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Marina Albero: The Sweetness of the Edge
by Paul Rauch
Marina Albero burst onto the Seattle jazz scene in April of 2014, playing a brilliant set on vibraphone in a duo with flamenco jazz master, pianist Chano Dominguez. That evening we were not only introduced to her music, but to our new neighbor, as she was moving her family to Seattle from Barcelona. Since that time ...
Rudy Van Gelder
by C. Andrew Hovan
This interview was originally published in June 1999.For many decades now, the name Rudy Van Gelder has been synonymous with recorded jazz music. The number of sessions he's done over the years easily numbers in the tens of thousands. He's been actively involved in the recording work of such quintessential jazz labels as Prestige, ...
Dominick Farinacci: Sharing Stories
by R.J. DeLuke
Dominick Farinacci, a trumpeter from Cleveland, is a strong improviser with a wide, round tone. It's suited for his predilection for the melodic side of the music. But his vision of music extends beyond the act of playing and the art of performing--something he has done around the globe for years, carving out a successful career ...
Ron Carter: Always at the Center of the Action
by Victor L. Schermer
Great jazz bassists can always be identified by the fact that you really listen to them! A good jazz bassist keeps good time and gets the chords right, but a great bassist, going as far back as Jimmy Blanton, Scott LaFaro, Charlie Haden, or Jimmy Garrison, catches your ear because you're surprised and moved by what ...
Dave Liebman and Michael Kaplan: How Does the Brain Make All that Jazz?
by Victor L. Schermer
With recent advances in neuroscience, the relationship between music and the brain has become the subject of new research and generated a great deal of public interest. Best sellers like Oliver Sacks' Musicophilia (Knopf, 2007) and Daniel Levitin's This Is Your Brain On Music (Dutton Penguin, 2006) have brought the attention of a wider public to ...
Bobby Hutcherson: A Life In Jazz
by AAJ Staff
This interview was first published at All About Jazz in February 1999. Listen to any one of Bobby Hutcherson's albums for Blue Note during the mid-'60's and '70's, he made well over thirty, and you will see just why he is the best vibraphonist in jazz. Dialogue with Andrew Hill, Components with a fiery ...
Jim Ridl: Opening Doors in the Big Apple
by Victor L. Schermer
Something fresh and vital is in the air when a truly creative musician is about to release a new album. Jim Ridl's Door in a Field: Volume II: Songs of the Green River, an independent release, is full of surprises and rich in musical ideas. The album is set to be released in early Fall, and ...
Carla Bley: Shoe Leather, Mystery & Moxie
by Ian Patterson
This article was first published at All About Jazz on July 28, 2016. With the passing of time. That's roughly how the title of Carla Bley's second trio album for ECM translates. Bley turned eighty a few months before the release of Andando el Tiempo but the passing years, if anything, have sharpened her ...
Damión Reid: On Drum Artistry, The Robert Glasper Trio, and Beyond
by K. Shackelford
International drummer Damión Reid has crafted a style that is inimitable without sacrificing the ardor of modern jazz and its traditional stylistic approaches to drumming. Listening to Reid is like a history lesson on the drum--he can play everything with artful dexterity from Be-Bop to Hip Hop. Adrian Kirchler, owner of AK drums, was ...
Daniel Kramer: Bob Dylan, In Pictures
by Nenad Georgievski
Photography may not bring back what has long gone, but for many, it can provide a passage to explore important happenings or moments from people's personal histories. A simple photograph can encapsulate deep-rooted emotions and memories of people, events and times that have long gone. Photographer Daniel Kramer's photographs of singer and songwriter Bob Dylan taken ...
