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Lenny White: Jazz/Rock Collides Again

by Carl L. Hager
When that cool, overcast dawn arrived in Bethel, New York, neither the Woodstock Music and Arts Fair's expired permit, nor the rain, mud, and technical problems could have kept Jimi Hendrix and his Band of Gypsys from playing. It was destiny. Believe it. A hundred miles south on that same morning of August ...
Lenny White: Anomaly

by Ian Patterson
At twenty-five, Lenny White had established a reputation as one of the best drummers in jazz-rock and fusion, having featured as a nineteen year-old on trumpeter Miles Davis' epochal Bitches Brew (Columbia, 1969) and forming one-half of the formidable rhythm team, alongside bassist Stanley Clarke in Chick Corea's seminal fusion group, Return to Forever. In the ...
The Emergence of Jimmy Lyons

by Robert Levin
[Editor's Note: From Jazz & Pop Magazine, 1970] Since 1960, when he began working with Cecil Taylor, alto saxophonist Jimmy Lyons has been developing from a somewhat diffident musician into one of the more potent voices in the New Music. In recent recordings and appearances with Taylor, Jimmy has been playing with a glowing ...
Muhammad Ali: From a Family of Percussionists

by Clifford Allen
Though not as well known as his brother, drummer Rashied Ali (1935-2009), Muhammad Ali spent the 1970s as one of the busiest drummers in free jazz, primarily working in a cooperative Paris-based quartet with saxophonist Frank Wright, pianist Bobby Few and bassist Alan Silva, and known as the Center of the World Quartet. Born in Philadelphia ...
Sarah Manning: Shattering The Glass Ceiling

by David A. Orthmann
Listening to Sarah Manning speak at length is nearly as absorbing as her music. She's intelligent, direct, witty, and serious-minded. As Manning waxes eloquent on topics ranging from the impact of three special mentors, to the benefits of being a well-rounded person, to issues surrounding woman's empowerment, you realize that she relishes every aspect of her ...
Pianos in the Foreground: Six Modern Masters

by Eugene Holley, Jr.
Because of its huge range, the piano might be the most expressive and adaptable instrument in western music. And since jazz is a product of western culture, it's no surprise that jazz pianists have been the genre's foremost creators, interpreters and stylists. This has been true since the days of ragtime, New Orleans, stride and swing, ...
Jon Mayer: Nightscape

by Ken Dryden
Jon Mayer was working professionally as a jazz pianist as a teen back in the '50s, while attending the Manhattan School of Music. As well as working as a sideman with Tony Scott, Kenny Dorham, Chet Baker, the Thad Jones/Mel Lewis Orchestra, Sarah Vaughan and others, along with taking part in record dates with John Coltrane ...
Steve Davis: Images - The Hartford Suite

by Bruce Lindsay
Trombonist/composer Steve Davis was commissioned by the Greater Hartford Festival of Jazz to compose Images: The Hartford Suite, with track dedicated to a contemporary or historical Hartford figure or place. Thankfully, a detailed knowledge of Hartford, Connecticut is not a prerequisite for the enjoyment of this music; the talent and enthusiasm of the musicians accentuate this ...
Steve Davis: Images

by Dan Bilawsky
Images is trombonist Steve Davis' love letter to his hometown of West Hartford, CT. The ten pieces he wrote for the album, and which make up his Hartford Suite," are all dedicated to people or places associated with this geographic region. While Davis' penchant for crisp swing and clear, lyrical lines plays a big part here, ...
Sarah Manning: Dandelion Clock

by Woodrow Wilkins
It may take years of listening before a music enthusiast can identify the sound of a musician, distinct and separate from others who play the same instrument. David Sanborn, Bob Mintzer and Jay Beckenstein are just a few examples of saxophonists whose voices are easily distinguished. Sarah Manning hopes to join their ranks. Manning ...