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30

Article: Album Review

Martin Wind Quartet: My Astorian Queen

Read "My Astorian Queen" reviewed by Jack Bowers

by Jack Bowers

Bassist Martin Wind, born in Flensburg, Germany, moved to New York City in 1996 and has called the area home ever since— more specifically, suburban New Jersey where he lives with his wife, Maria, two grown sons and one dog. Wind had been in New York for less than forty-eight hours when he was introduced to ...

33

Article: Album Review

The Dave Wilson Quartet: Stretching Supreme

Read "Stretching Supreme" reviewed by Jack Bowers

by Jack Bowers

On Stretching Supreme, his seventh album as leader of his own ensembles, saxophonist Dave Wilson pays homage to a musical hero-- the legendary John Coltrane--performing a trio of Coltrane's classic themes from his late-career “transitional" period, “A Love Supreme," “Dear Lord" and “Naima," recorded in October 2017 at Chris' Jazz Café in Philadelphia; “A Love Supreme" ...

1,625

Article: Album Review

The BBB Featuring Bernie Dresel: The Pugilist

Read "The Pugilist" reviewed by Jack Bowers

by Jack Bowers

No, drummer Bernie Dresel hasn't taken a day gig at the Los Angeles-area Better Business Bureau; the BBB in front of his name stands for Bernie's Big Band or Bernin' Big Band or Bernie's Bernin' Band or something like that. It's really hard to say, as the band's full name isn't spelled out anywhere, even on ...

33

Article: Album Review

Andy Wheelock: View from Here

Read "View from Here" reviewed by Jack Bowers

by Jack Bowers

When high-caliber musicians invest time and effort to produce music they believe in, one is loath to dismiss it as anything less than persuasive. On the other hand, any assessment of Colorado-based drummer Andy Wheelock's album, View from Here, must be tempered by an awareness that this is his special view, and that of his group, ...

29

Article: Album Review

Espoo Big Band: Blood Red

Read "Blood Red" reviewed by Jack Bowers

by Jack Bowers

If the music on Blood Red, the eleventh album by Finland's world-class Espoo Big Band, sounds more Middle Eastern than Scandinavian, there's a reason for that. It was inspired, writes composer/arranger Mikko Hassinen, by 2006 Nobel laureate Orhan Pamuk's book, My Name Is Red, set in sixteenth-century Istanbul. The music “doesn't describe or explain the story ...

29

Article: Album Review

Carn Davidson 9: The History of Us

Read "The History of Us" reviewed by Jack Bowers

by Jack Bowers

From north of the U.S. border comes The History of Us, a warm-hearted album by the Carn Davidson 9, a Toronto-based nonet co-led by trombonist William Carn and saxophonist Tara Davidson. The album consists of a pair of three-part suites, one by Carn, the other by Davidson, separated by Carn's amiable composition, “Goodbye Old Friend," a ...

28

Article: Album Review

Eric Goletz: A New Light

Read "A New Light" reviewed by Jack Bowers

by Jack Bowers

Trombonist Eric Goletz, an in-demand studio musician and sideman in New York City for three decades, released his first album as leader of his own ensemble in March 2021, and quickly followed with the second, A New Light, wherein his core octet is bolstered by three trumpets, half a dozen horns and a five-member string section. ...

30

Article: Album Review

Georg Riedel: Dance Music: Georg Riedel Meets Ekdahl/Bagge Big Band

Read "Dance Music: Georg Riedel Meets Ekdahl/Bagge Big Band" reviewed by Jack Bowers

by Jack Bowers

Czech-born, Swedish-bred bassist Georg Riedel, best known as a composer of ten or more film scores, returns to his first love, big-band jazz, to conduct an evening of Dance Music with Sweden's world-class Ekdahl/Bagge Big Band, recorded in June 2019 at Fasching Jazz Club in Stockholm. Before arriving at “Dance Music," the hour-long ...

27

Article: Album Review

Pat Bianchi: Something to Say: The Music of Stevie Wonder

Read "Something to Say: The Music of Stevie Wonder" reviewed by Jack Bowers

by Jack Bowers

When considering pop artists whose music might readily lend itself to a jazz milieu, Stevie Wonder's name isn't one that springs readily to mind. Organist Pat Bianchi, however, felt that Wonder had Something to Say in a jazz context, so he set about canvassing Wonder's art and reimagining it in terms of an organ trio, accentuating ...

27

Article: Album Review

Amos Gillespie: Unstructured Time for Jazz Septet

Read "Unstructured Time for Jazz Septet" reviewed by Jack Bowers

by Jack Bowers

Chicago-based composer/educator/alto saxophonist Amos Gillespie's CD, Unstructured Time, employs a variety of time signatures but is anything but unstructured--in fact, the opposite may reasonably be opined, as taut structure is clearly front and center on the album's four instrumental and five vocal numbers. In other words, “unstructured" in Gillespie's lexicon bears absolutely no resemblance to “free" ...


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