazz Festival 2019
by Ian Patterson
Galway Jazz Festival 2019 Various venues Galway, Ireland October 2-6, 2019 Bat song may be a first at a jazz festival, but then they do things differently here in Galway. Bats were in and plastic was out. No plastic laminates or cable ties, no plastic on outdoor advertising, no ...
Trish Clowes: Sounding Colors, Playing With Gravity
by Ian Patterson
If it hadn't been that day, twenty some years ago when the young Trish Clowes first felt the pull of the tenor saxophone, it would surely have been another. Barely in her teens at the time, Shropshire-born saxophonist and award-winning composer Clowes already played piano, clarinet and sang when she went to see her ...
Trish Clowes: Ninety Degrees Gravity
by Ian Patterson
Trish Clowes' stock has risen steadily since her debut, Tangent (Basho Records, 2010), which featured jazz quartet and, on several tracks, orchestra. That record announced a promising and ambitious voice, one equally at home with jazz and classical colors. Since then the saxophonist has continued to explore the meeting of jazz, voice and strings, attracting a ...
