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36

News: Interview

Interview: Geri Allen (Part 1)

Interview: Geri Allen (Part 1)

Too many jazz fans are unfamiliar with pianist Geri Allen. Though not yet a household name, Geri will be soon. Her recordings and live performances make her one of jazz's most vibrant and dynamic musicians. Geri has been categorized as avant-garde, but that term seems ironically passe. Geri's free approach and warmth transcends “avant-garde," placing her at ...

49

News: Interview

Jon Anderson, Rick Wakeman Celebrate 40th Anniversary of Yes' Fragile; Stream the Interview!

Jon Anderson and Rick Wakeman are appearing this week on “InTheStudio: The Stories Behind History's Greatest Rock Bands," as the syndicated rock radio show celebrates the 40th anniversary of Yes' Fragile. “Probably around 'Fragile' was the time that I started to become a little bit more like a director—they used to call me 'Napoleon,'" Anderson says ...

37

News: Interview

An interview with New York-based saxophonist Mark Lopeman

It's fitting that the cover of saxophonist Mark Lopeman's latest album, Nice Work If You Can Get It, is a watercolor portrait from his daughter Rosie. After all, Lopeman approaches his instrument like a painter himself, utterly spellbinding in his ability to illustrate various moods from the unbridled joy of “My Reverie" to the warm caress ...

191

Article: Interview

Bela Fleck (BEY-Lah Fleck): See Curious, Creative Mind

Read "Bela Fleck (BEY-Lah Fleck): See Curious, Creative Mind" reviewed by R.J. DeLuke

by R.J. DeLuke

Béla Fleck has taken his instrument--the banjo--to heights that seemed unimaginable prior to couple decades ago. There have been virtuoso players in its long history, but the sounds Fleck elicits through electronics, and the musical landscapes he treads upon, are groundbreaking. He's got all that in his pocket. But as a twenty-something musician whose ...

37

News: Interview

Two Hollywood Songbirds

Two Hollywood Songbirds

I wasn't around in Los Angeles in the '50s and early '60s, but from what I hear, it was quite a place. Actually, you kind of sense that the city was overflowing with musical talent. Anyone who loves rare jazz albums by little-known singers knows that there were a lot of superb vocalists on the scene ...

176

Article: Interview

Enrico Rava: To Be Free or Not To Be Free

Read "Enrico Rava: To Be Free or Not To Be Free" reviewed by Ian Patterson

by Ian Patterson

Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...

41

News: Interview

Remembering Michael Brecker, Five Years Later

Remembering Michael Brecker, Five Years Later

Hard to wrap my mind around the fact that as of yesterday, Michael Brecker has been dead for five years, now. With over 900 recordings to his name, it's damned near impossible to avoid that singular sax sound of his whether the music is funk, rock, mainstream jazz or fusion jazz. Moreover, I find that more ...

49

News: Interview

In Praise of DeJohnette

In Praise of DeJohnette

Recent NEA Jazz Master is among best drummers ever It was nice to see the recent National Endowment for the Arts annual Jazz Masters awards ceremony and concert broadcast online recently from the Jazz at Lincoln Center. All the honorees were fitting, and all—the ones present—eloquent. Particularly trumpeter Jimmy Owens speaking about the needs of aging ...

36

News: Interview

Interview: Anthony Ortega (Part 4)

Interview: Anthony Ortega (Part 4)

Personalities don't come much sunnier than Anthony Ortega's and his wife Mona's. Every time I call, I'm welcomed by enormous warmth and kindness. But their dispositions go way beyond words. You can hear an orange glow in the sound of their voices, how happy they are to be with each other and how grateful they are ...

43

News: Interview

Interview: Anthony Ortega (Part 3)

Interview: Anthony Ortega (Part 3)

Lionel Hampton loved Anthony Ortega's playing in 1953, likening his sound on the alto sax to Charlie Parker's. There are indeed similarities, notably the yearning, bluesy tone and pushing off on the high notes. Anthony wound up in Hampton's band at just the right moment in time, when an amazing collection of musicians had assembled—including Quincy ...


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