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Jason Moran: All Rise: A Joyful Elegy for Fats Waller
by Mark F. Turner
Jason Moran is an artist who is not afraid to look back while constantly pressing forward. The 2010 MacArthur Fellow is a leading jazz pianist with moments of kinetic energy, agility, and sensitivity, the likes of his one-time teacher, the great Jaki Byard. Whether performing with varied ensembles and musicians, bringing new perspectives as the Artistic ...
Bimhuis at 40: Older, Better, Business as Usual
by Joan Gannij
The Bimhuis is turning 40 and is still very much in its prime. Beginning October 1, Amsterdam's venerable jazz club will celebrate this milestone with a variety of concerts, activities and special events. The Bimhuis opened in 1974 after a lengthy search for a suitable venue for improvising musicians. Over the next decades it would become ...
Take Five With Charles Gambetta
by AAJ Staff
Meet Charles Gambetta: I've been playing bass for nearly 50 years, composing and arranging for over 40 years and conducting for 40 years as well. It has been an incredible journey with many surprises, unexpected turns and several major turning points that have shaped my growth as an artist and person. The first of these ...
Jazz Piano Workshop, 1965
The following concert in Berlin in 1965 may well be the greatest piano jazz summit ever documented on film. It featured Earl Hines, Teddy Wilson, John Lewis, Lennie Tristano, Bill Evans and Jaki Byard. I have no idea why the sound goes dead when Evans comes out, but I snooped around and found the segment elsewhere and ...
Roland Kirk: The Limelight/Verve Albums
by C. Andrew Hovan
Several years ago when this writer was looking for rarities to include in the column Jazz From the Vinyl Junkyard, the chances for the medium to make a huge comeback seemed to be slim at best. Fast forward and it seems that vinyl is the new black, with efforts to market it to a fresh and ...
Gerard D'Angelo: Who's Kidding Who?
by DanMichael Reyes
The old adage about those who can do and those who can't teach doesn't fit nicely into any music tradition. If this fallacy were to hold true, then it would be best for music history books to write off Joseph Haydn for taking on pupils--Beethoven being one of the more famous ones. That old idiom penned ...
Mark Sherman: Truth Of Who I Am
by DanMichael Reyes
Vibraphonist Mark Sherman likes using the term consummate to describe musicians and colleagues that he's played with. While it would be difficult to speak to every notable musician that Sherman's played for and ask about their opinion about Juilliard graduate and professor, it is safe to assume that they would also describe Sherman as a consummate ...
Howard Riley: Live with Repertoire
by Duncan Heining
Pianist Howard Riley turned 70 in February and belatedly celebrates the event with the release of a new CD, Live with Repertoire (NoBusiness Records). It's a really strong live, solo set of standards and a few original tunes recorded last year in Leicester and one that emphasises one particular aspect of his playing. Riley remains one ...
Dan Bilawsky's Best Releases Of 2013
by Dan Bilawsky
The annual rite of writing a “best of" list at All About Jazz is a most pleasurable and difficult task; pleasurable for the reflections on great art that come along with the task and difficult because of the need to make hard choices. I've been inspired by dozens of new jazz recordings this year, but I've ...
Trio 3 + Jason Moran: Refraction - Breakin' Glass
by John Sharpe
If ever there was a threesome that hankered after being a quartet, it's Trio 3. Though working as a self-contained unit since 1986, pianists have often supplemented the core triumvirate, and in fact one has augmented each of the group's previous three recordings. Now Jason Moran fills the piano stool on Refraction--Breakin' Glass, adding to an ...
