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Michael Buckley: Blowing Hot
by Ian Patterson
An early spring vacation to New York saw Michael Buckley and his wife take in what he describes as the usual sights." But for the Dublin saxophonist that also meant trips to three or four saxophone shops." Once a tenor saxophonist, always a tenor saxophonist. Buckley, in fact, started out on the flute, playing ...
La Dodicilune di Maurizio Bizzochetti
by Libero Farnè
Nella produzione della Dodicilune, nata nel 1995 come associazione culturale prima che diventasse etichetta, la prima cosa che caratterizza i suoi dischi, prevalentemente CD, è l'inconfondibile, coerente e qualificata veste grafica. E questo è già un aspetto importante per quanto riguarda la comunicativa editoriale; la politica produttiva invece, che in trent'anni ha pubblicato quasi quattrocento incisioni, ...
Savina Yannatou: Letting the Voice Go Where It Goes
by Katchie Cartwright
Savina Yannatou flies through vast reaches of space and time as she works, like the swallows and warblers who traverse the Sahara, stopping in Greece on their annual pilgrimage to breeding grounds in the North, thousands of miles away. She is an artist beyond category," to borrow Duke Ellington's phrase, whose programs and performances combine Mediterranean ...
LaMP: The Three Of Me Blend Into One Of Us
by Dean Nardi
LaMP's rousing albums have a knack for keeping you listening, whether it is Russ Lawton propelling the trio along through punchy, substantial snare, Ray Paczkowski indulging in the inner point-of-view of melody and harmony on both organ and clavinet, or Scott Metzger inserting reveal after reveal in a twist-laden odyssey of gleeful, darting notes. But there ...
The Changing Times of Cecil McBee
by Rob Rosenblum
It was 1971 and the jazz scene was struggling and jazz musicians were grabbing gigs wherever they could. Many were moving to Europe where they felt they had greater acceptance. It was at that time when Albany, New York area saxophonist Nick Brignola connected with the State University of New York and produced the first and ...
Echoing the Angel Gabriel: Leroy Jones and his Signature Sound
by Taliya Hafiz
This story roots its preface in 2015 in JazzAscona at a press conference dedicated to jazz trumpeters and featuring a league of fantastic musicians: Wendell Brunious, John Michael Bradford, Kevin Louis and Shamarr Allen, who kindly shared their perceptions of the trumpet as an instrument." My trumpet is my girlfriend, I kiss her every day," Allen ...
Laura Dreyer: Dancing Through Time
by Katchie Cartwright
When something sparks her creativity, Laura Dreyer is the sort of person who jumps in with both feet and gets right down to business. A multi-hyphenate artist, saxophonist-flutist-composer-teacher-clinician, she has been serious about jazz since junior high school in El Cerrito, California, across the bay from San Francisco. El Cerrito High had an award-winning--like state champion ...
Peter Erskine: Revisiting Weather Report
by C. Andrew Hovan
A standout drum prodigy of his generation, Peter Erskine began playing at the age of four. After honing his skills at Interlochen, he launched his professional career in 1972 with Stan Kenton. Four years later, he joined Maynard Ferguson before making a pivotal move, replacing Alex Acuña in Weather Report. In the spring ...
Billy Mohler: Emotions and Groove
by Vincenzo Roggero
Billy Mohler, a bassist with diverse musical experiences, is becoming an increasingly prominent presence in the ever-evolving and vibrant Los Angeles jazz scene. With the release of his latest album and an upcoming European tour, we took the opportunity to discuss various aspects of his artistic journey. All About Jazz: Let's start with The ...
Wajdi Riahi: Something That Feels Honest
by Ieva Pakalniskyte
Wajdi Riahi, a Tunisian-born, Brussels-based jazz pianist and composer, is rapidly emerging as a distinctive voice on the European jazz scene. His music, deeply rooted in the jazz tradition, is also infused with the rich melodic and rhythmic colors of his North African heritage, creating a captivating and highly personal sound. Riahi's playing is marked by ...




