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340

Article: Album Review

James Carter/Cyrus Chestnut/Reginald Veal/Ali Jackson: Gold Sounds

Read "Gold Sounds" reviewed by Michael McCaw


Of all the source material available to musicians nowadays, the indie-rock band Pavement probably wouldn't rank high on many jazz tribute lists. Nonetheless, James Carter, Cyrus Chestnut, Reginald Veal, and Ali Jackson recorded a striking album of the group's compositions over the course of two days last fall. Clocking in at just over 44 minutes, Gold ...

435

Article: Album Review

James Carter Organ Trio: Out of Nowhere: Live at the Blue Note

Read "Out of Nowhere: Live at the Blue Note" reviewed by John Kelman


When James Carter burst onto the scene a dozen years ago, it was akin to the second coming. Not since the 1960s had someone emerged with so potent a combination of astounding advanced and extended techniques, fiery intensity, and unfettered imagination. Clearly well-versed in the mainstream, Carter nevertheless approached it from the left with a rawness ...

Album

Gardenias for Lady Day

Label: Columbia Records
Released: 2004
Track listing: 1. Gloria (Byas) - 6:01 2. Sunset (Calloway/Harding/Ricks) - 5:24 3. (I Wonder) Where Our Love Has Gone (Johnson) - 6:22 4. I'm in a Low Down Groove (Jacobs) - 4:39 5. Strange Fruit (Allan) - 4:20 6. A Flower Is a Lovesome Thing (Strayhorn) - 5:54 7. Indian Summer (Herbert V.) - 6:52 8. More Than You Know (Eliscu/Rose/Youmans) - 6:37

Album

Live at Baker's Keyboard Lounge

Label: Warner Music Group
Released: 2004
Track listing: Tricotism; Soul Street; Freedom Jazz Dance; I Can't Get Started; Free and Easy; Low Flame; Sack Full of Dreams

363

Article: Multiple Reviews

James Carter: Live at Baker's Keyboard Lounge & Two Dreams

Read "James Carter: Live at Baker's Keyboard Lounge & Two Dreams" reviewed by Russ Musto


James Carter Live at Baker's Keyboard Lounge Warner Bros. 2004 James Carter is a passionate player whose solos are frequently pushed over the top by his awesome virtuosity. That tendency is put to good use on this live extravaganza recorded before a raucous crowd at Baker's Keyboard Lounge. Joined by ...

256

Article: Album Review

James Carter: Live at Baker's Keyboard Lounge

Read "Live at Baker's Keyboard Lounge" reviewed by Chris M. Slawecki


In 2001, James Carter commanded soprano, tenor, and baritone saxophones on one of the most famous jazz stages in his Detroit hometown, leading keyboardists Gerald Gibbs and Kenn Cox, trumpeter Dwight Adams, bassist Ralphe Armstrong, and drummers Leonard King and Richard “Pistol" Allen, plus special guests, through three hot summer nights. Just like he ...

455

Article: Album Review

James Carter: Gardenias for Lady Day

Read "Gardenias for Lady Day" reviewed by Germein Linares


Saxophonist James Carter pays tribute to Billie Holiday on Gardenias for Lady Day. This is the first recording by Carter since his tribute to another jazz icon, Django Reinhardt, on Chasin' the Gypsy. An extremely creative and adaptable musician, Carter's multi-reed talents are valuable and welcomed additions. The new rhythm section of pianist John Hicks, bassist ...

315

Article: Album Review

James Carter: Gardenias for Lady Day

Read "Gardenias for Lady Day" reviewed by Jeff Stockton


While not quite James Carter in Satin, this homage to the music and spirit of Billie Holiday overflows with silky soloing, noirish ballads, and romantic orchestration, with the leader’s own distinctive and identifiable voice prominently featured on no less than six horns. Carter’s arresting baritone saxophone comes up from under on “A Flower is a Lovesome ...

Album

Gardenias For Lady Day

Label: Columbia Records
Released: 2003
Track listing: Gloria; Sunset; (I Wonder) Where Our Love Has Gone; I

368

Article: Album Review

James Carter: Gardenias For Lady Day

Read "Gardenias For Lady Day" reviewed by Jim Santella


James Carter with strings. Carter's tribute to the memory of Billie Holiday weaves lyrical melodies around his own trademark enthusiasm. His desire to build upon what our jazz ancestors laid down for us has matured. Instead of far-out creations that few could understand and that many would bicker with, the 34-year-old saxophone sensation serves ...


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