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Antonio Ribatti - Direttore Artistico di Ah-Um Jazz Festival
by Paolo Peviani
All About Jazz: Giunto alla sua quindicesima edizione, il festival Ah-Um è ormai una felice consuetudine all'interno del panorama musicale milanese. Nel corso degli anni, il festival ha cambiato luoghi, traslocando dalla Barona, zona periferica e marginale, al quartiere Isola, forse la zona più fighetta di Milano. Ha cambiato fisionomia. Nato in teatro, oggi ...
Jamie Saft: il jazz secondo Iggy Pop
by Luca Canini
Chissà come l'avrebbe presa Bill Laswell se qualcuno nel 1988, durante la lavorazione di Instinct, gli avesse detto che un giorno lontano una trentina d'anni avrebbe contribuito a spingere Iggy Pop sulla strada del jazz. E non del quasi jazz o del jazz pop, ma del jazz quello vero, fatto di arpeggi eleganti e notturni, di ...
Piotr Turkiewicz: Putting Wroclaw On The Jazz Map
by Ian Patterson
At just thirty seven years of age it's hard to believe that Piotr Turkiewicz has been pulling the strings of Jazztopad for almost a decade already. The festival, staged each November in the Polish city of Wroclaw, was already a few years old when Turkiewicz became Artistic Director in 2008, but under the canny stewardship of ...
Basilio Sulis: Ai Confini tra Sardegna e Jazz
by Paolo Peviani
Basilio Sulis, storico direttore artistico del festival Ai Confini tra Sardegna e Jazz, è deceduto questa mattina, 11 Novembre 2020. Visionario e anticonformista, ironico e penetrante, appassionato e al tempo stesso lucidamente disincantato, era un acuto osservatore dei fenomeni musicali, culturali, sociali. Lo ricordiamo ripubblicando questa intervista, raccolta nel corso dell'edizione 2017 del ...
The indefatigable Bill Frisell
by Mario Calvitti
Since he first appeared on the international scene in the late '70s, Bill Frisell has shown considerable originality and strong individuality. Thanks to an instrumental voice that is both immediately recognizable and immensely versatile, he continues to stand out among the artists that have contributed to rewriting the role of guitar in jazz and beyond.
Lwanda Gogwana: Tradition and Innovation
by Seton Hawkins
When South African trumpet virtuoso Lwanda Gogwana released his second album Uhadi Synth (Lwanda Gogwana Music Group, 2016) last year, he reinforced his position not only as one of South Africa's truly exceptional horn talents, but also as one of its most probing and insightful artists and composers. The title of the album itself--the ...
Mark Guiliana: A Natural Progression of Research
by Angelo Leonardi
Mark Guiliana is a prominent figure among the new wave of drummer-leaders of his generation. The upcoming album Jersey is the second with his Jazz Quartet and marks his debut for Motema Music. All About Jazz met him last July, before his performance at the Malta Jazz Festival, to speak about his ability to seamlessly integrate ...
Todd Neufeld: Transcending the Limits of Sound
by Jakob Baekgaard
Originality is a hard concept to pin down, but in music, it is a matter of having your own sound. The idea of a singular signature has been a part of the narrative of jazz for a long time, and it forms the basis of the so-called blindfold test where musicians try to ...
Eric Ineke: Surveying the European Jazz Scene
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the fourth of the All About Jazz series on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, and entrepreneurs who give ...
John McLaughlin's American Farewell Tour with Jimmy Herring
by Alan Bryson
Nearly five decades have passed since John McLaughlin set foot in America as a relatively unknown musician to join the fusion band Lifetime, with the great drummer Tony Williams and equally great organist Larry Young. Two days later he was in the studio with Miles Davis recording In a Silent Way. The breadth and scope of ...
