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Donny McCaslin: Bowie Deepened The Relationships In My Band
by Nenad Georgievski
Wherever the boundaries were in music, in most cases, they have perished and are no more. Jazz has always been a music of exploration and taking chances and as a result, has benefited from the dialogues with other music, be it folk, rock, classical or electronic. Saxophonist and composer Donny McCaslin certainly doesn't believe in boundaries. ...
Matthew Shipp: Let's Do Lunch!
by Yuko Otomo
When Matthew Shipp asked me to design the cover art for his Points album (Silkheart Records, 1992), I showed him works from the on-going drawing study I was engaged in. He picked one graphite drawing and said, Wow! This is exactly what's happening inside my mind when I play the piano!" Here, we talk ...
Erik Friedlander: A Little Cello?
by Ian Patterson
Normally lumped into the 'miscellaneous instruments' category of jazz awards, the cello has been something of a bit player in the colorful history of jazz. That said, today there are arguably more cellists in jazz and contemporary improvised music--and some extraordinary ones at that--than ever before. One of the best known cellists is undoubtedly Erik Friedlander, ...
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
Jack Wilkins: Playing What He's Preaching
by Rob Rosenblum
Some time in 1975 a box of records from the Mainstream label was dropped by my front door. I picked it up and began to open it with a mix of excitement and dread of having to face writing more record reviews. I saw an LP titled Windows with an unfamiliar cast of characters and put ...
Marco Pesatori, sotto le stelle del jazz
by Rosarita Crisafi
Marco Pesatori è un noto astrologo italiano e un intellettuale eclettico. Scrittore, laureato in Storia della critica d'arte con una tesi sul movimento Dada, è stato collaboratore di Gianni Sassi nella Cooperativa Intrapresa, un laboratorio che influenzò profondamente la cultura e l'industria discografica italiana ed europea a cavallo tra gli anni '70 e '80. Nel suo ...
D'Vonne Lewis: It's About the Love
by Paul Rauch
On the Seattle jazz scene, no musician is more visible than drummer D'Vonne Lewis. Whether he is touring and playing with his band Industrial Revelation, leading his flexible and innovative combo, D'Vonne Lewis Limited Edition, or playing as a sideman on multiple projects around town, Lewis brings to the bandstand a remarkable versatility, and musical identity ...
Don Falcone: Daevid Allen’s Weird Quartet and Weird Biscuit Teatime
by Jack Gold-Molina
Don Falcone is a multi-instrumentalist and music producer who has been working with known psychedelic and space rock musicians since the 1990s with his band Spirits Burning as well as other projects. The late Daevid Allen, founder of Soft Machine and Gong, appeared on Spirits Burning's first album, 1999's New Worlds By Design, performing on much ...
7 Virtual Jazz Club, i talenti di tutto il mondo si sfidano in rete
by Rosarita Crisafi
Lo scorso 19 dicembre si è concluso 7 Virtual Jazz Club, il primo concorso internazionale per musicisti interamente on line. Un contest virtuale che ha visto la partecipazione di centinaia di musicisti da tutto il mondo in cui è risultata vincitrice la sassofonista tedesca Nicole Johaenntgen con il brano Flugmodus," al secondo posto la giovane band ...
Ashley Kahn: The Making of the Miles Davis Masterpiece
by Lazaro Vega
This interview was first published at All About Jazz in November 2000 and is part of our ongoing effort to archive pre-database material. Ashley Kahn, the author of Kind of Blue: The Making of the Miles Davis Masterpiece (Da Capo Press, 224 pgs.), is Music Editor at VH1, and was the primary editor ...





