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Interview: Phil Ramone (Part 2)
Back in the late 1950s, New York was peppered with recording studios. Most were on the West Side of Manhattan, between 39th and 58th streetswithin striking distance of the Brill Building on Broadway, the television networks on Sixth Ave. and record distributors on 8th and 9th avenues. When Phil Ramone began his career as a recording ...
Cool, Hip and Funny
I interviewed singer-guitarist John Pizzarelli for a profile that will be in the December issue of Hot House in conjunction with a mid-month (December 14 to 18) run with his quartet at Birdland in Manhattan. As is usually the case with these encounters, John had far more to say than space allows in the magazine. I'll ...
Randy Weston: African Stories, African Rhythms
by Ian Patterson
In over 60 years as a leader, pianist Randy Weston has achieved an incredible amount. He has recorded nearly 50 albums and has been hailed in the process as the natural heir to Duke Ellington and Thelonious Monk. Three times he has been voted Downbeat's composer of the year, and his compositions have been recorded by ...
Interview: Fats Domino (Part 2)
Like a parent playing favorites, New Orleans dotes too heavily on its jazz heritage. I know this sounds like heresy, but it's true. The airport is named for Louis Armstrong, there's a 150-foot trompe-l'oeil mural of a clarinet running up the side of a Holiday Inn, and you don't have to look too hard for the ...
A Moody Update
The November 4 post below and coverage elsewhere about James Moody's illness generated so much concern that it has created a problem in the Moody household. Here is part of a message from Moody's wife Linda.Would you mind posting that people should leave Moody messages on Facebook? Our computers and two e-mail addresses are about to ...
Ken Thomson Turns His Reed Work to Chamber Jazz
Improvisation is a big, if not the biggest, pillar of jazz music. For many, it's what gives the music its unique identity, separating it from pop and the rest. Musicians wax poetic about the experience of playing that way, and I've written extensively about it through the years, particularly applauding those groups that practice free playing ...
Interview: Fats Domino (Part 1)
Last Wednesday I was in New Orleans for the Wall Street Journal to interview Fats Domino. You'll find my conversation with rock's creator on the Leisure & Arts" page of today's Personal Journal section. Or go here. The interview was something of a coup, since the early rocker rarely grants interviews. I can tell you that ...
Pat Metheny on Paolo Angeli
By Pat Metheny In my opinion, Paolo Angeli has developed a significant new direction for the guitar with his innovations in design for our instrument. When I first heard him play his guitar, it was clear to me that the implications of what he and his instrument were offering were challenging and important. His solo concert ...
Interview: Will Friedwald (Part 2)
Each entry in Will Friedwald's new book, A Biographical Guide to the Great Jazz and Pop Singers, goes off like a firecracker. There are no dull openings, there's plenty of mischievous humor and pop-culture references, and most of Will's positions on singers are provocative. And in some cases, you may disagree with his take. That's what ...



