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Charlie Ballantine: Jazz Guitar Without Borders
by Mark Sullivan
Indianapolis-born jazz guitarist/composer Charlie Ballantine has a special relationship with American music of all kinds: jazz, folk, the blues (his father was a blues guitarist, providing some of Ballantine's earliest musical memories) and contemporary rock. He is acclaimed as one of the finest and most versatile young guitarists on the scene today. Yours truly described his ...
José James: Why The Female Of The Species Is Groovier Than The Male
by Peter Jones
Jazz singer José James considers Erykah Badu to be the Joni Mitchell of his generation, a woman who has constructed a world of her own in order to tell her own alternative story. To prove the point, earlier this year he released On & On (Rainbow Blonde), a whole album of Badu songs, which he has ...
Bob Perkins: The Art of Listening
by Victor L. Schermer
This article was first published in November 2009. Bob is without a doubt an NEA Jazz Master. Please nominate him for an NEA Jazz Masters Fellowship. “It's BP with the GM!" That's how the famed and venerable jazz disc jockey Bob Perkins signs on the air, with the code for “Bob Perkins with the ...
Interview: Gene DiNovi
After my post on pianist Gene DiNovi in March, I included my email with hopes that Gene or his family would reach out so I could interview him. Joe Lang put me in touch with his daughter, who put me in touch with his wife and Gene. We had a lovely Zoom conversation. Gene is a ...
Roberto Ottaviano: sul palco e dietro le quinte
by Libero Farnè
È estremamente opportuno tornare periodicamente ad analizzare le esperienze più recenti di musicisti di grande personalità del panorama jazzistico italiano. Uno di questi è dagli anni Ottanta Roberto Ottaviano, che esordì discograficamente nel 1983 con Aspects, un lavoro rivelatore, in solo e in sestetto, di una potenza espressiva e di una creatività sconvolgenti. Dopo ...
Interview: Bill Crow, Part 4
Most non-musicians think all jazz bass players are fundamentally alike. They believe they aren't there for us but simply to keep time for the band, the way a transmission is for a car. As one person who isn't a bass fan told me some years ago, “There's a reason they stand in the back, behind the ...
Interview: Bill Crow, Part 3
In the ealry 1950s, Bill became exquisite on the bass while playing and recording with some of the era's finest collaborative jazz musicians. Yesterday, Bill and I covered his year with Stan Getz. Today, Bill talks about working with a growing number of leading artists in tjhe 1950s, including Al Haig, Jimmy Raney, Marian McPartland, Jackie ...
Interview: Bill Crow, Part 2
Bill Crow came to the bass accidentally in 1950. But he was ready for the challenge. Within two years, he was recording with Claude Thornhill and then Stan Getz. But Bill was no ordinary bassist. Listening to the Stan Getz recordings today. he's the second loudest instrument after Getz, his right hand driving the band with ...
Interview: Bill Crow, Part 1
About 10 years ago, I interviewed legendary bassist Bill Crow at length for JazzWax Then the tapes went missing. Naturally, I was mortified and depressed. It was a great interview and sadly, our conversation seemed to be lost to history. My workload steadily increased and I forgot about the interview and the mishap. [Photo above of ...
Carlton-Macpherson-Pass-Valenti Quartet Interview Series: Alana Macpherson
by Jane Kozhevnikova
This interview is the first in a series to feature the Carlton-Macpherson-Pass-Valenti quartet from Australia: Jessica Carlton (trumpet), Alana Macpherson (saxophone), Kate Pass (double bass) and Talya Valenti (drums). They formed a quartet in 2021 with Carlton's move to Perth from Melbourne and Macpherson's temporary return from Austria. The quartet's debut album, Undeniable (Self Produced, 2022), ...
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